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kay/alternateseggychristmas_001.fountain
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Title: _alternateseggychristmas_
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Credit: Written by
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Author: Nathan Lindsay
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Notes: i have ~~paraphilias~~ issues
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/*
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inspired by between sleep daydream right before having to go to work 11/29/2022 ~7:30am. Wasn't entirely conscious; my brain is so used to the fake scenarios method that it attempts to re-enter sleep stages by utilizing the method even when not conscious. It's a bit spooky that my fantasies have been so far engrained into both the conscious and subconscious that this happens. I've conditioned myself through habitual fantasizing that my brain itself has rewired to have wacky habits. The honry is too strong. Anyway my fav scenario as of late has been that of getting double dicked by Sara and Kay, and Sara mommy domming the both of us. The semiconscious dream derived from the scenario was that of me being in a relationship with Sara (seemed to be in old house bedroom which really solidifies it as a dream but it having been somewhat lucidly triggered by semiconscious thought... this pseudoscience is strange...) and Kay being on the outside trying to barge her way into it and finally succeeding in creating a sort of polycule between the three of us. I don't think I could do it in real life. That's why it's just a fantasy. Bit of a guilty pleasure I think. But it goes like Kay is domming me, trying to own me, Sara then doms and reclaims me by sitting on my lap and forcing my face into her chest, then making out with Kay. She says something sarcastic/bratty back to her, Sara slaps her and forces to call her mom or something. It was a subconscious thought man don't judge me.
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Anyway the following is derived from me thinking about it throughout work day; what if this spiderverse scenario was accidentally and unknowingly triggered on Kay, specifically a version of Kay who had claimed me after her transformation and we lived together, but the universe she is transported, seemingly abducted to, is identical to her native universe except the only variable changed was that Sara was sent to her own Inner Sanctum rather than Kay; Sara has similar abilities, underwent a similar transformation. Perhaps the reasoning for her transformation could be different and more fitting than Kay's; Kay was sent because she was trying to lose weight while being forced not to, breaking physics and causing her to be reverted to a spiritual state, where her soul had to fight within her consciousness (represented in 3 dimensions by an Inner Sanctum) with her problems, conquering them and once that internal conflict was resolved, the Sanctum was exited and her body transformed at a time dilated pace. I think that justification makes sense but could be expanded upon in the main storyline. However, I'm having trouble trying to make it fit how this could work for Sara. I like the idea that she becomes muscle mommy rather than chubby mommy with unequivalent physical power to her appearance, but I'm thinking in order for the requirements for a Sanctum transformation to be met, there would have to be something changed about myself as well. I was the one who caused some of the requirements for the Sanctum to be met by having such a crush on Kay, but also a big thing for chubby girls, that I didn't want her to lose weight but fantasized about a world where she could be that weight but healthy and also happy with herself, forcing her to remain that weight, causing the Sanctum entrance and eventually creating that world. Perhaps Sara's would be in reverse. She wants to work out, alt-me encourages her to work out because alt-me has a muscle mommy thing > chubby mommy thing, my fantasies change to be more suited to make Sara the one who gets Sanctum'd. I would rather that be the case than the requriements for Sanctuming be changed, though in an infinite multiverse that is admittedly also a variable that could be changed.
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I find the fantasies thing interesting; a big part of my fantasies are literally just that my fantasy lover's powers just fix the stimuli to my OCD. I hate things being unsanitary and uncomfortable, especially in relation to sex. Her powers remove those issues. I think this explains why Sara's powers would be similar even if the reason her transformation occurred was quite different. My idealized version of any lover could consistently have the same healing and superhuman powers. I kinda love the idea of being immortal with one parter; both Kay's and Sara's powers would be able to bring someone back from even death and even restore them to a point as if nothing happened, with some exceptions. I think some scars could remain or perhaps become more defined because both Kay and I subconsciously control what the healing does and would be very thematically interesting; I like some scars, perhaps she can find them hot as well, thus they remain, almost divinely.
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I'm thinking Sara would have far more restraint when it comes to killing someone or inflicting pain, even though she'd have a similar or perhaps identically potent healing power. A line from Kay to her recognizing "If I discovered someone in my home fucking my husband I wouldn't be able to stop myself from killing them."
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This entire thing is why it's so tough just to write multiverse shit and slap in a million different versions of the same individuals into one story and call it good. There's so much depth to be explored with even just two differing universes with only a couple slightly tweaked variables. Not only is the exploration of that depth often far more interesting, but it's far more feasible because exploring that depth can clear up a lot of confusion on how the different versions are different and how they realistically ended up that way. With some multiverse content you just have to go "hm, guess that's just x character from the dimension where y variable is different" and that's just so incredibly boring... Not even to get into how F'd multiversal travel and god forbid multiversal threats can be to your previously well-grounded, well-written story. Perhaps the way it works in my multiverse is that eventually, everyone spends at least one day pulled into an alternate universe and has to figure out how to reverse it or something. Could be interesting. So at least once, either someone from the origin-verse or whatever is pulled out, like in this story, or someone from another universe visits the origin-verse. Could be interesting.
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Anyhow, I was struggling to figure out how spacial continuity would work between these dimensions; a home being lived in by me and Kay would likely be completely different from a home being lived in by me and Sara, even if it were the same building and everything. I don't exactly know why, but this lead me to think that this event occurs on Christmas; Kay and I have had a long, eventful day with much food eaten, and she takes a nap on the couch while I head in to game/stream. She unknowingly is transported during this nap.
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*/
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INT. DARK TV ROOM - NIGHT
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Kay lies asleep, catatonic. She lies on her right side on the couch. Her boner is distincly visible via the bulge in her Illumination-Grinch pajamas. It flops down to the side with gravity and twitches with her. It rests on her meaty thighs, and there she lies; the embodiment of a closet furry bisexual chubby chaser's wet dream.
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/*I want her to have a seggy pet name for me. i guess I'll go with subby for now? I could probably think of something better but idk.*/
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Her *moans* get too loud for her to remain asleep and she wakes. The moan that wakes her forms a word:
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KAY
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(softly)
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Subby-
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She sits up. We follow her, our view as disorienting as her mood. She sits up, shaking her head and massaging her penis. She bites her lip and blearily wanders through the dark house, hand still stimulating herself. She briefly checks her apple watch. '4:30 AM'.
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/*she says this to convince herself it's ok to */
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KAY
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(mumbled)
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No work in the morning.
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She wanders down a hallway to their shared OFFICE.
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INT. DARK OFFICE - NIGHT
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The regular computer-emitted fan noises and light isn't present. Her tired eyes note only this.
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KAY
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(mumbled)
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Slut's done streaming.
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She immediately heads to their bedroom.
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INT. DARK BEDROOM - NIGHT
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She pokes her head in the open doorway. She sees NATHAN, blindfolded, covered completely by blankets. He's nowhere near as catatonic as her while sleeping. She grins deviously and rubs harder.
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CUT TO:
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INT. CLOSET SHELF
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We see a closet shelf housing several of the couple's favorite tools: a leather choker-like leash and collar, a ball gag, varying lengths of soft black nylon rope. Kay takes them.
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/*initially intended as a tie to the wall, makes a bit more sense for the leash to be present if she ties his wrists instead*/
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When the bed is finally approached, she lies the tools down on it, puts her hand in front of Nathan's face for a couple seconds, then pulls the covers off him. Nothing but boxers shroud his feminine ass, which distracts Kay. She caresses him, shifting up and down from his thighs to above his hips. She snaps back to focus, equipping his gag, /*tying him to the clearly intentional mounted metal loop above their also clearly intentional less extravagant headboard.*/ binding his wrists and ankles. His boxers are slipped off, the leash is secured. Kay's Grinch PJs and accompanying plain boxers come off and she gets right into pleasuring herself with him. She thrusts into him, upright, with him bent over the edge of the bed. A *moan* of satisfaction and release escapes her. She chuckles erotically through her nose as she proceeds to pound him. It's clear she needed this.
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Nathan wakes, *moaning alongside her.* Noting this, Kay leans down, nibbling his ear.
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KAY
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Merry Christmas, slut.
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For some reason, this sets Nathan off. He struggles against his binds, attempting to shout through his gag, but Kay's steady hands keep his hips in place.
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KAY
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(laughing)
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Calm down, subby.
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We see a view of her from the bed, facing the door. Her gray T-shirt emblazened with the word 'PROVO' is the only thing that shields us from her large, bouncing breasts. Her expression is as lustful as can be expected. A SHADOW approaches from the door. It speaks.
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SHADOW
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Nathan, are you being horny without me ag- WHAT THE FUCK?
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Kay's eyes widen immensely as the light *clicks* on, but immediately turn to squinting at the brightness. The figure at the door is strikingly similar to her. Furry, big fuzzy tail, somewhat canid face, thick thighs and arms, cute PJs grudgingly concealing her bulge. But she has brown hair, brown eyes, far more toned muscles, a Studio Ghibli mashup shirt. She's a red panda. And she's glaring at Kay with fury, who stumbles back, awkwardly pulling out to stare incredulously at the strange woman across from her.
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SARA
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WHO THE FUCK ARE YOU, BITCH?
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SARA lunges at Kay, tackling her into the headboard, which makes a terrible crunching sound. Sara punches Kay three times in the face. Right, right, left. Stunned, Kay grabs Sara's right as it attempts another blow. She pushes against her full mass, launching Sara into the far wall, destroying the drywall. Nathan lets out a gagged yell in protest.
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Kay follows up, lunging at Sara, who dodges and punches Kay in her exposed groin in one motion. She stumbles back, but not before Sara can't grab her by the neck and land another blow to the face.
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The next few moments are quick. Kay attempts a right hook, which is deflected by Sara, who attempts an uppercut, which is caught by Kay's free hand. Once over the surprise, they're perfectly in sync in hand to hand combat. They push each other away and simultaneously unsheath their weapons.
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The Acriamative flashes, and Sara's double shortswords rise to meet it. A deafening CLANG emits. Both women and the captive Nathan stare in shock and awe at the reveal.
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Beat.
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Both women yell and attempt to hit each other. It's clear neither of them are practiced swordswomen, though Sara quickly unmounts her weapons from their armbands to unlock a better range of motion. Neither can deflect the other's hits, and deep gashes open in both of them. Kay's blood is a dark pink, while Sara's is a dark aquamarine. The walls are heavily damaged by this exchange and the fight stumbles back into the TV room. Nathan hastily attempts to crawl and then awkwardly hop to follow, terrified.
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INT. TV ROOM
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The room is only illuminated by the light streaming through destroyed bedroom wall. Kay shoves Sara to the ground and raises the Acriamative, but Sara shakily raises her weapons to attempt to deflect it.
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Nathan tackles Kay, his recently loosed ball gag bumping on his chest. Her wounds have weakened her, so she topples into the couch where we started. He hits her with his still-tied hands. His useless hits are in sync with his words.
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NATHAN
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You can't kill her! She'll just come back.
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He gets up and away from her quickly, shaking. He attempts to help Sara up, an awkward process with his limbs still tied. He falls over.
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NATHAN
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Fuckinhellshit.
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He unties his ankles as quick as he can, watching Kay, who gets to her feet in a daze.
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NATHAN
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Stay back!
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He succeeds in helping Sara up. She's just as weakened as Kay, who stops, swaying, attempting to keep the Acriamative aloft. She breathes heavily.
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KAY
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Nathan... Who the hell is this bitch?
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Nathan just stares, putting both his hands on Sara's shoulders. Sara shakes her shoulders and elbows him as the two women begin to circle each other.
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SARA
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Get out of our house or you're going to die. Nathan, fuck off.
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NATHAN
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No, that wasn't-
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KAY
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*Your* hou- I bought this house!
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SARA
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What? I bought it. We *live* here.
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Kay shakes her head and snarls.
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KAY
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No, this is *my* house, that's *my* boyfriend, and I'm gonna fucking kill you.
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SARA
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Holy shit, she's your girlfriend?
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Sara pushes Nathan into the corner as the two continue to circle each other.
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NATHAN
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NO, NO, NO!
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The circling causes Nathan to be behind Kay instead of Sara.
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KAY
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Oh, no doubt the wife is secret too. I'm gonna pound your brains out once I take care of this bitch. Clearly you need to be taught how to be loyal again.
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She points at Nathan. Sara yells in frustration and slashes. It's weakly deflected, and the lunge causes them to switch sides again.
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NATHAN
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Sara, stop, I don't know who this is.
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KAY
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(sarcastically)
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Oh, I wouldn't remember my high school crush either. All the dates, all the hintdropping I totally forgot. The romantic stalking and kidnapping, moving in together, the training and fighting and life risking just totally slipped my mind.
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SARA
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Nathan, call Delta Jay.
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/*replace IMC with whatever fictional or otherwise realistic faction I want Delta Jay to be a part of*/
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KAY
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Why would you call him, he's *my* IMC liason.
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SARA
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Yeah, well he works for *me.*
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KAY
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Oh, that's a weird coincidence because he actually works for *me*, and I'm sure he'll send you hell once he finds out how much you've wounded me.
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SARA
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The IMC can't stop me.
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KAY
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And you can't stop me. I can't die.
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SARA
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Neither can I, bitch.
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NATHAN
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Holy shit. You're Kalani, aren't you?
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Sara and Kay stop to look at the naked femboy.
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KAY
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(sarcastically)
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Took you long enough, hi, it's your *girlfriend of two years.*
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NATHAN
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Fuck you, we got married two years ago!
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He points to Sara, whose eyes flit between her lover and Kay. Kay allows the Acriamative to fall as she gestures dejectedly.
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KAY
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Damn it, and I was just about to propose, too. I can't fucking believe this, I fucking knew I should have dated girls instead.
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Sara shakes her head in disbelief.
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SARA
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What?
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Sara combines her two sword whips into one.
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KAY
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My question is, how the fuck did you hide an entire marriage from me *and* manage to convince *her* she owns our house. I thought you were a genius, but apparently you're stupid enough to think I wouldn't find out about this shit.
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SARA
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Bitch, this is OUR HOUSE!
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The women glare at each other.
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NATHAN
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Stop, stop stop stop stop stop. Whoever you are, you're insane, Sara I would never cheat on you. I thought you decided to surprise me by- byf- byf- bfuckin tying me up, but is was her. She was raping me in my sleep.
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He points at Kay, opens his still tied hands towards Sara, stimming with his fingers and shaking his head. He very much speaks with his hands.
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Kay and Sara both lower their weapons slightly, hiding their eyes behind their hands in shock in a mini-facepalm. Nathan notices the similar response and looks confusedly at both of them.
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KAY
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You're really going to lie to leave me for a fuckin panda. You just *love* telling the truth until you can find another fuck buddy.
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NATHAN
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I've never seen you in my life!
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KAY
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I've fucked you in the ass every night since twenty twenty two, you dumb whore!
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SARA
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You said her name though.
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NATHAN
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Yeah, you sound like Kalani, but I haven't talked to her for years.
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SARA
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Oh, Kalani the lesbian you- wait...
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KAY
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I'm sure as hell a lesbian now!
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SARA
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Put your dick away then, so my cheating husband can stop staring at it.
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Nathan blushes profusely.
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NATHAN
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Rape, rape, rape, she *raped* me.
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KAY
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Nathan, you *love* getting raped.
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NATHAN
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Oh my fff...
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He's lost for words. Sara and Kay watch him for a moment, but snap back to each other, their stares are no longer as hostile.
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SARA
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(confusedly)
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So clearly we've both had a lot of sex with Nathan without either of us finding out he was a cheater.
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NATHAN
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But that's not true! I can count on one hand the amount of times Kalani and I hung out, we never so much as flirted after sophomore year!
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SARA
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Oh, oh, but you *said* you fantasized about her constantly until we started hooking up. Turns out they weren't fantasies.
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KAY
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Damn right they weren't.
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SARA
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Fuck this.
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She gets up to leave, staggering as she clutches her bloodstained shirt. Nathan grabs her.
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NATHAN
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Slow down slow down, stop. Please please please just sit down and rest. Untie me, I'll get my clothes, we can grab some soda and stop you from bleeding out. Sara look at me. You have to believe me. We're going to get an explanation from her.
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KAY
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Wait, Sara?
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Nathan and Sara look at Kay, who slumps down on the couch, her weapon clanging to the ground as she grips her side.
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KAY
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Nathan and I know a Sara, and she doesn't look like you. Something's gone horribly wrong.
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NATHAN
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Sara, sara, see? Untie me, untie me.
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She obliges, still staring at Kay. Nathan rushes back into the destroyed bedroom. Kay pulls what's left of her shirt down to cover up her still slightly erect cock. Sara looks away and pretends like she doesn't see it.
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SARA
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Sara's a very common name. I only know one Kalani.
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KAY
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You sound exactly like her though. We both went to Jordan, but didn't properly meet until Nathan invited us both over for a movie night. I thought you were pretty hot but I thought you two were dating otherwise...
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NATHAN
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(muffled from bedroom)
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Oh, no way.
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SARA
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Thanks? Wait. Was there anyone else there? What movie did you watch?
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KAY
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I brought my best friend Ana over. Nathan had some of his friends.
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SARA
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We watched Alien and Aliens.
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KAY
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You watched Aliens?
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SARA
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Yeah, but you two left as we went to get ice cream.
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Nathan reappears fully clothed. He tosses Kay's PJs and boxers back to her.
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NATHAN
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I thought I recognized those pants. Cumberbatch grinch, not Carrey.
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Kay gets up to put her clothes back on. Her cock is still massive when flaccid. Sara turns away, but Nathan only pretends not to look.
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KAY
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It's ok to stare.
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SARA
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(growling)
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Not when it's you, it's not.
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Sara grabs Nathan by the arm and pushes him to turn away.
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NATHAN
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I'm the victim here, she raped me.
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SARA
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We all know you fuckin enjoyed it.
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NATHAN
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Yeah, when I thought it was you!
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KAY
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Guys, stop. We're all the victims of a misunderstanding, not rape. Nathan talks about this shit all the time.
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Cut to the three sitting down, fully clothed. Kay is on the corner of the sectional, Sara on one of the ends, Nathan on the ottoman inbetween them. The three of them sip sodas from the mini-fridge.
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/*
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alternate confrontation/realization
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NATHAN
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How come you two are the only two superhuman, humanoid lifeforms with conjurable custom weapons on this earth?
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Beat.
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KAY
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I got my powers because of you.
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SARA
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*/
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KAY
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What we're going to do is we're going to describe our relationship with the other two how we see it, I'll go first. I'm Kalani Lindsay Whitmore. I met Nathan at Jordan in freshman year, had a crush on him sophomore year. We texted and hung out a couple times during college, and I...
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She pauses.
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/*perhaps it's out of character to be as upfront as she is about this so this can be trimmed*/
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KAY (CONT.)
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I was very self-conscious about my weight. It was kind of... destroying my life. I pushed away my roommates and family and lived on my own, I was too depressed and anxious to go to school, I wasn't paying bills, all I was doing was exercising and eating. But I couldn't lose weight. It was like I was cursed. So I stopped eating. I starved myself, but my damn scale wouldn't move an ounce. I thought I was going crazy. One day I collapsed on the treadmill and blacked out. When I woke up, I was in another world. I was transformed, I wasn't human anymore. I had to fight monsters and survive, and all the while I knew he did it.
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She points at Nathan. Sara puts a hand to her mouth in realization.
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|
||||
KAY (CONT.)
|
||||
I had powers. Super strength. My hyperhydrosis turned into something different. I still sweat a ton, but it wasn't gross anymore. I had healing powers. I can control things with my pheromones, I could knock things out.
|
||||
|
||||
Sara and Nathan exchange glances several times. Nathan snaps incessantly.
|
||||
|
||||
SARA
|
||||
I don't sweat very much at all, but I can do all those things too, it's just a lot harder.
|
||||
|
||||
Kay nods.
|
||||
|
||||
KAY (CONT.)
|
||||
Hang on. So when I finally found out how to return to this world, I started stalking him. Found his streams, twitter, everything. My entire life was all about figuring out how to live with my new form and figuring out everything about him. That and... anyway, I was obsessed, I wanted to own him. /*I began to sneak into his house in the dead of night and...*/ Well eventually it drove me insane and I wanted to be with him in person, so I devised a way to use my pheromones to trick people into thinking I looked completely human. Doesn't work on video obviously but anyone who was within a couple feet of me saw me as how I used to be. I went to his work with a mask and sunglasses to hide most of my appearance, walked right up to him and...
|
||||
|
||||
She sighs. Nathan stims by bobbing his leg and swilling his soda around in the can. Sara similarly bobs her leg.
|
||||
|
||||
KAY (CONT.)
|
||||
Eventually I snuck into his house, we had a consensual kidnapping, it was really romantic and hot, he loved it, he always loved being put in his place by me. We dated ever since. We moved in together, he told me how he thought my powers worked, we trained together, took up vigilantism, got picked up by the IMC, eventually we worked out a deal where they supported my efforts and sent me on missions while Nathan stayed at home being a boywife. I was going to surprise him with another kidnapping and proposing to him... somewhere special, I don't know. Now I'm not even sure if that was real or anything because you don't remember at all, and...
|
||||
|
||||
Her voice breaks, she looks away. A pause.
|
||||
|
||||
NATHAN
|
||||
So I did think you were crazy, then I thought you were a figment of my old fantasies that manifested itself physically to destroy my life and marriage, and now I think you're from an alternate universe where what happened to Sara happened to you somehow.
|
||||
|
||||
KAY
|
||||
*There's* the shit Nathan always talks about.
|
||||
|
||||
Sara fidgets with her ring.
|
||||
|
||||
SARA
|
||||
I thought I was special.
|
||||
|
||||
NATHAN
|
||||
You are, of course you are. Even in an infinite multiverse.
|
||||
|
||||
KAY
|
||||
Ok, Sara next. I met you at a movie night he invited us to years ago, I knew Nathan always really liked you, you were friends for ages, made animations together, you're working on a TV show. He always insisted you were just friends but I knew he would fuck you in a heartbeat given the chance. Can't blame him, you're hot.
|
||||
|
||||
Nathan groans and stims harder, shaking his head.
|
||||
|
||||
NATHAN
|
||||
Oh, this is weird, Kalani is telling me my wife is hot and I haven't fucked her.
|
||||
|
||||
KAY
|
||||
Well, where I come, you haven't. *Yet.*
|
||||
|
||||
She growls the last word. Sara scowls.
|
||||
|
||||
SARA
|
||||
How am I supposed to take this? How do I know you're not making all of this up?
|
||||
|
||||
NATHAN
|
||||
Hang on here, let's just assume this theory is correct. Occam's razor may not whittle away the multiverse explanation, I don't have any better way of seeing this. We basically have to find out which one of us doesn't belong here.
|
||||
|
||||
KAY
|
||||
Sara, you next. How do you know Nathan? Pretend you know neither of us and describe it as though we're new people entirely.
|
||||
|
||||
Sara looks at the others, scowls at both and sighs.
|
||||
|
||||
SARA
|
||||
We met at CTEC. Became really good friends. I knew him for several years. He always knew how to rile me up, but he had a way with words. Helped me through a breakup after a four-year relationship. I needed a lot of time to get over it, but all the while I was fighting feelings for him. Needed him really bad. Vented it out by going to the gym. One day I came home and...
|
||||
|
||||
She shakes her head and sighs.
|
||||
|
||||
SARA
|
||||
Same thing as you. Collapsed, was in another world, fought my demons, came back, fucked his subby brains out, proposed, married, became a superhero, yada yada.
|
||||
|
||||
Nathan gets up and puts his arm around her. She tenses up, but doesn't stop him.
|
||||
|
||||
NATHAN
|
||||
And how do you know Kalani?
|
||||
|
||||
SARA
|
||||
(reluctantly)
|
||||
Same as you, she's the lesbian who you were obsessed with in high school and college.
|
||||
|
||||
NATHAN
|
||||
I- no, she just-
|
||||
|
||||
KAY
|
||||
It's true, you were obsessed. You told me your fantasies about dicks caused me to manifest one.
|
||||
|
||||
Sara grins, slapping his thigh.
|
||||
|
||||
NATHAN
|
||||
Oookay, glad we're on the same page here, anyway, I knew Kalani in high school, she was terrible at keeping contact and I was always second-guessing how much she wanted to talk to me, even after hanging out a couple times. She... ended up showing some red flags. And she liked girls more anyway so we drifted apart.
|
||||
|
||||
KAY
|
||||
Okay, I think the difference is that I went to the Sanctum first and became obsessed with you, while your Kalani was never sent to the Sanctum in the first place.
|
||||
|
||||
NATHAN
|
||||
She's not *my* Kalani.
|
||||
|
||||
SARA
|
||||
Our *universe's* Kalani.
|
||||
|
||||
NATHAN (CONT.)
|
||||
Your personality is entirely different from our Kalani though.
|
||||
|
||||
KAY
|
||||
Yeah, I've been through a lot. You stopped talking to me when I was like, twenty.
|
||||
|
||||
NATHAN
|
||||
No, *you* stopped talking to me.
|
||||
|
||||
KAY
|
||||
You should really hit me up sometime, like right now actually. Am I still working, did I get the hospital job, or am I in social work? Am I still single? Did I finally have gay sex or did I never find someone in Utah gay or desperate enough to be willing to scissor me?
|
||||
|
||||
NATHAN
|
||||
Now *that* sounded a lot like you except for the gay sex part.
|
||||
|
||||
KAY
|
||||
Oh, you'd be surprised, I miss the idea of pussy so much.
|
||||
|
||||
NATHAN
|
||||
Getting warmer.
|
||||
|
||||
SARA
|
||||
Okay, you can fantasize about selfcest on your own time. What I want to know is what your dick was doing in my husband.
|
||||
|
||||
NATHAN
|
||||
Well, I mean, it makes sense. Kalani was a pussy and couldn't propose to me as early as you did, but we still were just as together as you and I. We've got similar sexual tastes and a similar relationship... uh, dynamic, it's no wonder that I would wake up getting railed, tied up, and gagged...
|
||||
|
||||
This distracts the ADHD trio. Then they remember one of them is from a different universe. Sara hits Nathan.
|
||||
|
||||
SARA
|
||||
Anyway...
|
||||
|
||||
NATHAN
|
||||
Anyway, your cock was amazing.
|
||||
|
||||
Sara glares at him and hits him again.
|
||||
|
||||
NATHAN
|
||||
I mean just as good as Sara's if not- I mean I thought it was her until I recognized your voice. Well not recognized. Just knew it wasn't hers.
|
||||
|
||||
KAY
|
||||
You really are the exact same, you sub. I just wish I could uh... I mean you're not my Nathan so whatever. I'm just happy you're happy I guess. Though if I were in a universe where you were still me and not someone else I'd totally be down for a three-way.
|
||||
|
||||
Kay points at Sara, who bristles at her statement and hits her. Nathan hides his face in Sara's fur.
|
||||
|
||||
KAY
|
||||
Sorry, I can't help myself around him! Surely you feel the need to dirty talk too!
|
||||
|
||||
SARA
|
||||
Not when his alternate dimension crush just fucked my sloppy seconds and tried to kill me.
|
||||
|
||||
NATHAN
|
||||
Sloppy seconds?! We're married!
|
||||
|
||||
KAY
|
||||
And I don't want to get inbetween you obviously, I thought I was fucking my boyfriend for like the seven thousandth orgasmic time.
|
||||
|
||||
SARA
|
||||
And I thought some bitch was stealing him from me.
|
||||
|
||||
NATHAN
|
||||
And I thought I was getting pulverized by my wife's 10-inch monster cock, we get it. None of us did anything to purposely hurt the others except you two. Clearly we were all thinking with the wrong head. Or no that was just you two and your cock measuring contest for who has the coolest weapon, by the way, it's Sara, sorry Kay, no chance, but if we're going to have a cock measuring contest I prefer one that doesn't involve two of the most powerful humans in existence bleeding out fighting over me. Actually, how big is your cock?
|
||||
|
||||
SARA
|
||||
Nathan!
|
||||
|
||||
Kay grins, shifting her weight a little nervously.
|
||||
|
||||
KAY
|
||||
Eight flaccid, ten erect, twelve on viagra or a good day.
|
||||
|
||||
NATHAN
|
||||
(overcome)
|
||||
Oh, fuck me.
|
||||
|
||||
SARA
|
||||
(gritting teeth)
|
||||
That's *my job.*
|
||||
|
||||
Nathan jumps up.
|
||||
|
||||
NATHAN
|
||||
And who am I to leave my wife unemployed? Anyhow, I say we go get some McDick's. Both of you must be starving and you've got cells to regenerate. I'll get the keys, babe.
|
||||
|
||||
He prances out of the room, sipping his soda. Both women follow his ass with their eyes, and then they quickly snap to each other.
|
||||
|
||||
SARA
|
||||
I'm a master of stealth. Try to fuck him again and I'll kill you. What's more is that he'll probably let you and then I'll divorce him and he'll die alone.
|
||||
|
||||
Kay gets up, examines her bloody shirt, and sheathes the Acriamative as she talks, taking several steps away from Sara.
|
||||
|
||||
/*Something in this conversation needs to address how she got there in the first place and therefore how to get her back. Perhaps after MCD they go to alpha jay or perhaps nafan and sara already figured out something though that's less likely*/
|
||||
|
||||
KAY
|
||||
And then when I figure out how to return to my universe you'll get lonely and ressurrect him, I get it. He's all yours. Though the offer's still on the table, he always said you were secretly bi and I'd fuck the shit out of both of you in a heartbeat.
|
||||
|
||||
Sara's weapons disappear from the floor as she unsheaths them into her hands. Kay knows the sound well.
|
||||
|
||||
KAY
|
||||
I know I drive a hard bargain but suit yourself. I know my Nathan wouldn't mind.
|
||||
|
||||
SARA
|
||||
(grumbling)
|
||||
That's what I'm afraid of.
|
||||
|
||||
/*her return to her original universe is indicative of how much the experience changed her. rather than returning to do honry things to nafan in his sleep, she wakes him up, something he normally hates and thus she would never do, to ensure he knows who she is and that they're actually together. He's confused but gives her the information she needed, she sleepily says she'll tell him in the morning.*/
|
||||
662
kay/alternateseggychristmas_002.fountain
Normal file
662
kay/alternateseggychristmas_002.fountain
Normal file
@@ -0,0 +1,662 @@
|
||||
Title: _alternateseggychristmas_
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes: i have ~~paraphilias~~ issues
|
||||
|
||||
/*
|
||||
inspired by between sleep daydream right before having to go to work 11/29/2022 ~7:30am. Wasn't entirely conscious; my brain is so used to the fake scenarios method that it attempts to re-enter sleep stages by utilizing the method even when not conscious. It's a bit spooky that my fantasies have been so far engrained into both the conscious and subconscious that this happens. I've conditioned myself through habitual fantasizing that my brain itself has rewired to have wacky habits. The honry is too strong. Anyway my fav scenario as of late has been that of getting double dicked by Sara and Kay, and Sara mommy domming the both of us. The semiconscious dream derived from the scenario was that of me being in a relationship with Sara (seemed to be in old house bedroom which really solidifies it as a dream but it having been somewhat lucidly triggered by semiconscious thought... this pseudoscience is strange...) and Kay being on the outside trying to barge her way into it and finally succeeding in creating a sort of polycule between the three of us. I don't think I could do it in real life. That's why it's just a fantasy. Bit of a guilty pleasure I think. But it goes like Kay is domming me, trying to own me, Sara then doms and reclaims me by sitting on my lap and forcing my face into her chest, then making out with Kay. She says something sarcastic/bratty back to her, Sara slaps her and forces to call her mom or something. It was a subconscious thought man don't judge me.
|
||||
|
||||
Anyway the following is derived from me thinking about it throughout work day; what if this spiderverse scenario was accidentally and unknowingly triggered on Kay, specifically a version of Kay who had claimed me after her transformation and we lived together, but the universe she is transported, seemingly abducted to, is identical to her native universe except the only variable changed was that Sara was sent to her own Inner Sanctum rather than Kay; Sara has similar abilities, underwent a similar transformation. Perhaps the reasoning for her transformation could be different and more fitting than Kay's; Kay was sent because she was trying to lose weight while being forced not to, breaking physics and causing her to be reverted to a spiritual state, where her soul had to fight within her consciousness (represented in 3 dimensions by an Inner Sanctum) with her problems, conquering them and once that internal conflict was resolved, the Sanctum was exited and her body transformed at a time dilated pace. I think that justification makes sense but could be expanded upon in the main storyline. However, I'm having trouble trying to make it fit how this could work for Sara. I like the idea that she becomes muscle mommy rather than chubby mommy with unequivalent physical power to her appearance, but I'm thinking in order for the requirements for a Sanctum transformation to be met, there would have to be something changed about myself as well. I was the one who caused some of the requirements for the Sanctum to be met by having such a crush on Kay, but also a big thing for chubby girls, that I didn't want her to lose weight but fantasized about a world where she could be that weight but healthy and also happy with herself, forcing her to remain that weight, causing the Sanctum entrance and eventually creating that world. Perhaps Sara's would be in reverse. She wants to work out, alt-me encourages her to work out because alt-me has a muscle mommy thing > chubby mommy thing, my fantasies change to be more suited to make Sara the one who gets Sanctum'd. I would rather that be the case than the requriements for Sanctuming be changed, though in an infinite multiverse that is admittedly also a variable that could be changed.
|
||||
|
||||
I find the fantasies thing interesting; a big part of my fantasies are literally just that my fantasy lover's powers just fix the stimuli to my OCD. I hate things being unsanitary and uncomfortable, especially in relation to sex. Her powers remove those issues. I think this explains why Sara's powers would be similar even if the reason her transformation occurred was quite different. My idealized version of any lover could consistently have the same healing and superhuman powers. I kinda love the idea of being immortal with one parter; both Kay's and Sara's powers would be able to bring someone back from even death and even restore them to a point as if nothing happened, with some exceptions. I think some scars could remain or perhaps become more defined because both Kay and I subconsciously control what the healing does and would be very thematically interesting; I like some scars, perhaps she can find them hot as well, thus they remain, almost divinely.
|
||||
|
||||
I'm thinking Sara would have far more restraint when it comes to killing someone or inflicting pain, even though she'd have a similar or perhaps identically potent healing power. A line from Kay to her recognizing "If I discovered someone in my home fucking my husband I wouldn't be able to stop myself from killing them."
|
||||
|
||||
This entire thing is why it's so tough just to write multiverse shit and slap in a million different versions of the same individuals into one story and call it good. There's so much depth to be explored with even just two differing universes with only a couple slightly tweaked variables. Not only is the exploration of that depth often far more interesting, but it's far more feasible because exploring that depth can clear up a lot of confusion on how the different versions are different and how they realistically ended up that way. With some multiverse content you just have to go "hm, guess that's just x character from the dimension where y variable is different" and that's just so incredibly boring... Not even to get into how F'd multiversal travel and god forbid multiversal threats can be to your previously well-grounded, well-written story. Perhaps the way it works in my multiverse is that eventually, everyone spends at least one day pulled into an alternate universe and has to figure out how to reverse it or something. Could be interesting. So at least once, either someone from the origin-verse or whatever is pulled out, like in this story, or someone from another universe visits the origin-verse. Could be interesting.
|
||||
|
||||
Anyhow, I was struggling to figure out how spacial continuity would work between these dimensions; a home being lived in by me and Kay would likely be completely different from a home being lived in by me and Sara, even if it were the same building and everything. I don't exactly know why, but this lead me to think that this event occurs on Christmas; Kay and I have had a long, eventful day with much food eaten, and she takes a nap on the couch while I head in to game/stream. She unknowingly is transported during this nap.
|
||||
*/
|
||||
|
||||
INT. DARK TV ROOM - NIGHT
|
||||
|
||||
Kay lies asleep, catatonic. She lies on her right side on the couch. Her boner is distincly visible via the bulge in her Illumination-Grinch pajamas. It flops down to the side with gravity and twitches with her. It rests on her meaty thighs, and there she lies; the embodiment of a closet furry bisexual chubby chaser's wet dream.
|
||||
|
||||
[[I want her to have a seggy pet name for me. i guess I'll go with subby for now? I could probably think of something better but idk.]]
|
||||
Her *moans* get too loud for her to remain asleep and she wakes. The moan that wakes her forms a word:
|
||||
|
||||
KAY
|
||||
(softly)
|
||||
Subby-
|
||||
|
||||
She sits up. We follow her, our view as disorienting as her mood. She sits up, shaking her head and massaging her penis. She bites her lip and blearily wanders through the dark house, hand still stimulating herself. She briefly checks her apple watch. '4:30 AM'.
|
||||
|
||||
[[she says this to convince herself it's ok to]]
|
||||
KAY
|
||||
(mumbled)
|
||||
No work in the morning.
|
||||
|
||||
She wanders down a hallway to their shared OFFICE.
|
||||
|
||||
INT. DARK OFFICE - NIGHT
|
||||
|
||||
The regular computer-emitted fan noises and light aren't present. Her tired eyes note only this.
|
||||
|
||||
KAY
|
||||
(mumbled)
|
||||
Slut's done streaming.
|
||||
|
||||
She immediately heads to their bedroom.
|
||||
|
||||
INT. DARK BEDROOM - NIGHT
|
||||
|
||||
She pokes her head in the open doorway. She sees NATHAN, blindfolded, covered completely by blankets. He's nowhere near as catatonic as her while sleeping. She grins deviously and rubs harder.
|
||||
|
||||
CUT TO:
|
||||
INT. CLOSET SHELF
|
||||
|
||||
We see a closet shelf housing several of the couple's favorite tools: a leather choker-like leash and collar, a ball gag, varying lengths of soft black nylon rope. Kay takes them.
|
||||
|
||||
[[initially intended as a tie to the wall, makes a bit more sense for the leash to be present if she ties his wrists instead]]
|
||||
When the bed is finally approached, she lies the tools down on it, puts her hand in front of Nathan's face for a couple seconds, then pulls the covers off him. Nothing but boxers shroud his feminine ass, which distracts Kay. She caresses him, shifting up and down from his thighs to above his hips. She snaps back to focus, equipping his gag, /*tying him to the clearly intentional mounted metal loop above their also clearly intentional less extravagant headboard.*/ binding his wrists and ankles. His boxers are slipped off, the leash is secured. Kay's Grinch PJs and accompanying plain boxers come off and she gets right into pleasuring herself with him. She thrusts into him, upright, with him bent over the edge of the bed. A *moan* of satisfaction and release escapes her. She chuckles erotically through her nose as she proceeds to pound him. It's clear she needed this.
|
||||
|
||||
Nathan wakes, *moaning alongside her.* Noting this, Kay leans down, nibbling his ear.
|
||||
|
||||
KAY
|
||||
Merry Christmas, slut.
|
||||
|
||||
For some reason, this sets Nathan off. He struggles against his binds, attempting to shout through his gag, but Kay's steady hands keep his hips in place.
|
||||
|
||||
KAY
|
||||
(laughing)
|
||||
Calm down, subby.
|
||||
|
||||
We see a view of her from the bed, facing the door. Her gray T-shirt emblazened with the word 'PROVO' is the only thing that shields us from her large, bouncing breasts. Her expression is as lustful as can be expected. Nathan continues to moan and struggle in protest.
|
||||
|
||||
KAY
|
||||
This is quite the performance, I'm impressed.
|
||||
|
||||
A moment passes, then a SHADOW approaches from the door. It speaks.
|
||||
|
||||
SHADOW
|
||||
Nathan, are you being horny without me ag- WHAT THE FUCK?
|
||||
|
||||
Kay's eyes widen immensely as the light *clicks* on, but immediately turn to squinting at the brightness. The figure at the door is strikingly similar to her. Furry, big fuzzy tail, somewhat canid face, thick thighs and arms, cute PJs grudgingly concealing her bulge. But she has brown hair, brown eyes, far more toned muscles, a Studio Ghibli mashup shirt. She's a red panda. And she's glaring at Kay with fury, who stumbles back, awkwardly pulling out to stare incredulously at the unfamiliar woman across from her.
|
||||
|
||||
KAY
|
||||
Wha-
|
||||
|
||||
SARA
|
||||
WHO THE FUCK ARE YOU, BITCH?
|
||||
|
||||
SARA lunges at Kay, tackling her into the headboard, which makes a terrible crunching sound. Sara punches Kay three times in the face. Right, right, left. Stunned, Kay grabs Sara's right as it attempts another blow. She pushes against her full mass, launching Sara into the far wall, destroying the drywall. Nathan lets out a gagged yell in protest.
|
||||
|
||||
Kay follows up, lunging at Sara, who dodges and punches Kay in her exposed groin in one motion. She stumbles back, but not before Sara grabs her by the neck and lands another blow to her face.
|
||||
|
||||
The next few moments are quick. Kay attempts a right hook, which is deflected by Sara, who attempts an uppercut, which is caught by Kay's free hand. Once over the surprise, they're perfectly in sync in hand to hand combat. They push each other away and simultaneously unsheath their weapons.
|
||||
|
||||
The Acriamative flashes, and Sara's double shortswords rise to meet it. A deafening CLANG emits. Both women and the captive Nathan stare in shock and awe at the reveal.
|
||||
|
||||
(beat)
|
||||
|
||||
Both women yell and attempt to hit each other. It's clear neither of them are practiced swordswomen, though Sara quickly unmounts her weapons from their armbands to unlock a better range of motion. Neither can deflect the other's hits, and deep gashes open in both of them. Kay's blood is a dark pink, while Sara's is a dark aquamarine. The walls are heavily damaged by this exchange and the fight stumbles back into the TV room. Nathan hastily attempts to crawl and then awkwardly hop to follow, terrified.
|
||||
|
||||
.FIGHT TO TV ROOM
|
||||
|
||||
The room is only illuminated by the light streaming through destroyed bedroom wall. Kay shoves Sara to the ground and raises the Acriamative, but Sara shakily raises her weapons to attempt to deflect it.
|
||||
|
||||
Nathan tackles Kay, his recently loosed ball gag bumping on his chest. Her wounds have weakened her, so she topples into the couch where we started. He hits her with his still-tied hands. His useless hits are in sync with his words.
|
||||
|
||||
NATHAN
|
||||
You can't kill her! She'll just come back.
|
||||
|
||||
He gets up and away from her quickly, shaking. He attempts to help Sara up, an awkward process with his limbs still tied. He falls over.
|
||||
|
||||
NATHAN
|
||||
Fuckinhellshit.
|
||||
|
||||
He unties his ankles as quick as he can, watching Kay, who gets to her feet in a daze.
|
||||
|
||||
NATHAN
|
||||
Stay back!
|
||||
|
||||
He succeeds in helping Sara up. She's just as weakened as Kay, who stops, swaying, attempting to keep the Acriamative aloft. She breathes heavily.
|
||||
|
||||
KAY
|
||||
Nathan... Who the hell is this bitch?
|
||||
|
||||
Nathan just stares, putting both his hands on Sara's shoulders. Sara shakes her shoulders and elbows him as the two women begin to circle each other.
|
||||
|
||||
SARA
|
||||
Get out of our house or you're going to die. Nathan, fuck off.
|
||||
|
||||
NATHAN
|
||||
No, that wasn't-
|
||||
|
||||
KAY
|
||||
*Your* hou- I bought this house!
|
||||
|
||||
SARA
|
||||
What? I bought it. We *live* here.
|
||||
|
||||
Kay shakes her head and snarls.
|
||||
|
||||
KAY
|
||||
No, this is *my* house, that's *my* boyfriend, and I'm gonna fucking kill you.
|
||||
|
||||
SARA
|
||||
Holy shit, she's your girlfriend?
|
||||
|
||||
Sara pushes Nathan into the corner as the two continue to circle each other.
|
||||
|
||||
NATHAN
|
||||
NO, NO, NO!
|
||||
|
||||
The circling causes Nathan to be behind Kay instead of Sara.
|
||||
|
||||
KAY
|
||||
Oh, no doubt the wife is secret too. I'm gonna pound your brains out once I take care of this bitch. Clearly you need to be taught how to be loyal again.
|
||||
|
||||
She points at Nathan. Sara yells in frustration and slashes. It's weakly deflected, and the lunge causes them to switch sides again.
|
||||
|
||||
NATHAN
|
||||
Sara, stop, I don't know who this is.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Oh, I wouldn't remember my high school crush either. All the dates, all the hintdropping I totally forgot. The romantic stalking and kidnapping, moving in together, the training and fighting and life risking just totally slipped my mind.
|
||||
|
||||
SARA
|
||||
Nathan, call Delta Jay.
|
||||
|
||||
|
||||
[[replace IMC with whatever fictional or otherwise realistic faction I want Delta Jay to be a part of]]
|
||||
KAY
|
||||
Why would you call him, he's *my* IMC liason.
|
||||
|
||||
SARA
|
||||
Yeah, well he works for *me.*
|
||||
|
||||
KAY
|
||||
Oh, that's a weird coincidence because he actually works for *me*, and I'm sure he'll send you hell once he finds out how much you've wounded me.
|
||||
|
||||
SARA
|
||||
The IMC can't stop me.
|
||||
|
||||
KAY
|
||||
And you can't stop me. I can't die.
|
||||
|
||||
SARA
|
||||
Neither can I, bitch.
|
||||
|
||||
NATHAN
|
||||
Holy shit. You're Kalani, aren't you?
|
||||
|
||||
Sara and Kay stop to look at the naked femboy.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Took you long enough, hi, it's your *girlfriend of two years.*
|
||||
|
||||
NATHAN
|
||||
Fuck you, we got married two years ago!
|
||||
|
||||
He points to Sara, whose eyes flit between her lover and Kay. Kay allows the Acriamative to fall as she gestures dejectedly.
|
||||
|
||||
KAY
|
||||
Damn it, and I was just about to propose, too. I can't fucking believe this, I fucking knew I should have dated girls instead.
|
||||
|
||||
Sara shakes her head in disbelief.
|
||||
|
||||
SARA
|
||||
What?
|
||||
|
||||
Sara combines her two sword whips into one warily.
|
||||
|
||||
KAY
|
||||
My question is, how the fuck did you hide an entire marriage from me *and* manage to convince *her* she owns our house. I thought you were a genius, but apparently you're stupid enough to think I wouldn't find out about this shit.
|
||||
|
||||
SARA
|
||||
Bitch, this is OUR HOUSE!
|
||||
|
||||
The women glare at each other.
|
||||
|
||||
NATHAN
|
||||
Stop, stop stop stop stop stop. Whoever you are, you're insane, Sara I would never cheat on you. I thought you decided to surprise me by- byf- byf- bfuckin tying me up, but is was her. She was raping me in my sleep.
|
||||
|
||||
He points at Kay, opens his still tied hands towards Sara, stimming with his fingers and shaking his head. He very much speaks with his hands.
|
||||
|
||||
Kay and Sara both lower their weapons slightly, hiding their eyes behind their hands in shock in a mini-facepalm. Nathan notices the similar response and looks confusedly at both of them.
|
||||
|
||||
KAY
|
||||
You're really going to lie to leave me for a fuckin panda. You just *love* telling the truth until you can find another fuck buddy.
|
||||
|
||||
NATHAN
|
||||
I've never seen you in my life!
|
||||
|
||||
KAY
|
||||
I've fucked you in the ass every night since twenty twenty two, you dumb whore!
|
||||
|
||||
SARA
|
||||
You said her name though.
|
||||
|
||||
NATHAN
|
||||
Yeah, you sound like Kalani, but I haven't talked to her for years.
|
||||
|
||||
SARA
|
||||
Oh, Kalani the lesbian you- wait...
|
||||
|
||||
KAY
|
||||
I'm sure as hell a lesbian now!
|
||||
|
||||
SARA
|
||||
Put your dick away then, so my cheating husband can stop staring at it.
|
||||
|
||||
Nathan blushes profusely.
|
||||
|
||||
NATHAN
|
||||
Rape, rape, rape, she *raped* me.
|
||||
|
||||
KAY
|
||||
Nathan, you *love* getting raped.
|
||||
|
||||
NATHAN
|
||||
Oh my fff...
|
||||
|
||||
He's lost for words. Sara and Kay watch him for a moment, but snap back to each other, their stares are no longer as hostile.
|
||||
|
||||
SARA
|
||||
(confusedly)
|
||||
So clearly we've both had a lot of sex with Nathan without either of us finding out he was a cheater.
|
||||
|
||||
NATHAN
|
||||
But that's not true! I can count on one hand the amount of times Kalani and I hung out, we never so much as flirted after sophomore year!
|
||||
|
||||
SARA
|
||||
Oh, oh, but you *said* you fantasized about her constantly until we started hooking up. Turns out they weren't fantasies.
|
||||
|
||||
KAY
|
||||
Damn right they weren't.
|
||||
|
||||
SARA
|
||||
Fuck this.
|
||||
|
||||
She gets up to leave, staggering as she clutches her bloodstained shirt. Nathan grabs her.
|
||||
|
||||
NATHAN
|
||||
Slow down slow down, stop. Please please please just sit down and rest. Untie me, I'll get my clothes, we can grab some soda and stop you from bleeding out. Sara look at me. You have to believe me. We're going to get an explanation from her.
|
||||
|
||||
KAY
|
||||
Wait, Sara?
|
||||
|
||||
Nathan and Sara look at Kay, who slumps down on the couch, her weapon clanging to the ground as she grips her side.
|
||||
|
||||
KAY
|
||||
Nathan and I know a Sara, and she doesn't look like you. Something's gone horribly wrong.
|
||||
|
||||
NATHAN
|
||||
Sara, sara, see? Untie me, untie me.
|
||||
|
||||
She obliges, still staring at Kay. Nathan rushes back into the destroyed bedroom. Kay pulls what's left of her shirt down to cover up her still slightly erect cock. Sara looks away and pretends like she doesn't see it.
|
||||
|
||||
SARA
|
||||
Sara's a very common name. I only know one Kalani.
|
||||
|
||||
KAY
|
||||
You sound exactly like her though. We both went to Jordan, but didn't properly meet until Nathan invited us both over for a movie night. I thought you were pretty hot but I thought you two were dating otherwise...
|
||||
|
||||
NATHAN (O.S.)
|
||||
Oh, no way.
|
||||
|
||||
SARA
|
||||
Thanks? Wait. Was there anyone else there? What movie did you watch?
|
||||
|
||||
KAY
|
||||
I brought my best friend Ana over. Nathan had some of his friends.
|
||||
|
||||
SARA
|
||||
We watched Alien and Aliens.
|
||||
|
||||
KAY
|
||||
You watched Aliens?
|
||||
|
||||
SARA
|
||||
Yeah, but you two left as we went to get ice cream.
|
||||
|
||||
Nathan reappears fully clothed. He tosses Kay's PJs and boxers back to her.
|
||||
|
||||
NATHAN
|
||||
I thought I recognized those pants. Cumberbatch grinch, not Carrey.
|
||||
|
||||
Kay gets up to put her clothes back on. Her cock is still massive when flaccid. Sara turns away, but Nathan only pretends not to look.
|
||||
|
||||
KAY
|
||||
It's ok to stare.
|
||||
|
||||
SARA
|
||||
(growling)
|
||||
Not when it's you, it's not.
|
||||
|
||||
Sara grabs Nathan by the arm and pushes him to turn away.
|
||||
|
||||
NATHAN
|
||||
I'm the victim here, she raped me.
|
||||
|
||||
SARA
|
||||
We all know you fuckin enjoyed it.
|
||||
|
||||
NATHAN
|
||||
Yeah, when I thought it was you!
|
||||
|
||||
KAY
|
||||
Guys, stop. We're all the victims of a misunderstanding, not rape. Nathan talks about this shit all the time.
|
||||
|
||||
Cut to the three sitting down, fully clothed, besides the torn shirts and blood. Nathan's ballgag is replaced by a choker. Kay is on the corner of the sectional, Sara on one of the ends, Nathan on the ottoman inbetween them. The three of them sip sodas from the mini-fridge.
|
||||
|
||||
/*
|
||||
alternate confrontation/realization
|
||||
|
||||
NATHAN
|
||||
How come you two are the only two superhuman, humanoid lifeforms with conjurable custom weapons on this earth?
|
||||
|
||||
(beat)
|
||||
|
||||
KAY
|
||||
I got my powers because of you.
|
||||
|
||||
SARA
|
||||
*/
|
||||
|
||||
KAY
|
||||
What we're going to do is we're going to describe our relationship with the other two how we see it, I'll go first. I'm Kalani Lindsay Whitmore. I met Nathan at Jordan in freshman year, had a crush on him sophomore year. We texted and hung out a couple times during college, and I...
|
||||
|
||||
She pauses.
|
||||
|
||||
[[perhaps it's out of character to be as upfront as she is about this so this can be trimmed]]
|
||||
KAY
|
||||
I was very self-conscious about my weight. It was kind of... destroying my life. I pushed away my roommates and family and lived on my own, I was too depressed and anxious to go to school, I wasn't paying bills, all I was doing was exercising and eating. But I couldn't lose weight. It was like I was cursed. So I stopped eating. I starved myself, but my damn scale wouldn't move an ounce. I thought I was going crazy. One day I collapsed on the treadmill and blacked out. When I woke up, I was in another world. I was transformed, I wasn't human anymore. I had to fight monsters and survive, and all the while I knew he did it.
|
||||
|
||||
She points at Nathan. Sara puts a hand to her mouth in realization.
|
||||
|
||||
KAY
|
||||
I had powers. Super strength. My hyperhydrosis turned into something different. I still sweat a ton, but it wasn't gross anymore. I had healing powers. I can control things with my pheromones, I could knock things out.
|
||||
|
||||
Sara and Nathan exchange glances several times. Nathan snaps incessantly.
|
||||
|
||||
SARA
|
||||
I don't sweat very much at all, but I can do all those things too, it's just a lot harder.
|
||||
|
||||
Kay nods.
|
||||
|
||||
KAY
|
||||
Hang on. So when I finally found out how to return to this world, I started stalking him. Found his streams, twitter, everything. My entire life was all about figuring out how to live with my new form and figuring out everything about him. That and... anyway, I was obsessed, I wanted to own him. /*I began to sneak into his house in the dead of night and...*/ Well eventually it drove me insane and I wanted to be with him in person, so I devised a way to use my pheromones to trick people into thinking I looked completely human. Doesn't work on video obviously but anyone who was within a couple feet of me saw me as how I used to be. I went to his work with a mask and sunglasses to hide most of my appearance, walked right up to him and...
|
||||
|
||||
She sighs. Nathan stims by bobbing his leg and swilling his soda around in the can. Sara similarly bobs her leg.
|
||||
|
||||
KAY
|
||||
Eventually I snuck into his house, we had a consensual kidnapping, it was really romantic and hot, he loved it, he always loved being put in his place by me. We dated ever since. We moved in together, he told me how he thought my powers worked, we trained together, took up vigilantism, got picked up by the IMC, eventually we worked out a deal where they supported my efforts and sent me on missions while Nathan stayed at home being a boywife. I was going to surprise him with another kidnapping and proposing to him... somewhere special, I don't know. Now I'm not even sure if that was real or anything because you don't remember at all, and...
|
||||
|
||||
Her voice breaks, she looks away. A pause.
|
||||
|
||||
NATHAN
|
||||
So I did think you were crazy, then I thought you were a figment of my old fantasies that manifested itself physically to destroy my life and marriage, and now I think you're from an alternate universe where what happened to Sara happened to you somehow.
|
||||
|
||||
KAY
|
||||
*There's* the shit Nathan always talks about.
|
||||
|
||||
Sara fidgets with her ring.
|
||||
|
||||
SARA
|
||||
I thought I was special.
|
||||
|
||||
NATHAN
|
||||
You are, of course you are. Even in an infinite multiverse.
|
||||
|
||||
KAY
|
||||
Ok, Sara next. I met you at a movie night he invited us to years ago, I knew Nathan always really liked you, you were friends for ages, made animations together, you're working on a TV show. He always insisted you were just friends but I knew he would fuck you in a heartbeat given the chance. Can't blame him, you're hot.
|
||||
|
||||
Nathan groans and stims harder, shaking his head.
|
||||
|
||||
NATHAN
|
||||
Oh, this is weird, Kalani is telling me my wife is hot and I haven't fucked her.
|
||||
|
||||
KAY
|
||||
Well, where I come, you haven't. *Yet.*
|
||||
|
||||
She growls the last word. Sara scowls.
|
||||
|
||||
SARA
|
||||
How am I supposed to take this? How do I know you're not making all of this up?
|
||||
|
||||
NATHAN
|
||||
Hang on here, let's just assume this theory is correct. Occam's razor may not whittle away the multiverse explanation, I don't have any better way of seeing this. We basically have to find out which one of us doesn't belong here.
|
||||
|
||||
KAY
|
||||
Sara, you next. How do you know Nathan? Pretend you know neither of us and describe it as though we're new people entirely.
|
||||
|
||||
Sara looks at the others, scowls at both and sighs.
|
||||
|
||||
SARA
|
||||
We met at CTEC. Became really good friends. I knew him for several years. He always knew how to rile me up, but he had a way with words. Helped me through a breakup after a four-year relationship. I needed a lot of time to get over it, but all the while I was fighting feelings for him. Needed him really bad. Vented it out by going to the gym. One day I came home and...
|
||||
|
||||
She shakes her head and sighs.
|
||||
|
||||
SARA
|
||||
Same thing as you. Collapsed, was in another world, fought my demons, came back, fucked his subby brains out, proposed, married, became a superhero, yada yada.
|
||||
|
||||
Nathan gets up and puts his arm around her. She tenses up, but doesn't stop him.
|
||||
|
||||
NATHAN
|
||||
And how do you know Kalani?
|
||||
|
||||
SARA
|
||||
(reluctantly)
|
||||
Same as you, she's the lesbian who you were obsessed with in high school and college.
|
||||
|
||||
NATHAN
|
||||
I- no, she just-
|
||||
|
||||
KAY
|
||||
It's true, you were obsessed. You told me your fantasies about dicks caused me to manifest one.
|
||||
|
||||
Sara grins, slapping his thigh.
|
||||
|
||||
NATHAN
|
||||
Oookay, glad we're on the same page here, anyway, I knew Kalani in high school, she was terrible at keeping contact and I was always second-guessing how much she wanted to talk to me, even after hanging out a couple times. She... ended up showing some red flags. And she liked girls more anyway so we drifted apart.
|
||||
|
||||
KAY
|
||||
Okay, I think the difference is that I went to the Sanctum first and became obsessed with you, while your Kalani was never sent to the Sanctum in the first place.
|
||||
|
||||
NATHAN
|
||||
She's not *my* Kalani.
|
||||
|
||||
SARA
|
||||
Our *universe's* Kalani.
|
||||
|
||||
NATHAN
|
||||
Your personality is entirely different from our universe's Kalani though.
|
||||
|
||||
KAY
|
||||
Yeah, I've been through a lot. You stopped talking to me when I was like, twenty.
|
||||
|
||||
NATHAN
|
||||
No, *you* stopped talking to me.
|
||||
|
||||
KAY
|
||||
You should really hit me up sometime, like right now actually. Am I still working, did I get the hospital job, or am I in social work? Am I still single? Did I finally have gay sex or did I never find someone in Utah gay or desperate enough to be willing to scissor me?
|
||||
|
||||
NATHAN
|
||||
Now *that* sounded a lot like you except for the gay sex part.
|
||||
|
||||
KAY
|
||||
Oh, you'd be surprised, I miss the idea of pussy so much.
|
||||
|
||||
NATHAN
|
||||
Getting warmer.
|
||||
|
||||
SARA
|
||||
Okay, you can fantasize about selfcest on your own time. What I want to know is what your dick was doing in my husband.
|
||||
|
||||
NATHAN
|
||||
Well, I mean, it makes sense. Kalani was a pussy and couldn't propose to me as early as you did, but we still were just as together as you and I. We've got similar sexual tastes and a similar relationship... uh, dynamic, it's no wonder that I would wake up getting railed, tied up, and gagged...
|
||||
|
||||
This distracts the ADHD trio. Then they remember one of them is from a different universe. Sara hits Nathan.
|
||||
|
||||
SARA
|
||||
Anyway...
|
||||
|
||||
NATHAN
|
||||
Anyway, your cock was amazing.
|
||||
|
||||
Sara glares at him and hits him again.
|
||||
|
||||
NATHAN
|
||||
I mean just as good as Sara's if not- I mean I thought it was her until I recognized your voice. Well not recognized. Just knew it wasn't hers.
|
||||
|
||||
KAY
|
||||
You really are the exact same, you sub. I just wish I could uh... I mean you're not my Nathan so whatever. I'm just happy you're happy I guess. Though if I were in a universe where you were still me and not someone else I'd totally be down for a three-way.
|
||||
|
||||
Kay points at Sara, who bristles at her statement and hits her. Nathan hides his face in Sara's fur.
|
||||
|
||||
KAY
|
||||
Sorry, I can't help myself around him! Surely you feel the need to dirty talk too!
|
||||
|
||||
SARA
|
||||
Not when his alternate dimension crush just fucked my sloppy seconds and tried to kill me.
|
||||
|
||||
NATHAN
|
||||
Sloppy seconds?! We're married!
|
||||
|
||||
KAY
|
||||
And I don't want to get inbetween you obviously, I thought I was fucking my boyfriend for like the seven thousandth orgasmic time.
|
||||
|
||||
SARA
|
||||
And I thought some bitch was stealing him from me.
|
||||
|
||||
NATHAN
|
||||
And I thought I was getting pulverized by my wife's 10-inch monster cock, we get it. None of us did anything to purposely hurt the others except you two. Clearly we were all thinking with the wrong head. Or no that was just you two and your cock measuring contest for who has the coolest weapon, by the way, it's Sara, sorry Kay, no chance, but if we're going to have a cock measuring contest I prefer one that doesn't involve two of the most powerful humans in existence bleeding out fighting over me. Actually, how big is your cock?
|
||||
|
||||
SARA
|
||||
Nathan!
|
||||
|
||||
Kay grins, shifting her weight a little nervously.
|
||||
|
||||
KAY
|
||||
Eight flaccid, ten erect, twelve on viagra or a good day.
|
||||
|
||||
NATHAN
|
||||
(overcome)
|
||||
Oh, fuck me.
|
||||
|
||||
SARA
|
||||
(gritting teeth)
|
||||
That's *my job.*
|
||||
|
||||
Nathan jumps up.
|
||||
|
||||
NATHAN
|
||||
And who am I to leave my wife unemployed? Anyhow, I say we go get some McDick's. Both of you must be starving and you've got cells to regenerate. I'll get the keys, babe.
|
||||
|
||||
[[really needed to be said]]
|
||||
SARA
|
||||
We're not going anywhere until we find out where she's from, why she's here, and how to get rid of her. She could still be lying about all of this.
|
||||
|
||||
KAY
|
||||
I can't lie with him in the room, he's not mine, but he's still Nathan.
|
||||
|
||||
NATHAN
|
||||
That's- okay. Oddly familiar.
|
||||
|
||||
He sits back down.
|
||||
|
||||
SARA
|
||||
Stop doing that. This has to be some sort of hit operation. The IMC augmented someone to come in as an actor to either kill me or sabotage our marriage.
|
||||
|
||||
KAY
|
||||
How would the IMC know about our trust pact thing?
|
||||
|
||||
SARA
|
||||
He's always going off about honesty. Delta Jay must have known and snitched.
|
||||
|
||||
KAY
|
||||
Oh! They don't know he has a rape fetish.
|
||||
|
||||
NATHAN
|
||||
Don't put it that way.
|
||||
|
||||
SARA
|
||||
Even if you *are* from another universe, why come here to fuck someone else's husband?
|
||||
|
||||
KAY
|
||||
I *didn't,* I wouldn't. I like my husband all to myself and I wouldn't steal someone else's, it'd kill him. I woke up here, right on the couch. Thought it was my house.
|
||||
(beat)
|
||||
|
||||
SARA
|
||||
But how did you get there.
|
||||
|
||||
KAY
|
||||
Maybe I dreamed too hard. Maybe this is a dream borne out of my insecurities knowing he'd be with you given the choice. All I know is I woke up horny and all three of us can't blame each other for that.
|
||||
|
||||
Nathan makes a confused noise.
|
||||
|
||||
SARA
|
||||
Ok, fine. If you got here by sleeping, you can leave by sleeping. Can I kill you?
|
||||
|
||||
NATHAN
|
||||
Consent is key.
|
||||
|
||||
KAY
|
||||
Bitch, you can try. I was winning anyway.
|
||||
|
||||
SARA
|
||||
As if. I'll send you back right now.
|
||||
|
||||
She resheathes only a small section of her resting weapon; a single stealth knife.
|
||||
|
||||
NATHAN
|
||||
Let's... not be too stab-happy. Even if you can kill her and she doesn't come back, how do you know that she's returned and you haven't just killed her?
|
||||
|
||||
KAY
|
||||
Yeah I don't wanna die, not without cumming first.
|
||||
|
||||
SARA
|
||||
Find someone else to help you with that.
|
||||
|
||||
NATHAN
|
||||
Help! Of course, we'll take her to the IMC ASAP after mcdeez. They'll be fascinated with her, remember the Lab, Sara?
|
||||
|
||||
Sara squints with frustration upon remembering. Nathan gets up again.
|
||||
|
||||
SARA
|
||||
I try not to.
|
||||
|
||||
NATHAN
|
||||
Ok, that's a deal! This is going to be the best magdondal trip yet. I can ask you all about your universe and how it's different and how it's the same, just amazing!
|
||||
|
||||
He prances out of the room, sipping his soda.
|
||||
|
||||
NATHAN
|
||||
(laughing)
|
||||
Oh, merry fuckin' Christmas!
|
||||
|
||||
Both women follow his ass with their eyes, and then they quickly snap to each other.
|
||||
|
||||
SARA
|
||||
I'm a master of stealth. Try to fuck him again and I'll kill you. What's more is that he'll probably let you and then I'll divorce him and he'll die alone.
|
||||
|
||||
Kay gets up, examines her bloody shirt, and sheathes the Acriamative as she talks, taking several steps away from Sara.
|
||||
|
||||
[[Something in this conversation needs to address how she got there in the first place and therefore how to get her back. Perhaps after MCD they go to delta jay or perhaps nafan and sara already figured out something though that's less likely]]
|
||||
|
||||
KAY
|
||||
And then when I figure out how to return to my universe you'll get lonely and ressurrect him, I get it. He's all yours. Though the offer's still on the table, he always said you were secretly bi and I'd fuck the shit out of both of you in a heartbeat.
|
||||
|
||||
Sara's weapons disappear from the floor as she unsheaths them into her hands. Kay knows the sound well.
|
||||
|
||||
KAY
|
||||
I know I drive a hard bargain but suit yourself. I know my Nathan wouldn't mind.
|
||||
|
||||
SARA
|
||||
(grumbling)
|
||||
That's what I'm afraid of.
|
||||
|
||||
[[her return to her original universe is indicative of how much the experience changed her. rather than returning to do honry things to nafan in his sleep, she wakes him up, something he normally hates and thus she would never do, to ensure he knows who she is and that they're actually together. He's confused but gives her the information she needed, she sleepily says she'll tell him in the morning.]]
|
||||
726
kay/alternateseggychristmas_003.fountain
Normal file
726
kay/alternateseggychristmas_003.fountain
Normal file
@@ -0,0 +1,726 @@
|
||||
Title: _alternateseggychristmas_
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes: i have ~~paraphilias~~ issues
|
||||
|
||||
/*
|
||||
inspired by between sleep daydream right before having to go to work 11/29/2022 ~7:30am. Wasn't entirely conscious; my brain is so used to the fake scenarios method that it attempts to re-enter sleep stages by utilizing the method even when not conscious. It's a bit spooky that my fantasies have been so far engrained into both the conscious and subconscious that this happens. I've conditioned myself through habitual fantasizing that my brain itself has rewired to have wacky habits. The honry is too strong. Anyway my fav scenario as of late has been that of getting double dicked by Sara and Kay, and Sara mommy domming the both of us. The semiconscious dream derived from the scenario was that of me being in a relationship with Sara (seemed to be in old house bedroom which really solidifies it as a dream but it having been somewhat lucidly triggered by semiconscious thought... this pseudoscience is strange...) and Kay being on the outside trying to barge her way into it and finally succeeding in creating a sort of polycule between the three of us. I don't think I could do it in real life. That's why it's just a fantasy. Bit of a guilty pleasure I think. But it goes like Kay is domming me, trying to own me, Sara then doms and reclaims me by sitting on my lap and forcing my face into her chest, then making out with Kay. She says something sarcastic/bratty back to her, Sara slaps her and forces to call her mom or something. It was a subconscious thought man don't judge me.
|
||||
|
||||
Anyway the following is derived from me thinking about it throughout work day; what if this spiderverse scenario was accidentally and unknowingly triggered on Kay, specifically a version of Kay who had claimed me after her transformation and we lived together, but the universe she is transported, seemingly abducted to, is identical to her native universe except the only variable changed was that Sara was sent to her own Inner Sanctum rather than Kay; Sara has similar abilities, underwent a similar transformation. Perhaps the reasoning for her transformation could be different and more fitting than Kay's; Kay was sent because she was trying to lose weight while being forced not to, breaking physics and causing her to be reverted to a spiritual state, where her soul had to fight within her consciousness (represented in 3 dimensions by an Inner Sanctum) with her problems, conquering them and once that internal conflict was resolved, the Sanctum was exited and her body transformed at a time dilated pace. I think that justification makes sense but could be expanded upon in the main storyline. However, I'm having trouble trying to make it fit how this could work for Sara. I like the idea that she becomes muscle mommy rather than chubby mommy with unequivalent physical power to her appearance, but I'm thinking in order for the requirements for a Sanctum transformation to be met, there would have to be something changed about myself as well. I was the one who caused some of the requirements for the Sanctum to be met by having such a crush on Kay, but also a big thing for chubby girls, that I didn't want her to lose weight but fantasized about a world where she could be that weight but healthy and also happy with herself, forcing her to remain that weight, causing the Sanctum entrance and eventually creating that world. Perhaps Sara's would be in reverse. She wants to work out, alt-me encourages her to work out because alt-me has a muscle mommy thing > chubby mommy thing, my fantasies change to be more suited to make Sara the one who gets Sanctum'd. I would rather that be the case than the requriements for Sanctuming be changed, though in an infinite multiverse that is admittedly also a variable that could be changed.
|
||||
|
||||
I find the fantasies thing interesting; a big part of my fantasies are literally just that my fantasy lover's powers just fix the stimuli to my OCD. I hate things being unsanitary and uncomfortable, especially in relation to sex. Her powers remove those issues. I think this explains why Sara's powers would be similar even if the reason her transformation occurred was quite different. My idealized version of any lover could consistently have the same healing and superhuman powers. I kinda love the idea of being immortal with one parter; both Kay's and Sara's powers would be able to bring someone back from even death and even restore them to a point as if nothing happened, with some exceptions. I think some scars could remain or perhaps become more defined because both Kay and I subconsciously control what the healing does and would be very thematically interesting; I like some scars, perhaps she can find them hot as well, thus they remain, almost divinely.
|
||||
|
||||
I'm thinking Sara would have far more restraint when it comes to killing someone or inflicting pain, even though she'd have a similar or perhaps identically potent healing power. A line from Kay to her recognizing "If I discovered someone in my home fucking my husband I wouldn't be able to stop myself from killing them."
|
||||
|
||||
This entire thing is why it's so tough just to write multiverse shit and slap in a million different versions of the same individuals into one story and call it good. There's so much depth to be explored with even just two differing universes with only a couple slightly tweaked variables. Not only is the exploration of that depth often far more interesting, but it's far more feasible because exploring that depth can clear up a lot of confusion on how the different versions are different and how they realistically ended up that way. With some multiverse content you just have to go "hm, guess that's just x character from the dimension where y variable is different" and that's just so incredibly boring... Not even to get into how F'd multiversal travel and god forbid multiversal threats can be to your previously well-grounded, well-written story. Perhaps the way it works in my multiverse is that eventually, everyone spends at least one day pulled into an alternate universe and has to figure out how to reverse it or something. Could be interesting. So at least once, either someone from the origin-verse or whatever is pulled out, like in this story, or someone from another universe visits the origin-verse. Could be interesting.
|
||||
|
||||
Anyhow, I was struggling to figure out how spacial continuity would work between these dimensions; a home being lived in by me and Kay would likely be completely different from a home being lived in by me and Sara, even if it were the same building and everything. I don't exactly know why, but this lead me to think that this event occurs on Christmas; Kay and I have had a long, eventful day with much food eaten, and she takes a nap on the couch while I head in to game/stream. She unknowingly is transported during this nap.
|
||||
*/
|
||||
|
||||
INT. DARK TV ROOM - NIGHT
|
||||
|
||||
Kay lies asleep, catatonic. She lies on her right side on the couch. Her boner is distincly visible via the bulge in her Illumination-Grinch pajamas. It flops down to the side with gravity and twitches with her. It rests on her meaty thighs, and there she lies; the embodiment of a closet furry bisexual chubby chaser's wet dream.
|
||||
|
||||
[[I want her to have a seggy pet name for me. i guess I'll go with subby for now? I could probably think of something better but idk.]]
|
||||
Her *moans* get too loud for her to remain asleep and she wakes. The moan that wakes her forms a word:
|
||||
|
||||
KAY
|
||||
(softly)
|
||||
Subby-
|
||||
|
||||
She sits up. We follow her, our view as disorienting as her mood. She sits up, shaking her head and massaging her penis. She bites her lip and blearily wanders through the dark house, hand still stimulating herself. She briefly checks her apple watch. '4:30 AM'.
|
||||
|
||||
/*
|
||||
she says this to convince herself it's ok to
|
||||
|
||||
edit 2021-01-19: she doesn't work. she's basically an independent contractor for the government. she really only has meetings. not sure how to rectify this.
|
||||
*/
|
||||
KAY
|
||||
(mumbled)
|
||||
No work in the morning.
|
||||
|
||||
She wanders down a hallway to their shared OFFICE.
|
||||
|
||||
INT. DARK OFFICE - NIGHT
|
||||
|
||||
The regular computer-emitted fan noises and light aren't present. Her tired eyes note only this.
|
||||
|
||||
KAY
|
||||
(mumbled)
|
||||
Slut's done streaming.
|
||||
|
||||
She immediately heads to their bedroom.
|
||||
|
||||
INT. DARK BEDROOM - NIGHT
|
||||
|
||||
She pokes her head in the open doorway. She sees NATHAN, blindfolded, covered completely by blankets. He's nowhere near as catatonic as her while sleeping. She grins deviously and rubs harder.
|
||||
|
||||
CUT TO:
|
||||
INT. CLOSET SHELF
|
||||
|
||||
We see a closet shelf housing several of the couple's favorite tools: a leather choker-like leash and collar, a ball gag, varying lengths of soft black nylon rope. Kay takes them.
|
||||
|
||||
[[initially intended as a tie to the wall, makes a bit more sense for the leash to be present if she ties his wrists instead]]
|
||||
When the bed is finally approached, she lies the tools down on it, puts her hand in front of Nathan's face for a couple seconds, then pulls the covers off him. Nothing but boxers shroud his feminine ass, which distracts Kay. She caresses him, shifting up and down from his thighs to above his hips. She snaps back to focus, equipping his gag, /*tying him to the clearly intentional mounted metal loop above their also clearly intentional less extravagant headboard.*/ binding his wrists and ankles. His boxers are slipped off, the leash is secured. Kay's Grinch PJs and accompanying plain boxers come off and she gets right into pleasuring herself with him. She thrusts into him, upright, with him bent over the edge of the bed. A *moan* of satisfaction and release escapes her. She chuckles erotically through her nose as she proceeds to pound him. It's clear she needed this.
|
||||
|
||||
Nathan wakes, *moaning alongside her.* Noting this, Kay leans down, nibbling his ear.
|
||||
|
||||
KAY
|
||||
Merry Christmas, slut.
|
||||
|
||||
For some reason, this sets Nathan off. He struggles against his binds, attempting to shout through his gag, but Kay's steady hands keep his hips in place.
|
||||
|
||||
KAY
|
||||
(laughing)
|
||||
Calm down, subby.
|
||||
|
||||
We see a view of her from the bed, facing the door. Her gray T-shirt emblazened with the word 'PROVO' is the only thing that shields us from her large, bouncing breasts. Her expression is as lustful as can be expected. Nathan continues to moan and struggle in protest.
|
||||
|
||||
KAY
|
||||
This is quite the performance, I'm impressed.
|
||||
|
||||
A moment passes, then a SHADOW approaches from the door. It speaks.
|
||||
|
||||
SHADOW
|
||||
Nathan, are you being horny without me ag- WHAT THE FUCK?
|
||||
|
||||
[[sara's eyes are dark hazel. not brown. not sure how i mandela affected myself]]
|
||||
Kay's eyes widen immensely as the light *clicks* on, but immediately turn to squinting at the brightness. The figure at the door is strikingly similar to her. Furry, big fuzzy tail, somewhat canid face, thick thighs and arms, cute PJs grudgingly concealing her bulge. But she has brown hair, hazel eyes, far more toned muscles, a Studio Ghibli mashup shirt. She's a red panda. And she's glaring at Kay with fury, who stumbles back, awkwardly pulling out to stare incredulously at the unfamiliar woman across from her.
|
||||
|
||||
KAY
|
||||
Wha-
|
||||
|
||||
SARA
|
||||
WHO THE FUCK ARE YOU, BITCH?
|
||||
|
||||
[[i think the right, right, left should be a queen reference :youlooksogood:]]
|
||||
SARA lunges at Kay, tackling her into the headboard, which makes a terrible crunching sound. Sara punches Kay three times in the face. Right, right, left. Stunned, Kay grabs Sara's right as it attempts another blow. She pushes against her full mass, launching Sara into the far wall, destroying the drywall. Nathan lets out a gagged yell in protest.
|
||||
|
||||
Kay follows up, lunging at Sara, who dodges and punches Kay in her exposed groin in one motion. She stumbles back, but not before Sara grabs her by the neck and lands another blow to her face.
|
||||
|
||||
The next few moments are quick. Kay attempts a right hook, which is deflected by Sara, who attempts an uppercut, which is caught by Kay's free hand. Once over the surprise, they're perfectly in sync in hand to hand combat. They push each other away and simultaneously unsheath their weapons.
|
||||
|
||||
The Acriamative flashes, and Sara's double shortswords rise to meet it. A deafening CLANG emits. Both women and the captive Nathan stare in shock and awe at the reveal.
|
||||
|
||||
(beat)
|
||||
|
||||
Both women yell and attempt to hit each other. It's clear neither of them are practiced swordswomen, though Sara quickly unmounts her weapons from their armbands to unlock a better range of motion. Neither can deflect the other's hits, and deep gashes open in both of them. Kay's blood is a dark pink, while Sara's is a dark aquamarine. The walls are heavily damaged by this exchange and the fight stumbles back into the TV room. Nathan hastily attempts to crawl and then awkwardly hop to follow, terrified.
|
||||
|
||||
.FIGHT TO TV ROOM
|
||||
|
||||
The room is only illuminated by the light streaming through destroyed bedroom wall. Kay shoves Sara to the ground and raises the Acriamative, but Sara shakily raises her weapons to attempt to deflect it.
|
||||
|
||||
Nathan tackles Kay, his recently loosed ball gag bumping on his chest. Her wounds have weakened her, so she topples into the couch where we started. He hits her with his still-tied hands. His useless hits are in sync with his words.
|
||||
|
||||
NATHAN
|
||||
You can't kill her! She'll just come back.
|
||||
|
||||
He gets up and away from her quickly, shaking. He attempts to help Sara up, an awkward process with his limbs still tied. He falls over.
|
||||
|
||||
NATHAN
|
||||
Fuckinhellshit.
|
||||
|
||||
He unties his ankles as quick as he can, watching Kay, who gets to her feet in a daze.
|
||||
|
||||
NATHAN
|
||||
Stay back!
|
||||
|
||||
He succeeds in helping Sara up. She's just as weakened as Kay, who stops, swaying, attempting to keep the Acriamative aloft. She breathes heavily.
|
||||
|
||||
KAY
|
||||
Nathan... Who the hell is this bitch?
|
||||
|
||||
Nathan just stares, putting both his hands on Sara's shoulders. Sara shakes her shoulders and elbows him as the two women begin to circle each other.
|
||||
|
||||
SARA
|
||||
Get out of our house or you're going to die. Nathan, fuck off.
|
||||
|
||||
NATHAN
|
||||
No, that wasn't-
|
||||
|
||||
KAY
|
||||
*Your* hou- I bought this house!
|
||||
|
||||
SARA
|
||||
What? I bought it. We *live* here.
|
||||
|
||||
Kay shakes her head and snarls.
|
||||
|
||||
KAY
|
||||
No, this is *my* house, that's *my* boyfriend, and I'm gonna fucking kill you.
|
||||
|
||||
SARA
|
||||
Holy shit, she's your girlfriend?
|
||||
|
||||
Sara pushes Nathan into the corner as the two continue to circle each other.
|
||||
|
||||
NATHAN
|
||||
NO, NO, NO!
|
||||
|
||||
The circling causes Nathan to be behind Kay instead of Sara.
|
||||
|
||||
KAY
|
||||
Oh, no doubt the wife is secret too. I'm gonna pound your brains out once I take care of this bitch. Clearly you need to be taught how to be loyal again.
|
||||
|
||||
She points at Nathan. Sara yells in frustration and slashes. It's weakly deflected, and the lunge causes them to switch sides again.
|
||||
|
||||
NATHAN
|
||||
Sara, stop, I don't know who this is.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Oh, I wouldn't remember my high school crush either. All the dates, all the hintdropping I totally forgot. The romantic stalking and kidnapping, moving in together, the training and fighting and life risking just totally slipped my mind.
|
||||
|
||||
SARA
|
||||
Nathan, call Delta Jay.
|
||||
|
||||
|
||||
[[replace IMC with whatever fictional or otherwise realistic faction I want Delta Jay to be a part of]]
|
||||
KAY
|
||||
Why would you call him, he's *my* IMC liason.
|
||||
|
||||
SARA
|
||||
Yeah, well he works for *me.*
|
||||
|
||||
KAY
|
||||
Oh, that's a weird coincidence because he actually works for *me*, and I'm sure he'll send you hell once he finds out how much you've wounded me.
|
||||
|
||||
SARA
|
||||
The IMC can't stop me.
|
||||
|
||||
KAY
|
||||
And you can't stop me. I can't die.
|
||||
|
||||
SARA
|
||||
Neither can I, bitch.
|
||||
|
||||
NATHAN
|
||||
Holy shit. You're Kalani, aren't you?
|
||||
|
||||
Sara and Kay stop to look at the naked femboy.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Took you long enough, hi, it's your *girlfriend of two years.*
|
||||
|
||||
NATHAN
|
||||
Fuck you, we got married two years ago!
|
||||
|
||||
He points to Sara, whose eyes flit between her lover and Kay. Kay allows the Acriamative to fall as she gestures dejectedly.
|
||||
|
||||
KAY
|
||||
Damn it, and I was just about to propose, too. I can't fucking believe this, I fucking knew I should have dated girls instead.
|
||||
|
||||
Sara shakes her head in disbelief.
|
||||
|
||||
SARA
|
||||
What?
|
||||
|
||||
Sara combines her two sword whips into one warily.
|
||||
|
||||
KAY
|
||||
My question is, how the fuck did you hide an entire marriage from me *and* manage to convince *her* she owns our house. I thought you were a genius, but apparently you're stupid enough to think I wouldn't find out about this shit.
|
||||
|
||||
SARA
|
||||
Bitch, this is OUR HOUSE!
|
||||
|
||||
The women glare at each other.
|
||||
|
||||
NATHAN
|
||||
Stop, stop stop stop stop stop. Whoever you are, you're insane, Sara I would never cheat on you. I thought you decided to surprise me by- byf- byf- bfuckin tying me up, but is was her. She was raping me in my sleep.
|
||||
|
||||
He points at Kay, opens his still tied hands towards Sara, stimming with his fingers and shaking his head. He very much speaks with his hands.
|
||||
|
||||
Kay and Sara both lower their weapons slightly, hiding their eyes behind their hands in shock in a mini-facepalm. Nathan notices the similar response and looks confusedly at both of them.
|
||||
|
||||
[[This line may damage the worldbuilding. She should be shocked that someone like her exists and that should probably be on the forefront of her mind. This line almost implies that her condition is normal, which it is not by any stretch of the imagination.]]
|
||||
KAY
|
||||
You're really going to lie to leave me for a fuckin panda. You just *love* telling the truth until you can find another fuck buddy.
|
||||
|
||||
NATHAN
|
||||
I've never seen you in my life!
|
||||
|
||||
KAY
|
||||
I've fucked you in the ass every night since twenty twenty two, you dumb whore!
|
||||
|
||||
SARA
|
||||
You said her name though.
|
||||
|
||||
NATHAN
|
||||
Yeah, you sound like Kalani, but I haven't talked to her for years.
|
||||
|
||||
SARA
|
||||
Oh, Kalani the lesbian you- wait...
|
||||
|
||||
KAY
|
||||
I'm sure as hell a lesbian now!
|
||||
|
||||
SARA
|
||||
Put your dick away then, so my cheating husband can stop staring at it.
|
||||
|
||||
Nathan blushes profusely.
|
||||
|
||||
NATHAN
|
||||
Rape, rape, rape, she *raped* me.
|
||||
|
||||
KAY
|
||||
Nathan, you *love* getting raped.
|
||||
|
||||
NATHAN
|
||||
Oh my fff...
|
||||
|
||||
He's lost for words. Sara and Kay watch him for a moment, but snap back to each other, their stares are no longer as hostile.
|
||||
|
||||
SARA
|
||||
(confusedly)
|
||||
So clearly we've both had a lot of sex with Nathan without either of us finding out he was a cheater.
|
||||
|
||||
NATHAN
|
||||
But that's not true! I can count on one hand the amount of times Kalani and I hung out, we never so much as flirted after sophomore year!
|
||||
|
||||
SARA
|
||||
Oh, oh, but you *said* you fantasized about her constantly until we started hooking up. Turns out they weren't fantasies.
|
||||
|
||||
KAY
|
||||
Damn right they weren't.
|
||||
|
||||
SARA
|
||||
Fuck this.
|
||||
|
||||
She gets up to leave, staggering as she clutches her bloodstained shirt. Nathan grabs her.
|
||||
|
||||
NATHAN
|
||||
Slow down slow down, stop. Please please please just sit down and rest. Untie me, I'll get my clothes, we can grab some soda and stop you from bleeding out. Sara look at me. You have to believe me. We're going to get an explanation from her.
|
||||
|
||||
KAY
|
||||
Wait, Sara?
|
||||
|
||||
Nathan and Sara look at Kay, who slumps down on the couch, her weapon clanging to the ground as she grips her side.
|
||||
|
||||
KAY
|
||||
Nathan and I know a Sara, and she doesn't look like you. Something's gone horribly wrong.
|
||||
|
||||
NATHAN
|
||||
Sara, sara, see? Untie me, untie me.
|
||||
|
||||
She obliges, still staring at Kay. Nathan rushes back into the destroyed bedroom. Kay pulls what's left of her shirt down to cover up her still slightly erect cock. Sara looks away and pretends like she doesn't see it.
|
||||
|
||||
SARA
|
||||
Sara's a very common name. I only know one Kalani.
|
||||
|
||||
KAY
|
||||
You sound exactly like her though. We both went to Jordan, but didn't properly meet until Nathan invited us both over for a movie night. I thought you were pretty hot but I thought you two were dating otherwise...
|
||||
|
||||
NATHAN (O.S.)
|
||||
Oh, no way.
|
||||
|
||||
SARA
|
||||
Thanks? Wait. Was there anyone else there? What movie did you watch?
|
||||
|
||||
KAY
|
||||
I brought my best friend Ana over. Nathan had some of his friends.
|
||||
|
||||
SARA
|
||||
We watched Alien and Aliens.
|
||||
|
||||
KAY
|
||||
You watched Aliens?
|
||||
|
||||
SARA
|
||||
Yeah, but you two left as we went to get ice cream.
|
||||
|
||||
Nathan reappears fully clothed. He tosses Kay's PJs and boxers back to her.
|
||||
|
||||
NATHAN
|
||||
I thought I recognized those pants. Cumberbatch grinch, not Carrey.
|
||||
|
||||
Kay gets up to put her clothes back on. Her cock is still massive when flaccid. Sara turns away, but Nathan only pretends not to look.
|
||||
|
||||
KAY
|
||||
It's ok to stare.
|
||||
|
||||
SARA
|
||||
(growling)
|
||||
Not when it's you, it's not.
|
||||
|
||||
Sara grabs Nathan by the arm and pushes him to turn away.
|
||||
|
||||
NATHAN
|
||||
I'm the victim here, she raped me.
|
||||
|
||||
SARA
|
||||
We all know you fuckin enjoyed it.
|
||||
|
||||
NATHAN
|
||||
Yeah, when I thought it was you!
|
||||
|
||||
KAY
|
||||
Guys, stop. We're all the victims of a misunderstanding, not rape. Nathan talks about this shit all the time.
|
||||
|
||||
Cut to the three sitting down, fully clothed, besides the torn shirts and blood. Nathan's ballgag is replaced by a choker. Kay is on the corner of the sectional, Sara on one of the ends, Nathan on the ottoman inbetween them. The three of them sip sodas from the mini-fridge.
|
||||
|
||||
/*
|
||||
alternate confrontation/realization
|
||||
|
||||
NATHAN
|
||||
How come you two are the only two superhuman, humanoid lifeforms with conjurable custom weapons on this earth?
|
||||
|
||||
(beat)
|
||||
|
||||
KAY
|
||||
I got my powers because of you.
|
||||
|
||||
SARA
|
||||
*/
|
||||
|
||||
KAY
|
||||
What we're going to do is we're going to describe our relationship with the other two how we see it, I'll go first. I'm Kalani Lindsay Whitmore. I met Nathan at Jordan in freshman year, had a crush on him sophomore year. We texted and hung out a couple times during college, and I...
|
||||
|
||||
She pauses.
|
||||
|
||||
[[perhaps it's out of character to be as upfront as she is about this so this can be trimmed]]
|
||||
KAY
|
||||
I was very self-conscious about my weight. It was kind of... destroying my life. I pushed away my roommates and family and lived on my own, I was too depressed and anxious to go to school, I wasn't paying bills, all I was doing was exercising and eating. But I couldn't lose weight. It was like I was cursed. So I stopped eating. I starved myself, but my damn scale wouldn't move an ounce. I thought I was going crazy. One day I collapsed on the treadmill and blacked out. When I woke up, I was in another world. I was transformed, I wasn't human anymore. I had to fight monsters and survive, and all the while I knew he did it.
|
||||
|
||||
She points at Nathan. Sara puts a hand to her mouth in realization.
|
||||
|
||||
KAY
|
||||
I had powers. Super strength. My hyperhydrosis turned into something different. I still sweat a ton, but it wasn't gross anymore. I had healing powers. I can control things with my pheromones, I could knock things out.
|
||||
|
||||
Sara and Nathan exchange glances several times. Nathan snaps incessantly.
|
||||
|
||||
SARA
|
||||
I don't sweat very much at all, but I can do all those things too, it's just a lot harder.
|
||||
|
||||
Kay nods.
|
||||
|
||||
KAY
|
||||
Hang on. So when I finally found out how to return to this world, I started stalking him. Found his streams, twitter, everything. My entire life was all about figuring out how to live with my new form and figuring out everything about him. That and... anyway, I was obsessed, I wanted to own him. /*I began to sneak into his house in the dead of night and...*/ Well eventually it drove me insane and I wanted to be with him in person, so I devised a way to use my pheromones to trick people into thinking I looked completely human. Doesn't work on video obviously but anyone who was within a couple feet of me saw me as how I used to be. I went to his work with a mask and sunglasses to hide most of my appearance, walked right up to him and...
|
||||
|
||||
She sighs. Nathan stims by bobbing his leg and swilling his soda around in the can. Sara similarly bobs her leg.
|
||||
|
||||
KAY
|
||||
Eventually I snuck into his house, we had a consensual kidnapping, it was really romantic and hot, he loved it, he always loved being put in his place by me. We dated ever since. We moved in together, he told me how he thought my powers worked, we trained together, took up vigilantism, got picked up by the IMC, eventually we worked out a deal where they supported my efforts and sent me on missions while Nathan stayed at home being a boywife. I was going to surprise him with another kidnapping and proposing to him... somewhere special, I don't know. Now I'm not even sure if that was real or anything because you don't remember at all, and...
|
||||
|
||||
Her voice breaks, she looks away. A pause.
|
||||
|
||||
NATHAN
|
||||
So I did think you were crazy, then I thought you were a figment of my old fantasies that manifested itself physically to destroy my life and marriage, and now I think you're from an alternate universe where what happened to Sara happened to you somehow.
|
||||
|
||||
KAY
|
||||
*There's* the shit Nathan always talks about.
|
||||
|
||||
Sara fidgets with her ring.
|
||||
|
||||
SARA
|
||||
I thought I was special.
|
||||
|
||||
NATHAN
|
||||
You are, of course you are. Even in an infinite multiverse.
|
||||
|
||||
KAY
|
||||
Ok, Sara next. I met you at a movie night he invited us to years ago, I knew Nathan always really liked you, you were friends for ages, made animations together, you're working on a TV show. He always insisted you were just friends but I knew he would fuck you in a heartbeat given the chance. Can't blame him, you're hot.
|
||||
|
||||
Nathan groans and stims harder, shaking his head.
|
||||
|
||||
NATHAN
|
||||
Oh, this is weird, Kalani is telling me my wife is hot and I haven't fucked her.
|
||||
|
||||
KAY
|
||||
Well, where I come, you haven't. *Yet.*
|
||||
|
||||
She growls the last word. Sara scowls.
|
||||
|
||||
SARA
|
||||
How am I supposed to take this? How do I know you're not making all of this up?
|
||||
|
||||
NATHAN
|
||||
Hang on here, let's just assume this theory is correct. Occam's razor may not whittle away the multiverse explanation, I don't have any better way of seeing this. We basically have to find out which one of us doesn't belong here.
|
||||
|
||||
KAY
|
||||
Sara, you next. How do you know Nathan? Pretend you know neither of us and describe it as though we're new people entirely.
|
||||
|
||||
Sara looks at the others, scowls at both and sighs.
|
||||
|
||||
SARA
|
||||
We met at CTEC. Became really good friends. I knew him for several years. He always knew how to rile me up, but he had a way with words. Helped me through a breakup after a four-year relationship. I needed a lot of time to get over it, but all the while I was fighting feelings for him. Needed him really bad. Vented it out by going to the gym. One day I came home and...
|
||||
|
||||
She shakes her head and sighs.
|
||||
|
||||
SARA
|
||||
Same thing as you. Collapsed, was in another world, fought my demons, came back, fucked his subby brains out, proposed, married, became a superhero, yada yada.
|
||||
|
||||
Nathan gets up and puts his arm around her. She tenses up, but doesn't stop him.
|
||||
|
||||
NATHAN
|
||||
And how do you know Kalani?
|
||||
|
||||
SARA
|
||||
(reluctantly)
|
||||
Same as you, she's the lesbian who you were obsessed with in high school and college.
|
||||
|
||||
NATHAN
|
||||
I- no, she just-
|
||||
|
||||
KAY
|
||||
It's true, you were obsessed. You told me your fantasies about dicks caused me to manifest one.
|
||||
|
||||
Sara grins, slapping his thigh.
|
||||
|
||||
NATHAN
|
||||
Oookay, glad we're on the same page here, anyway, I knew Kalani in high school, she was terrible at keeping contact and I was always second-guessing how much she wanted to talk to me, even after hanging out a couple times. She... ended up showing some red flags. And she liked girls more anyway so we drifted apart.
|
||||
|
||||
KAY
|
||||
Okay, I think the difference is that I went to the Sanctum first and became obsessed with you, while your Kalani was never sent to the Sanctum in the first place.
|
||||
|
||||
NATHAN
|
||||
She's not *my* Kalani.
|
||||
|
||||
SARA
|
||||
Our *universe's* Kalani.
|
||||
|
||||
NATHAN
|
||||
Your personality is entirely different from our universe's Kalani though.
|
||||
|
||||
KAY
|
||||
Yeah, I've been through a lot. You stopped talking to me when I was like, twenty.
|
||||
|
||||
NATHAN
|
||||
No, *you* stopped talking to me.
|
||||
|
||||
KAY
|
||||
You should really hit me up sometime, like right now actually. Am I still working, did I get the hospital job, or am I in social work? Am I still single? Did I finally have gay sex or did I never find someone in Utah gay or desperate enough to be willing to scissor me?
|
||||
|
||||
NATHAN
|
||||
Now *that* sounded a lot like you except for the gay sex part.
|
||||
|
||||
KAY
|
||||
Oh, you'd be surprised, I miss the idea of pussy so much.
|
||||
|
||||
NATHAN
|
||||
Getting warmer.
|
||||
|
||||
SARA
|
||||
Okay, you can fantasize about selfcest on your own time. What I want to know is what your dick was doing in my husband.
|
||||
|
||||
[[i feel like "was a pussy" is too aggressive and would warrant a reaction/interruption. i would probably trail off for a second and explain it less aggressively to be diplomatic]]
|
||||
NATHAN
|
||||
Well, I mean, it makes sense. Kalani was a... well she couldn't propose to me as early as you did, but we still were just as together as you and I. We've got similar sexual tastes and a similar relationship... uh, dynamic, it's no wonder that I would wake up getting railed, tied up, and gagged...
|
||||
|
||||
This distracts the ADHD trio. Then they remember one of them is from a different universe. Sara hits Nathan.
|
||||
|
||||
SARA
|
||||
Anyway...
|
||||
|
||||
NATHAN
|
||||
Anyway, your cock was amazing.
|
||||
|
||||
Sara glares at him and hits him again.
|
||||
|
||||
NATHAN
|
||||
I mean just as good as Sara's if not- I mean I thought it was her until I recognized your voice. Well not recognized. Just knew it wasn't hers.
|
||||
|
||||
KAY
|
||||
You really are the exact same, you sub. I just wish I could uh... I mean you're not my Nathan so whatever. I'm just happy you're happy I guess. Though if I were in a universe where you were still me and not someone else I'd totally be down for a three-way.
|
||||
|
||||
[[i don't think they're at the hitting level, more likely she would jolt forward to try and hit her seriously]]
|
||||
Kay points at Sara, who bristles at her statement and jolts forward, causing Kay to flinch. Nathan hides his face in Sara's big furry tail.
|
||||
|
||||
KAY
|
||||
Sorry, I can't help myself around him! Surely you feel the need to dirty talk too!
|
||||
|
||||
SARA
|
||||
Not when his alternate dimension crush just fucked my sloppy seconds and tried to kill me.
|
||||
|
||||
NATHAN
|
||||
Sloppy seconds?! We're married!
|
||||
|
||||
KAY
|
||||
And I don't want to get inbetween you obviously, I thought I was fucking my boyfriend for like the seven thousandth orgasmic time.
|
||||
|
||||
SARA
|
||||
And I thought some bitch was stealing him from me.
|
||||
|
||||
NATHAN
|
||||
And I thought I was getting pulverized by my wife's 10-inch monster cock, we get it. None of us did anything to purposely hurt the others except you two. Clearly we were all thinking with the wrong head. Or no that was just you two and your cock measuring contest for who has the coolest weapon, by the way, it's Sara, sorry Kay, no chance, but if we're going to have a cock measuring contest I prefer one that doesn't involve two of the most powerful humans in existence bleeding out fighting over me. Actually, how big is your cock?
|
||||
|
||||
SARA
|
||||
Nathan!
|
||||
|
||||
Another love tap ensues. Probably a little harder. Kay grins, shifting her weight a little nervously.
|
||||
|
||||
KAY
|
||||
Eight flaccid, ten erect, twelve on viagra or a good day.
|
||||
|
||||
NATHAN
|
||||
(overcome)
|
||||
Oh, fuck me.
|
||||
|
||||
SARA
|
||||
(gritting teeth)
|
||||
That's *my job.*
|
||||
|
||||
Nathan jumps up.
|
||||
|
||||
NATHAN
|
||||
And who am I to leave my wife unemployed? Anyhow, I say we go get some McDick's. Both of you must be starving and you've got cells to regenerate. I'll get the keys, babe.
|
||||
|
||||
[[really needed to be said]]
|
||||
SARA
|
||||
We're not going anywhere until we find out where she's from, why she's here, and how to get rid of her. She could still be lying about all of this.
|
||||
|
||||
KAY
|
||||
I can't lie with him in the room, he's not mine, but he's still Nathan.
|
||||
|
||||
NATHAN
|
||||
That's- okay. Oddly familiar.
|
||||
|
||||
He sits back down.
|
||||
|
||||
SARA
|
||||
Stop doing that. This has to be some sort of hit operation. The IMC augmented someone to come in as an actor to either kill me or sabotage our marriage.
|
||||
|
||||
KAY
|
||||
How would the IMC know about our trust pact thing?
|
||||
|
||||
SARA
|
||||
He's always going off about honesty. Delta Jay must have known and snitched.
|
||||
|
||||
KAY
|
||||
Oh! They don't know he has a rape fetish.
|
||||
|
||||
NATHAN
|
||||
Don't put it that way.
|
||||
|
||||
SARA
|
||||
Even if you *are* from another universe, why come here to fuck someone else's husband?
|
||||
|
||||
KAY
|
||||
I *didn't,* I wouldn't. I like my boyfriend all to myself and I wouldn't steal someone else's, it'd kill him. I woke up here, right on the couch. Thought it was my house.
|
||||
(beat)
|
||||
|
||||
SARA
|
||||
But how did you get there.
|
||||
|
||||
KAY
|
||||
Maybe I dreamed too hard. Maybe this is a dream borne out of my insecurities knowing he'd be with you given the choice. All I know is I woke up horny and all three of us can't blame each other for that.
|
||||
|
||||
Nathan makes a confused noise.
|
||||
|
||||
SARA
|
||||
Ok, fine. If you got here by sleeping, you can leave by sleeping. Can I kill you?
|
||||
|
||||
NATHAN
|
||||
Consent is key.
|
||||
|
||||
KAY
|
||||
Bitch, you can try. I was winning anyway.
|
||||
|
||||
SARA
|
||||
As if. I'll send you back right now.
|
||||
|
||||
She resheathes only a small section of her resting weapon; a single stealth knife.
|
||||
|
||||
NATHAN
|
||||
Let's... not be too stab-happy. Even if you can kill her and she doesn't come back, how do you know that she's returned and you haven't just killed her?
|
||||
|
||||
KAY
|
||||
Yeah I don't wanna die, not without cumming first.
|
||||
|
||||
SARA
|
||||
Find someone else to help you with that.
|
||||
|
||||
NATHAN
|
||||
Help! Of course, we'll take her to the IMC ASAP after mcdeez. They'll be fascinated with her, remember the Lab, Sara?
|
||||
|
||||
Sara squints with frustration upon remembering. Nathan gets up again.
|
||||
|
||||
SARA
|
||||
I try not to.
|
||||
|
||||
NATHAN
|
||||
Ok, that's a deal! This is going to be the best magdondal trip yet. I can ask you all about your universe and how it's different and how it's the same, just amazing!
|
||||
|
||||
He prances out of the room, sipping his soda.
|
||||
|
||||
NATHAN
|
||||
(laughing)
|
||||
Oh, merry fuckin' Christmas!
|
||||
|
||||
Both women follow his ass with their eyes, and then they quickly snap to each other.
|
||||
|
||||
SARA
|
||||
I'm a master of stealth. Try to fuck him again and I'll kill you. What's more is that he'll probably let you and then I'll divorce him and he'll die alone.
|
||||
|
||||
Kay gets up, examines her bloody shirt, and sheathes the Acriamative as she talks, taking several steps away from Sara.
|
||||
|
||||
[[Something in this conversation needs to address how she got there in the first place and therefore how to get her back. Perhaps after MCD they go to delta jay or perhaps nafan and sara already figured out something though that's less likely]]
|
||||
|
||||
KAY
|
||||
And then when I figure out how to return to my universe you'll get lonely and ressurrect him, I get it. He's all yours. Though the offer's still on the table, he always said you were secretly bi and I'd fuck the shit out of both of you in a heartbeat.
|
||||
|
||||
Sara's weapons disappear from the floor as she unsheaths them into her hands. Kay knows the sound well.
|
||||
|
||||
[[her attitude is a bluff. she's secretly extremely wary of someone with her abilities being an enemy, but that's not on the forefront of her mind because she knows that them fighting again won't happen if Nathan is there.]]
|
||||
KAY
|
||||
I know I drive a hard bargain but suit yourself. I know my Nathan wouldn't mind.
|
||||
|
||||
SARA
|
||||
(grumbling)
|
||||
That's what I'm afraid of.
|
||||
|
||||
Kay goes upstairs. Sara quickly unsheaths her weapons and pushes past her.
|
||||
|
||||
SARA
|
||||
This is my house. Don't act like you own it.
|
||||
|
||||
KAY
|
||||
Force of habit, not sorry.
|
||||
|
||||
NATHAN
|
||||
Enough of this toxic femininity, let's get in the car.
|
||||
|
||||
Hard upwards pan to Nathan swinging Sara's lanyard.
|
||||
|
||||
SARA
|
||||
Oh no you don't. I'm not letting you drive for at least half a year after tonight.
|
||||
|
||||
NATHAN
|
||||
You can't just do that to me, this wasn't my fault!
|
||||
|
||||
Sara approaches him into the great room and takes the keys from him.
|
||||
|
||||
SARA
|
||||
(under breath)
|
||||
Well clearly you're enjoying it. Punishing you with no sex punishes me, so I'm taking away your freedoms until you get a better attitude.
|
||||
|
||||
He ignores her lowered tone. They walk to the garage.
|
||||
|
||||
NATHAN
|
||||
My attitude is great, I'm just a little horny.
|
||||
|
||||
SARA
|
||||
Little horny bitch.
|
||||
|
||||
KAY
|
||||
Can't blame anyone for being horny. We've all been there. 24/7.
|
||||
|
||||
NATHAN
|
||||
Your honor, my client would like to plead horny on all charges.
|
||||
|
||||
|
||||
|
||||
EMPLOYEE
|
||||
Uh, are you guys alright?
|
||||
|
||||
She notes the strange colored blood all over the two humanoids. Nathan has also been stained on his hands.
|
||||
|
||||
KAY
|
||||
Normal Tuesday night.
|
||||
|
||||
NATHAN
|
||||
It's not even Tuesday.
|
||||
|
||||
He had to check his phone to make sure. It's actually an early morning on a Wednesday; Christmas 2024.
|
||||
|
||||
[[her return to her original universe is indicative of how much the experience changed her. rather than returning to do honry things to nafan in his sleep, she wakes him up, something he normally hates and thus she would never do, to ensure he knows who she is and that they're actually together. He's confused but gives her the information she needed, she sleepily says she'll tell him in the morning.]]
|
||||
780
kay/alternateseggychristmas_004.fountain
Normal file
780
kay/alternateseggychristmas_004.fountain
Normal file
@@ -0,0 +1,780 @@
|
||||
Title: _alternateseggychristmas_
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes: i have ~~paraphilias~~ issues
|
||||
|
||||
/*
|
||||
inspired by between sleep daydream right before having to go to work 11/29/2022 ~7:30am. Wasn't entirely conscious; my brain is so used to the fake scenarios method that it attempts to re-enter sleep stages by utilizing the method even when not conscious. It's a bit spooky that my fantasies have been so far engrained into both the conscious and subconscious that this happens. I've conditioned myself through habitual fantasizing that my brain itself has rewired to have wacky habits. The honry is too strong. Anyway my fav scenario as of late has been that of getting double dicked by Sara and Kay, and Sara mommy domming the both of us. The semiconscious dream derived from the scenario was that of me being in a relationship with Sara (seemed to be in old house bedroom which really solidifies it as a dream but it having been somewhat lucidly triggered by semiconscious thought... this pseudoscience is strange...) and Kay being on the outside trying to barge her way into it and finally succeeding in creating a sort of polycule between the three of us. I don't think I could do it in real life. That's why it's just a fantasy. Bit of a guilty pleasure I think. But it goes like Kay is domming me, trying to own me, Sara then doms and reclaims me by sitting on my lap and forcing my face into her chest, then making out with Kay. She says something sarcastic/bratty back to her, Sara slaps her and forces to call her mom or something. It was a subconscious thought man don't judge me.
|
||||
|
||||
Anyway the following is derived from me thinking about it throughout work day; what if this spiderverse scenario was accidentally and unknowingly triggered on Kay, specifically a version of Kay who had claimed me after her transformation and we lived together, but the universe she is transported, seemingly abducted to, is identical to her native universe except the only variable changed was that Sara was sent to her own Inner Sanctum rather than Kay; Sara has similar abilities, underwent a similar transformation. Perhaps the reasoning for her transformation could be different and more fitting than Kay's; Kay was sent because she was trying to lose weight while being forced not to, breaking physics and causing her to be reverted to a spiritual state, where her soul had to fight within her consciousness (represented in 3 dimensions by an Inner Sanctum) with her problems, conquering them and once that internal conflict was resolved, the Sanctum was exited and her body transformed at a time dilated pace. I think that justification makes sense but could be expanded upon in the main storyline. However, I'm having trouble trying to make it fit how this could work for Sara. I like the idea that she becomes muscle mommy rather than chubby mommy with unequivalent physical power to her appearance, but I'm thinking in order for the requirements for a Sanctum transformation to be met, there would have to be something changed about myself as well. I was the one who caused some of the requirements for the Sanctum to be met by having such a crush on Kay, but also a big thing for chubby girls, that I didn't want her to lose weight but fantasized about a world where she could be that weight but healthy and also happy with herself, forcing her to remain that weight, causing the Sanctum entrance and eventually creating that world. Perhaps Sara's would be in reverse. She wants to work out, alt-me encourages her to work out because alt-me has a muscle mommy thing > chubby mommy thing, my fantasies change to be more suited to make Sara the one who gets Sanctum'd. I would rather that be the case than the requriements for Sanctuming be changed, though in an infinite multiverse that is admittedly also a variable that could be changed.
|
||||
|
||||
I find the fantasies thing interesting; a big part of my fantasies are literally just that my fantasy lover's powers just fix the stimuli to my OCD. I hate things being unsanitary and uncomfortable, especially in relation to sex. Her powers remove those issues. I think this explains why Sara's powers would be similar even if the reason her transformation occurred was quite different. My idealized version of any lover could consistently have the same healing and superhuman powers. I kinda love the idea of being immortal with one parter; both Kay's and Sara's powers would be able to bring someone back from even death and even restore them to a point as if nothing happened, with some exceptions. I think some scars could remain or perhaps become more defined because both Kay and I subconsciously control what the healing does and would be very thematically interesting; I like some scars, perhaps she can find them hot as well, thus they remain, almost divinely.
|
||||
|
||||
I'm thinking Sara would have far more restraint when it comes to killing someone or inflicting pain, even though she'd have a similar or perhaps identically potent healing power. A line from Kay to her recognizing "If I discovered someone in my home fucking my husband I wouldn't be able to stop myself from killing them."
|
||||
|
||||
This entire thing is why it's so tough just to write multiverse shit and slap in a million different versions of the same individuals into one story and call it good. There's so much depth to be explored with even just two differing universes with only a couple slightly tweaked variables. Not only is the exploration of that depth often far more interesting, but it's far more feasible because exploring that depth can clear up a lot of confusion on how the different versions are different and how they realistically ended up that way. With some multiverse content you just have to go "hm, guess that's just x character from the dimension where y variable is different" and that's just so incredibly boring... Not even to get into how F'd multiversal travel and god forbid multiversal threats can be to your previously well-grounded, well-written story. Perhaps the way it works in my multiverse is that eventually, everyone spends at least one day pulled into an alternate universe and has to figure out how to reverse it or something. Could be interesting. So at least once, either someone from the origin-verse or whatever is pulled out, like in this story, or someone from another universe visits the origin-verse. Could be interesting.
|
||||
|
||||
Anyhow, I was struggling to figure out how spacial continuity would work between these dimensions; a home being lived in by me and Kay would likely be completely different from a home being lived in by me and Sara, even if it were the same building and everything. I don't exactly know why, but this lead me to think that this event occurs on Christmas; Kay and I have had a long, eventful day with much food eaten, and she takes a nap on the couch while I head in to game/stream. She unknowingly is transported during this nap.
|
||||
*/
|
||||
|
||||
INT. DARK TV ROOM - NIGHT
|
||||
|
||||
Kay lies asleep, catatonic. She lies on her right side on the couch. Her boner is distincly visible via the bulge in her Illumination-Grinch pajamas. It flops down to the side with gravity and twitches with her. It rests on her meaty thighs, and there she lies; the embodiment of a closet furry bisexual chubby chaser's wet dream.
|
||||
|
||||
[[I want her to have a seggy pet name for me. i guess I'll go with subby for now? I could probably think of something better but idk.]]
|
||||
Her *moans* get too loud for her to remain asleep and she wakes. The moan that wakes her forms a word:
|
||||
|
||||
KAY
|
||||
(softly)
|
||||
Subby-
|
||||
|
||||
She sits up. We follow her, our view as disorienting as her mood. She sits up, shaking her head and massaging her penis. She bites her lip and blearily wanders through the dark house, hand still stimulating herself. She briefly checks her apple watch. '4:30 AM'.
|
||||
|
||||
/*
|
||||
she says this to convince herself it's ok to
|
||||
|
||||
edit 2021-01-19: she doesn't work. she's basically an independent contractor for the government. she really only has meetings. not sure how to rectify this.
|
||||
*/
|
||||
KAY
|
||||
(mumbled)
|
||||
No work in the morning.
|
||||
|
||||
She wanders down a hallway to their shared OFFICE.
|
||||
|
||||
INT. DARK OFFICE - NIGHT
|
||||
|
||||
The regular computer-emitted fan noises and light aren't present. Her tired eyes note only this.
|
||||
|
||||
KAY
|
||||
(mumbled)
|
||||
Slut's done streaming.
|
||||
|
||||
She immediately heads to their bedroom.
|
||||
|
||||
INT. DARK BEDROOM - NIGHT
|
||||
|
||||
She pokes her head in the open doorway. She sees NATHAN, blindfolded, covered completely by blankets. He's nowhere near as catatonic as her while sleeping. She grins deviously and rubs harder.
|
||||
|
||||
CUT TO:
|
||||
INT. CLOSET SHELF
|
||||
|
||||
We see a closet shelf housing several of the couple's favorite tools: a leather choker-like leash and collar, a ball gag, varying lengths of soft black nylon rope. Kay takes them.
|
||||
|
||||
[[initially intended as a tie to the wall, makes a bit more sense for the leash to be present if she ties his wrists instead]]
|
||||
When the bed is finally approached, she lies the tools down on it, puts her hand in front of Nathan's face for a couple seconds, then pulls the covers off him. Nothing but boxers shroud his feminine ass, which distracts Kay. She caresses him, shifting up and down from his thighs to above his hips. She snaps back to focus, equipping his gag, /*tying him to the clearly intentional mounted metal loop above their also clearly intentional less extravagant headboard.*/ binding his wrists and ankles. His boxers are slipped off, the leash is secured. Kay's Grinch PJs and accompanying plain boxers come off and she gets right into pleasuring herself with him. She thrusts into him, upright, with him bent over the edge of the bed. A *moan* of satisfaction and release escapes her. She chuckles erotically through her nose as she proceeds to pound him. It's clear she needed this.
|
||||
|
||||
Nathan wakes, *moaning alongside her.* Noting this, Kay leans down, nibbling his ear.
|
||||
|
||||
KAY
|
||||
Merry Christmas, slut.
|
||||
|
||||
For some reason, this sets Nathan off. He struggles against his binds, attempting to shout through his gag, but Kay's steady hands keep his hips in place.
|
||||
|
||||
KAY
|
||||
(laughing)
|
||||
Calm down, subby.
|
||||
|
||||
We see a view of her from the bed, facing the door. Her gray T-shirt emblazened with the word 'PROVO' is the only thing that shields us from her large, bouncing breasts. Her expression is as lustful as can be expected. Nathan continues to moan and struggle in protest.
|
||||
|
||||
KAY
|
||||
This is quite the performance, I'm impressed.
|
||||
|
||||
A moment passes, then a SHADOW approaches from the door. It speaks.
|
||||
|
||||
SHADOW
|
||||
Nathan, are you being horny without me ag- WHAT THE FUCK?
|
||||
|
||||
[[sara's eyes are dark hazel. not brown. not sure how i mandela affected myself]]
|
||||
Kay's eyes widen immensely as the light *clicks* on, but immediately turn to squinting at the brightness. The figure at the door is strikingly similar to her. Furry, big fuzzy tail, somewhat canid face, thick thighs and arms, cute PJs grudgingly concealing her bulge. But she has brown hair, hazel eyes, far more toned muscles, a Studio Ghibli mashup shirt. She's a red panda. And she's glaring at Kay with fury, who stumbles back, awkwardly pulling out to stare incredulously at the unfamiliar woman across from her.
|
||||
|
||||
KAY
|
||||
Wha-
|
||||
|
||||
SARA
|
||||
WHO THE FUCK ARE YOU, BITCH?
|
||||
|
||||
[[i think the right, right, left should be a queen reference :youlooksogood:]]
|
||||
SARA lunges at Kay, tackling her into the headboard, which makes a terrible crunching sound. Sara punches Kay three times in the face. Right, right, left. Stunned, Kay grabs Sara's right as it attempts another blow. She pushes against her full mass, launching Sara into the far wall, destroying the drywall. Nathan lets out a gagged yell in protest.
|
||||
|
||||
Kay follows up, lunging at Sara, who dodges and punches Kay in her exposed groin in one motion. She stumbles back, but not before Sara grabs her by the neck and lands another blow to her face.
|
||||
|
||||
The next few moments are quick. Kay attempts a right hook, which is deflected by Sara, who attempts an uppercut, which is caught by Kay's free hand. Once over the surprise, they're perfectly in sync in hand to hand combat. They push each other away and simultaneously unsheath their weapons.
|
||||
|
||||
The Acriamative flashes, and Sara's double shortswords rise to meet it. A deafening CLANG emits. Both women and the captive Nathan stare in shock and awe at the reveal.
|
||||
|
||||
(beat)
|
||||
|
||||
Both women yell and attempt to hit each other. It's clear neither of them are practiced swordswomen, though Sara quickly unmounts her weapons from their armbands to unlock a better range of motion. Neither can deflect the other's hits, and deep gashes open in both of them. Kay's blood is a dark pink, while Sara's is a dark aquamarine. The walls are heavily damaged by this exchange and the fight stumbles back into the TV room. Nathan hastily attempts to crawl and then awkwardly hop to follow, terrified.
|
||||
|
||||
.FIGHT TO TV ROOM
|
||||
|
||||
The room is only illuminated by the light streaming through destroyed bedroom wall. Kay shoves Sara to the ground and raises the Acriamative, but Sara shakily raises her weapons to attempt to deflect it.
|
||||
|
||||
Nathan tackles Kay, his recently loosed ball gag bumping on his chest. Her wounds have weakened her, so she topples into the couch where we started. He hits her with his still-tied hands. His useless hits are in sync with his words.
|
||||
|
||||
NATHAN
|
||||
You can't kill her! She'll just come back.
|
||||
|
||||
He gets up and away from her quickly, shaking. He attempts to help Sara up, an awkward process with his limbs still tied. He falls over.
|
||||
|
||||
NATHAN
|
||||
Fuckinhellshit.
|
||||
|
||||
He unties his ankles as quick as he can, watching Kay, who gets to her feet in a daze.
|
||||
|
||||
NATHAN
|
||||
Stay back!
|
||||
|
||||
He succeeds in helping Sara up. She's just as weakened as Kay, who stops, swaying, attempting to keep the Acriamative aloft. She breathes heavily.
|
||||
|
||||
KAY
|
||||
Nathan... Who the hell is this bitch?
|
||||
|
||||
Nathan just stares, putting both his hands on Sara's shoulders. Sara shakes her shoulders and elbows him as the two women begin to circle each other.
|
||||
|
||||
SARA
|
||||
Get out of our house or you're going to die. Nathan, fuck off.
|
||||
|
||||
NATHAN
|
||||
No, that wasn't-
|
||||
|
||||
KAY
|
||||
*Your* hou- I bought this house!
|
||||
|
||||
SARA
|
||||
What? I bought it. We *live* here.
|
||||
|
||||
Kay shakes her head and snarls.
|
||||
|
||||
KAY
|
||||
No, this is *my* house, that's *my* boyfriend, and I'm gonna fucking kill you.
|
||||
|
||||
SARA
|
||||
Holy shit, she's your girlfriend?
|
||||
|
||||
Sara pushes Nathan into the corner as the two continue to circle each other.
|
||||
|
||||
NATHAN
|
||||
NO, NO, NO!
|
||||
|
||||
The circling causes Nathan to be behind Kay instead of Sara.
|
||||
|
||||
KAY
|
||||
Oh, no doubt the wife is secret too. I'm gonna pound your brains out once I take care of this bitch. Clearly you need to be taught how to be loyal again.
|
||||
|
||||
She points at Nathan. Sara yells in frustration and slashes. It's weakly deflected, and the lunge causes them to switch sides again.
|
||||
|
||||
NATHAN
|
||||
Sara, stop, I don't know who this is.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Oh, I wouldn't remember my high school crush either. All the dates, all the hintdropping I totally forgot. The romantic stalking and kidnapping, moving in together, the training and fighting and life risking just totally slipped my mind.
|
||||
|
||||
SARA
|
||||
Nathan, call Delta Jay.
|
||||
|
||||
|
||||
[[replace IMC with whatever fictional or otherwise realistic faction I want Delta Jay to be a part of]]
|
||||
KAY
|
||||
Why would you call him, he's *my* IMC liason.
|
||||
|
||||
SARA
|
||||
Yeah, well he works for *me.*
|
||||
|
||||
KAY
|
||||
Oh, that's a weird coincidence because he actually works for *me*, and I'm sure he'll send you hell once he finds out how much you've wounded me.
|
||||
|
||||
SARA
|
||||
The IMC can't stop me.
|
||||
|
||||
KAY
|
||||
And you can't stop me. I can't die.
|
||||
|
||||
SARA
|
||||
Neither can I, bitch.
|
||||
|
||||
NATHAN
|
||||
Holy shit. You're Kalani, aren't you?
|
||||
|
||||
Sara and Kay stop to look at the naked femboy.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Took you long enough, hi, it's your *girlfriend of two years.*
|
||||
|
||||
NATHAN
|
||||
Fuck you, we got married two years ago!
|
||||
|
||||
He points to Sara, whose eyes flit between her lover and Kay. Kay allows the Acriamative to fall as she gestures dejectedly.
|
||||
|
||||
KAY
|
||||
Damn it, and I was just about to propose, too. I can't fucking believe this, I fucking knew I should have dated girls instead.
|
||||
|
||||
Sara shakes her head in disbelief.
|
||||
|
||||
SARA
|
||||
What?
|
||||
|
||||
Sara combines her two sword whips into one warily.
|
||||
|
||||
KAY
|
||||
My question is, how the fuck did you hide an entire marriage from me *and* manage to convince *her* she owns our house. I thought you were a genius, but apparently you're stupid enough to think I wouldn't find out about this shit.
|
||||
|
||||
SARA
|
||||
Bitch, this is OUR HOUSE!
|
||||
|
||||
The women glare at each other.
|
||||
|
||||
NATHAN
|
||||
Stop, stop stop stop stop stop. Whoever you are, you're insane, Sara I would never cheat on you. I thought you decided to surprise me by- byf- byf- bfuckin tying me up, but is was her. She was raping me in my sleep.
|
||||
|
||||
He points at Kay, opens his still tied hands towards Sara, stimming with his fingers and shaking his head. He very much speaks with his hands.
|
||||
|
||||
Kay and Sara both lower their weapons slightly, hiding their eyes behind their hands in shock in a mini-facepalm. Nathan notices the similar response and looks confusedly at both of them.
|
||||
|
||||
[[This line may damage the worldbuilding. She should be shocked that someone like her exists and that should probably be on the forefront of her mind. This line almost implies that her condition is normal, which it is not by any stretch of the imagination.]]
|
||||
KAY
|
||||
You're really going to lie to leave me for a fuckin panda. You just *love* telling the truth until you can find another fuck buddy.
|
||||
|
||||
NATHAN
|
||||
I've never seen you in my life!
|
||||
|
||||
KAY
|
||||
I've fucked you in the ass every night since twenty twenty two, you dumb whore!
|
||||
|
||||
SARA
|
||||
You said her name though.
|
||||
|
||||
NATHAN
|
||||
Yeah, you sound like Kalani, but I haven't talked to her for years.
|
||||
|
||||
SARA
|
||||
Oh, Kalani the lesbian you- wait...
|
||||
|
||||
KAY
|
||||
I'm sure as hell a lesbian now!
|
||||
|
||||
SARA
|
||||
Put your dick away then, so my cheating husband can stop staring at it.
|
||||
|
||||
Nathan blushes profusely.
|
||||
|
||||
NATHAN
|
||||
Rape, rape, rape, she *raped* me.
|
||||
|
||||
KAY
|
||||
Nathan, you *love* getting raped.
|
||||
|
||||
NATHAN
|
||||
Oh my fff...
|
||||
|
||||
He's lost for words. Sara and Kay watch him for a moment, but snap back to each other, their stares are no longer as hostile.
|
||||
|
||||
SARA
|
||||
(confusedly)
|
||||
So clearly we've both had a lot of sex with Nathan without either of us finding out he was a cheater.
|
||||
|
||||
NATHAN
|
||||
But that's not true! I can count on one hand the amount of times Kalani and I hung out, we never so much as flirted after sophomore year!
|
||||
|
||||
SARA
|
||||
Oh, oh, but you *said* you fantasized about her constantly until we started hooking up. Turns out they weren't fantasies.
|
||||
|
||||
KAY
|
||||
Damn right they weren't.
|
||||
|
||||
SARA
|
||||
Fuck this.
|
||||
|
||||
She gets up to leave, staggering as she clutches her bloodstained shirt. Nathan grabs her.
|
||||
|
||||
NATHAN
|
||||
Slow down slow down, stop. Please please please just sit down and rest. Untie me, I'll get my clothes, we can grab some soda and stop you from bleeding out. Sara look at me. You have to believe me. We're going to get an explanation from her.
|
||||
|
||||
KAY
|
||||
Wait, Sara?
|
||||
|
||||
Nathan and Sara look at Kay, who slumps down on the couch, her weapon clanging to the ground as she grips her side.
|
||||
|
||||
KAY
|
||||
Nathan and I know a Sara, and she doesn't look like you. Something's gone horribly wrong.
|
||||
|
||||
NATHAN
|
||||
Sara, sara, see? Untie me, untie me.
|
||||
|
||||
She obliges, still staring at Kay. Nathan rushes back into the destroyed bedroom. Kay pulls what's left of her shirt down to cover up her still slightly erect cock. Sara looks away and pretends like she doesn't see it.
|
||||
|
||||
SARA
|
||||
Sara's a very common name. I only know one Kalani.
|
||||
|
||||
KAY
|
||||
You sound exactly like her though. We both went to Jordan, but didn't properly meet until Nathan invited us both over for a movie night. I thought you were pretty hot but I thought you two were dating otherwise...
|
||||
|
||||
NATHAN (O.S.)
|
||||
Oh, no way.
|
||||
|
||||
SARA
|
||||
Thanks? Wait. Was there anyone else there? What movie did you watch?
|
||||
|
||||
KAY
|
||||
I brought my best friend Ana over. Nathan had some of his friends.
|
||||
|
||||
SARA
|
||||
We watched Alien and Aliens.
|
||||
|
||||
KAY
|
||||
You watched Aliens?
|
||||
|
||||
SARA
|
||||
Yeah, but you two left as we went to get ice cream.
|
||||
|
||||
Nathan reappears fully clothed. He tosses Kay's PJs and boxers back to her.
|
||||
|
||||
NATHAN
|
||||
I thought I recognized those pants. Cumberbatch grinch, not Carrey.
|
||||
|
||||
Kay gets up to put her clothes back on. Her cock is still massive when flaccid. Sara turns away, but Nathan only pretends not to look.
|
||||
|
||||
KAY
|
||||
It's ok to stare.
|
||||
|
||||
SARA
|
||||
(growling)
|
||||
Not when it's you, it's not.
|
||||
|
||||
Sara grabs Nathan by the arm and pushes him to turn away.
|
||||
|
||||
NATHAN
|
||||
I'm the victim here, she raped me.
|
||||
|
||||
SARA
|
||||
We all know you fuckin enjoyed it.
|
||||
|
||||
NATHAN
|
||||
Yeah, when I thought it was you!
|
||||
|
||||
KAY
|
||||
Guys, stop. We're all the victims of a misunderstanding, not rape. Nathan talks about this shit all the time.
|
||||
|
||||
Cut to the three sitting down, fully clothed, besides the torn shirts and blood. Nathan's ballgag is replaced by a choker. Kay is on the corner of the sectional, Sara on one of the ends, Nathan on the ottoman inbetween them. The three of them sip sodas from the mini-fridge.
|
||||
|
||||
/*
|
||||
alternate confrontation/realization
|
||||
|
||||
NATHAN
|
||||
How come you two are the only two superhuman, humanoid lifeforms with conjurable custom weapons on this earth?
|
||||
|
||||
(beat)
|
||||
|
||||
KAY
|
||||
I got my powers because of you.
|
||||
|
||||
SARA
|
||||
*/
|
||||
|
||||
KAY
|
||||
What we're going to do is we're going to describe our relationship with the other two how we see it, I'll go first. I'm Kalani Lindsay Whitmore. I met Nathan at Jordan in freshman year, had a crush on him sophomore year. We texted and hung out a couple times during college, and I...
|
||||
|
||||
She pauses.
|
||||
|
||||
[[perhaps it's out of character to be as upfront as she is about this so this can be trimmed]]
|
||||
KAY
|
||||
I was very self-conscious about my weight. It was kind of... destroying my life. I pushed away my roommates and family and lived on my own, I was too depressed and anxious to go to school, I wasn't paying bills, all I was doing was exercising and eating. But I couldn't lose weight. It was like I was cursed. So I stopped eating. I starved myself, but my damn scale wouldn't move an ounce. I thought I was going crazy. One day I collapsed on the treadmill and blacked out. When I woke up, I was in another world. I was transformed, I wasn't human anymore. I had to fight monsters and survive, and all the while I knew he did it.
|
||||
|
||||
She points at Nathan. Sara puts a hand to her mouth in realization.
|
||||
|
||||
KAY
|
||||
I had powers. Super strength. My hyperhydrosis turned into something different. I still sweat a ton, but it wasn't gross anymore. I had healing powers. I can control things with my pheromones, I could knock things out.
|
||||
|
||||
Sara and Nathan exchange glances several times. Nathan snaps incessantly.
|
||||
|
||||
SARA
|
||||
I don't sweat very much at all, but I can do all those things too, it's just a lot harder.
|
||||
|
||||
Kay nods.
|
||||
|
||||
KAY
|
||||
Hang on. So when I finally found out how to return to this world, I started stalking him. Found his streams, twitter, everything. My entire life was all about figuring out how to live with my new form and figuring out everything about him. That and... anyway, I was obsessed, I wanted to own him. /*I began to sneak into his house in the dead of night and...*/ Well eventually it drove me insane and I wanted to be with him in person, so I devised a way to use my pheromones to trick people into thinking I looked completely human. Doesn't work on video obviously but anyone who was within a couple feet of me saw me as how I used to be. I went to his work with a mask and sunglasses to hide most of my appearance, walked right up to him and...
|
||||
|
||||
She sighs. Nathan stims by bobbing his leg and swilling his soda around in the can. Sara similarly bobs her leg.
|
||||
|
||||
KAY
|
||||
Eventually I snuck into his house, we had a consensual kidnapping, it was really romantic and hot, he loved it, he always loved being put in his place by me. We dated ever since. We moved in together, he told me how he thought my powers worked, we trained together, took up vigilantism, got picked up by the IMC, eventually we worked out a deal where they supported my efforts and sent me on missions while Nathan stayed at home being a boywife. I was going to surprise him with another kidnapping and proposing to him... somewhere special, I don't know. Now I'm not even sure if that was real or anything because you don't remember at all, and...
|
||||
|
||||
Her voice breaks, she looks away. A pause.
|
||||
|
||||
NATHAN
|
||||
So I did think you were crazy, then I thought you were a figment of my old fantasies that manifested itself physically to destroy my life and marriage, and now I think you're from an alternate universe where what happened to Sara happened to you somehow.
|
||||
|
||||
KAY
|
||||
*There's* the shit Nathan always talks about.
|
||||
|
||||
Sara fidgets with her ring.
|
||||
|
||||
SARA
|
||||
I thought I was special.
|
||||
|
||||
NATHAN
|
||||
You are, of course you are. Even in an infinite multiverse.
|
||||
|
||||
KAY
|
||||
Ok, Sara next. I met you at a movie night he invited us to years ago, I knew Nathan always really liked you, you were friends for ages, made animations together, you're working on a TV show. He always insisted you were just friends but I knew he would fuck you in a heartbeat given the chance. Can't blame him, you're hot.
|
||||
|
||||
Nathan groans and stims harder, shaking his head.
|
||||
|
||||
NATHAN
|
||||
Oh, this is weird, Kalani is telling me my wife is hot and I haven't fucked her.
|
||||
|
||||
KAY
|
||||
Well, where I come, you haven't. *Yet.*
|
||||
|
||||
She growls the last word. Sara scowls.
|
||||
|
||||
SARA
|
||||
How am I supposed to take this? How do I know you're not making all of this up?
|
||||
|
||||
NATHAN
|
||||
Hang on here, let's just assume this theory is correct. Occam's razor may not whittle away the multiverse explanation, I don't have any better way of seeing this. We basically have to find out which one of us doesn't belong here.
|
||||
|
||||
KAY
|
||||
Sara, you next. How do you know Nathan? Pretend you know neither of us and describe it as though we're new people entirely.
|
||||
|
||||
Sara looks at the others, scowls at both and sighs.
|
||||
|
||||
SARA
|
||||
We met at CTEC. Became really good friends. I knew him for several years. He always knew how to rile me up, but he had a way with words. Helped me through a breakup after a four-year relationship. I needed a lot of time to get over it, but all the while I was fighting feelings for him. Needed him really bad. Vented it out by going to the gym. One day I came home and...
|
||||
|
||||
She shakes her head and sighs.
|
||||
|
||||
SARA
|
||||
Same thing as you. Collapsed, was in another world, fought my demons, came back, fucked his subby brains out, proposed, married, became a superhero, yada yada.
|
||||
|
||||
Nathan gets up and puts his arm around her. She tenses up, but doesn't stop him.
|
||||
|
||||
NATHAN
|
||||
And how do you know Kalani?
|
||||
|
||||
SARA
|
||||
(reluctantly)
|
||||
Same as you, she's the lesbian who you were obsessed with in high school and college.
|
||||
|
||||
NATHAN
|
||||
I- no, she just-
|
||||
|
||||
KAY
|
||||
It's true, you were obsessed. You told me your fantasies about dicks caused me to manifest one.
|
||||
|
||||
Sara grins, slapping his thigh.
|
||||
|
||||
NATHAN
|
||||
Oookay, glad we're on the same page here, anyway, I knew Kalani in high school, she was terrible at keeping contact and I was always second-guessing how much she wanted to talk to me, even after hanging out a couple times. She... ended up showing some red flags. And she liked girls more anyway so we drifted apart.
|
||||
|
||||
KAY
|
||||
Okay, I think the difference is that I went to the Sanctum first and became obsessed with you, while your Kalani was never sent to the Sanctum in the first place.
|
||||
|
||||
NATHAN
|
||||
She's not *my* Kalani.
|
||||
|
||||
SARA
|
||||
Our *universe's* Kalani.
|
||||
|
||||
NATHAN
|
||||
Your personality is entirely different from our universe's Kalani though.
|
||||
|
||||
KAY
|
||||
Yeah, I've been through a lot. You stopped talking to me when I was like, twenty.
|
||||
|
||||
NATHAN
|
||||
No, *you* stopped talking to me.
|
||||
|
||||
KAY
|
||||
You should really hit me up sometime, like right now actually. Am I still working, did I get the hospital job, or am I in social work? Am I still single? Did I finally have gay sex or did I never find someone in Utah gay or desperate enough to be willing to scissor me?
|
||||
|
||||
NATHAN
|
||||
Now *that* sounded a lot like you except for the gay sex part.
|
||||
|
||||
KAY
|
||||
Oh, you'd be surprised, I miss the idea of pussy so much.
|
||||
|
||||
NATHAN
|
||||
Getting warmer.
|
||||
|
||||
SARA
|
||||
Okay, you can fantasize about selfcest on your own time. What I want to know is what your dick was doing in my husband.
|
||||
|
||||
[[i feel like "was a pussy" is too aggressive and would warrant a reaction/interruption. i would probably trail off for a second and explain it less aggressively to be diplomatic]]
|
||||
NATHAN
|
||||
Well, I mean, it makes sense. Kalani was a... well she couldn't propose to me as early as you did, but we still were just as together as you and I. We've got similar sexual tastes and a similar relationship... uh, dynamic, it's no wonder that I would wake up getting railed, tied up, and gagged...
|
||||
|
||||
This distracts the ADHD trio. Then they remember one of them is from a different universe. Sara hits Nathan.
|
||||
|
||||
SARA
|
||||
Anyway...
|
||||
|
||||
NATHAN
|
||||
Anyway, your cock was amazing.
|
||||
|
||||
Sara glares at him and hits him again.
|
||||
|
||||
NATHAN
|
||||
I mean just as good as Sara's if not- I mean I thought it was her until I recognized your voice. Well not recognized. Just knew it wasn't hers.
|
||||
|
||||
KAY
|
||||
You really are the exact same, you sub. I just wish I could uh... I mean you're not my Nathan so whatever. I'm just happy you're happy I guess. Though if I were in a universe where you were still me and not someone else I'd totally be down for a three-way.
|
||||
|
||||
[[i don't think they're at the hitting level, more likely she would jolt forward to try and hit her seriously]]
|
||||
Kay points at Sara, who bristles at her statement and jolts forward, causing Kay to flinch. Nathan hides his face in Sara's big furry tail.
|
||||
|
||||
KAY
|
||||
Sorry, I can't help myself around him! Surely you feel the need to dirty talk too!
|
||||
|
||||
SARA
|
||||
Not when his alternate dimension crush just fucked my sloppy seconds and tried to kill me.
|
||||
|
||||
NATHAN
|
||||
Sloppy seconds?! We're married!
|
||||
|
||||
KAY
|
||||
And I don't want to get inbetween you obviously, I thought I was fucking my boyfriend for like the seven thousandth orgasmic time.
|
||||
|
||||
SARA
|
||||
And I thought some bitch was stealing him from me.
|
||||
|
||||
NATHAN
|
||||
And I thought I was getting pulverized by my wife's 10-inch monster cock, we get it. None of us did anything to purposely hurt the others except you two. Clearly we were all thinking with the wrong head. Or no that was just you two and your cock measuring contest for who has the coolest weapon, by the way, it's Sara, sorry Kay, no chance, but if we're going to have a cock measuring contest I prefer one that doesn't involve two of the most powerful humans in existence bleeding out fighting over me. Actually, how big is your cock?
|
||||
|
||||
SARA
|
||||
Nathan!
|
||||
|
||||
Another love tap ensues. Probably a little harder. Kay grins, shifting her weight a little nervously.
|
||||
|
||||
KAY
|
||||
Eight flaccid, ten erect, twelve on viagra or a good day.
|
||||
|
||||
NATHAN
|
||||
(overcome)
|
||||
Oh, fuck me.
|
||||
|
||||
SARA
|
||||
(gritting teeth)
|
||||
That's *my job.*
|
||||
|
||||
Nathan jumps up.
|
||||
|
||||
NATHAN
|
||||
And who am I to leave my wife unemployed? Anyhow, I say we go get some McDick's. Both of you must be starving and you've got cells to regenerate. I'll get the keys, babe.
|
||||
|
||||
[[really needed to be said]]
|
||||
SARA
|
||||
We're not going anywhere until we find out where she's from, why she's here, and how to get rid of her. She could still be lying about all of this.
|
||||
|
||||
KAY
|
||||
I can't lie with him in the room, he's not mine, but he's still Nathan.
|
||||
|
||||
NATHAN
|
||||
That's- okay. Oddly familiar.
|
||||
|
||||
He sits back down.
|
||||
|
||||
SARA
|
||||
Stop doing that. This has to be some sort of hit operation. The IMC augmented someone to come in as an actor to either kill me or sabotage our marriage.
|
||||
|
||||
KAY
|
||||
How would the IMC know about our trust pact thing?
|
||||
|
||||
SARA
|
||||
He's always going off about honesty. Delta Jay must have known and snitched.
|
||||
|
||||
KAY
|
||||
Oh! They don't know he has a rape fetish.
|
||||
|
||||
NATHAN
|
||||
Don't put it that way.
|
||||
|
||||
SARA
|
||||
Even if you *are* from another universe, why come here to fuck someone else's husband?
|
||||
|
||||
KAY
|
||||
I *didn't,* I wouldn't. I like my boyfriend all to myself and I wouldn't steal someone else's, it'd kill him. I woke up here, right on the couch. Thought it was my house.
|
||||
(beat)
|
||||
|
||||
SARA
|
||||
But how did you get there.
|
||||
|
||||
KAY
|
||||
Maybe I dreamed too hard. Maybe this is a dream borne out of my insecurities knowing he'd be with you given the choice. All I know is I woke up horny and all three of us can't blame each other for that.
|
||||
|
||||
Nathan makes a confused noise.
|
||||
|
||||
SARA
|
||||
Ok, fine. If you got here by sleeping, you can leave by sleeping. Can I kill you?
|
||||
|
||||
NATHAN
|
||||
Consent is key.
|
||||
|
||||
KAY
|
||||
Bitch, you can try. I was winning anyway.
|
||||
|
||||
SARA
|
||||
As if. I'll send you back right now.
|
||||
|
||||
She resheathes only a small section of her resting weapon; a single stealth knife.
|
||||
|
||||
NATHAN
|
||||
Let's... not be too stab-happy. Even if you can kill her and she doesn't come back, how do you know that she's returned and you haven't just killed her?
|
||||
|
||||
KAY
|
||||
Yeah I don't wanna die, not without cumming first.
|
||||
|
||||
SARA
|
||||
Find someone else to help you with that.
|
||||
|
||||
NATHAN
|
||||
Help! Of course, we'll take her to the IMC ASAP after mcdeez. They'll be fascinated with her, remember the Lab, Sara?
|
||||
|
||||
Sara squints with frustration upon remembering. Nathan gets up again.
|
||||
|
||||
SARA
|
||||
I try not to.
|
||||
|
||||
NATHAN
|
||||
Ok, that's a deal! This is going to be the best magdondal trip yet. I can ask you all about your universe and how it's different and how it's the same, just amazing!
|
||||
|
||||
He prances out of the room, sipping his soda.
|
||||
|
||||
NATHAN
|
||||
(laughing)
|
||||
Oh, merry fuckin' Christmas!
|
||||
|
||||
Both women follow his ass with their eyes, and then they quickly snap to each other.
|
||||
|
||||
SARA
|
||||
I'm a master of stealth. Try to fuck him again and I'll kill you. What's more is that he'll probably let you and then I'll divorce him and he'll die alone.
|
||||
|
||||
Kay gets up, examines her bloody shirt, and sheathes the Acriamative as she talks, taking several steps away from Sara.
|
||||
|
||||
[[Something in this conversation needs to address how she got there in the first place and therefore how to get her back. Perhaps after MCD they go to delta jay or perhaps nafan and sara already figured out something though that's less likely]]
|
||||
|
||||
KAY
|
||||
And then when I figure out how to return to my universe you'll get lonely and ressurrect him, I get it. He's all yours. Though the offer's still on the table, he always said you were secretly bi and I'd fuck the shit out of both of you in a heartbeat.
|
||||
|
||||
Sara's weapons disappear from the floor as she unsheaths them into her hands. Kay knows the sound well.
|
||||
|
||||
[[her attitude is a bluff. she's secretly extremely wary of someone with her abilities being an enemy, but that's not on the forefront of her mind because she knows that them fighting again won't happen if Nathan is there.]]
|
||||
KAY
|
||||
I know I drive a hard bargain but suit yourself. I know my Nathan wouldn't mind.
|
||||
|
||||
SARA
|
||||
(grumbling)
|
||||
That's what I'm afraid of.
|
||||
|
||||
Kay starts to head upstairs. Sara quickly unsheaths her weapons and pushes past her.
|
||||
|
||||
SARA
|
||||
This is my house. Don't act like you own it.
|
||||
|
||||
KAY
|
||||
Force of habit, not sorry.
|
||||
|
||||
NATHAN
|
||||
Enough of this toxic femininity, let's get in the car.
|
||||
|
||||
Hard upwards pan to Nathan swinging Sara's lanyard above the stairs from his position at the handrail. He heads off in the direction of the garage.
|
||||
|
||||
SARA
|
||||
Oh no you don't. I'm not letting you drive for at least half a year after tonight.
|
||||
|
||||
NATHAN
|
||||
You can't just do that to me, this wasn't my fault!
|
||||
|
||||
Sara approaches him into the great room and takes the keys from him.
|
||||
|
||||
SARA
|
||||
(under breath)
|
||||
Well clearly you're enjoying it. Punishing you with no sex punishes me, so I'm taking away your freedoms until you get a better attitude.
|
||||
|
||||
He ignores her lowered tone. They walk to the garage.
|
||||
|
||||
NATHAN
|
||||
My attitude is great, I'm just a little horny.
|
||||
|
||||
SARA
|
||||
Little horny bitch.
|
||||
|
||||
KAY
|
||||
Can't blame anyone for being horny. We've all been there. 24/7.
|
||||
|
||||
NATHAN
|
||||
Your honor, my client would like to plead horny on all charges.
|
||||
|
||||
SARA
|
||||
Guilty. Sentenced to 6 months no driving privileges.
|
||||
|
||||
She opens the garage door and they step out.
|
||||
|
||||
NATHAN
|
||||
No fair. I move for a mistrial!
|
||||
|
||||
KAY
|
||||
Can I be on the jury?
|
||||
|
||||
[[SARA
|
||||
You can be on the next train to your own dimension.
|
||||
|
||||
Kay notices their car. 2020 Toyota Highlander.
|
||||
|
||||
KAY
|
||||
Shit, my Nathan and I have a White 2022 Toyota Camry. I guess I would have had a lot of questions if I had come in here before...
|
||||
|
||||
NATHAN
|
||||
I expect there will be a billion and a half differences to point out between here and your home universe!
|
||||
|
||||
He answers passionately but is visibly displeased at having to ride shotgun. They sit down, Kay in pursuit. As Kay walks towards the back, Sara notes Nathan's expression but keeps her eyes on Kay.
|
||||
|
||||
SARA
|
||||
(quietly)
|
||||
Don't be so mad about it, you ride shotgun most the time anyway.
|
||||
|
||||
He once again ignores her quieted tone.
|
||||
|
||||
NATHAN
|
||||
Well now I'm thinking about the fact it *could* have been a possibility and I'm being punished for something I didn't do.
|
||||
|
||||
Kay gets in the back and scoots into the middle. She's looking relatively pleased with herself, watching the couple.
|
||||
|
||||
KAY
|
||||
Come to think of it there's probably tons of details within the house I didn't notice due to my grogginess. Y'all probably have tons of things we don't.
|
||||
|
||||
NATHAN
|
||||
Do y'all have McDonald's?
|
||||
|
||||
KAY
|
||||
Of course, why would that be any different?
|
||||
|
||||
NATHAN
|
||||
What part of infinite don't you understand? Just because you happen to know two people in this entire alternate world doesn't mean everything else would be the exact same.
|
||||
|
||||
KAY
|
||||
Alright, what is different then?
|
||||
|
||||
Sara starts the car grumpily.
|
||||
|
||||
==
|
||||
|
||||
EMPLOYEE
|
||||
Uh, are you guys alright?
|
||||
|
||||
She notes the strange colored blood all over the two humanoids. Nathan has also been stained on his hands.
|
||||
|
||||
KAY
|
||||
Normal Tuesday night.
|
||||
|
||||
NATHAN
|
||||
It's not even Tuesday.
|
||||
|
||||
He had to check his phone to make sure. It's actually an early morning on a Wednesday; Christmas 2024.
|
||||
|
||||
==
|
||||
|
||||
[[her return to her original universe is indicative of how much the experience changed her. rather than returning to do honry things to nafan in his sleep, she wakes him up, something he normally hates and thus she would never do, to ensure he knows who she is and that they're actually together. He's confused but gives her the information she needed, she sleepily says she'll tell him in the morning.]]
|
||||
915
kay/alternateseggychristmas_005.fountain
Normal file
915
kay/alternateseggychristmas_005.fountain
Normal file
@@ -0,0 +1,915 @@
|
||||
Title: _alternateseggychristmas_
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes: i have ~~paraphilias~~ issues
|
||||
|
||||
/*
|
||||
inspired by between sleep daydream right before having to go to work 11/29/2022 ~7:30am. Wasn't entirely conscious; my brain is so used to the fake scenarios method that it attempts to re-enter sleep stages by utilizing the method even when not conscious. It's a bit spooky that my fantasies have been so far engrained into both the conscious and subconscious that this happens. I've conditioned myself through habitual fantasizing that my brain itself has rewired to have wacky habits. The honry is too strong. Anyway my fav scenario as of late has been that of getting double dicked by Sara and Kay, and Sara mommy domming the both of us. The semiconscious dream derived from the scenario was that of me being in a relationship with Sara (seemed to be in old house bedroom which really solidifies it as a dream but it having been somewhat lucidly triggered by semiconscious thought... this pseudoscience is strange...) and Kay being on the outside trying to barge her way into it and finally succeeding in creating a sort of polycule between the three of us. I don't think I could do it in real life. That's why it's just a fantasy. Bit of a guilty pleasure I think. But it goes like Kay is domming me, trying to own me, Sara then doms and reclaims me by sitting on my lap and forcing my face into her chest, then making out with Kay. She says something sarcastic/bratty back to her, Sara slaps her and forces to call her mom or something. It was a subconscious thought man don't judge me.
|
||||
|
||||
Anyway the following is derived from me thinking about it throughout work day; what if this spiderverse scenario was accidentally and unknowingly triggered on Kay, specifically a version of Kay who had claimed me after her transformation and we lived together, but the universe she is transported, seemingly abducted to, is identical to her native universe except the only variable changed was that Sara was sent to her own Inner Sanctum rather than Kay; Sara has similar abilities, underwent a similar transformation. Perhaps the reasoning for her transformation could be different and more fitting than Kay's; Kay was sent because she was trying to lose weight while being forced not to, breaking physics and causing her to be reverted to a spiritual state, where her soul had to fight within her consciousness (represented in 3 dimensions by an Inner Sanctum) with her problems, conquering them and once that internal conflict was resolved, the Sanctum was exited and her body transformed at a time dilated pace. I think that justification makes sense but could be expanded upon in the main storyline. However, I'm having trouble trying to make it fit how this could work for Sara. I like the idea that she becomes muscle mommy rather than chubby mommy with unequivalent physical power to her appearance, but I'm thinking in order for the requirements for a Sanctum transformation to be met, there would have to be something changed about myself as well. I was the one who caused some of the requirements for the Sanctum to be met by having such a crush on Kay, but also a big thing for chubby girls, that I didn't want her to lose weight but fantasized about a world where she could be that weight but healthy and also happy with herself, forcing her to remain that weight, causing the Sanctum entrance and eventually creating that world. Perhaps Sara's would be in reverse. She wants to work out, alt-me encourages her to work out because alt-me has a muscle mommy thing > chubby mommy thing, my fantasies change to be more suited to make Sara the one who gets Sanctum'd. I would rather that be the case than the requriements for Sanctuming be changed, though in an infinite multiverse that is admittedly also a variable that could be changed.
|
||||
|
||||
I find the fantasies thing interesting; a big part of my fantasies are literally just that my fantasy lover's powers just fix the stimuli to my OCD. I hate things being unsanitary and uncomfortable, especially in relation to sex. Her powers remove those issues. I think this explains why Sara's powers would be similar even if the reason her transformation occurred was quite different. My idealized version of any lover could consistently have the same healing and superhuman powers. I kinda love the idea of being immortal with one parter; both Kay's and Sara's powers would be able to bring someone back from even death and even restore them to a point as if nothing happened, with some exceptions. I think some scars could remain or perhaps become more defined because both Kay and I subconsciously control what the healing does and would be very thematically interesting; I like some scars, perhaps she can find them hot as well, thus they remain, almost divinely.
|
||||
|
||||
I'm thinking Sara would have far more restraint when it comes to killing someone or inflicting pain, even though she'd have a similar or perhaps identically potent healing power. A line from Kay to her recognizing "If I discovered someone in my home fucking my husband I wouldn't be able to stop myself from killing them."
|
||||
|
||||
This entire thing is why it's so tough just to write multiverse shit and slap in a million different versions of the same individuals into one story and call it good. There's so much depth to be explored with even just two differing universes with only a couple slightly tweaked variables. Not only is the exploration of that depth often far more interesting, but it's far more feasible because exploring that depth can clear up a lot of confusion on how the different versions are different and how they realistically ended up that way. With some multiverse content you just have to go "hm, guess that's just x character from the dimension where y variable is different" and that's just so incredibly boring... Not even to get into how F'd multiversal travel and god forbid multiversal threats can be to your previously well-grounded, well-written story. Perhaps the way it works in my multiverse is that eventually, everyone spends at least one day pulled into an alternate universe and has to figure out how to reverse it or something. Could be interesting. So at least once, either someone from the origin-verse or whatever is pulled out, like in this story, or someone from another universe visits the origin-verse. Could be interesting.
|
||||
|
||||
Anyhow, I was struggling to figure out how spacial continuity would work between these dimensions; a home being lived in by me and Kay would likely be completely different from a home being lived in by me and Sara, even if it were the same building and everything. I don't exactly know why, but this lead me to think that this event occurs on Christmas; Kay and I have had a long, eventful day with much food eaten, and she takes a nap on the couch while I head in to game/stream. She unknowingly is transported during this nap.
|
||||
*/
|
||||
|
||||
INT. DARK TV ROOM - NIGHT
|
||||
|
||||
Kay lies asleep, catatonic. She lies on her right side on the couch. Her boner is distincly visible via the bulge in her Illumination-Grinch pajamas. It flops down to the side with gravity and twitches with her. It rests on her meaty thighs, and there she lies; the embodiment of a closet furry bisexual chubby chaser's wet dream.
|
||||
|
||||
[[I want her to have a seggy pet name for me. i guess I'll go with subby for now? I could probably think of something better but idk.]]
|
||||
Her *moans* get too loud for her to remain asleep and she wakes. The moan that wakes her forms a word:
|
||||
|
||||
KAY
|
||||
(softly)
|
||||
Subby-
|
||||
|
||||
She sits up. We follow her, our view as disorienting as her mood. She sits up, shaking her head and massaging her penis. She bites her lip and blearily wanders through the dark house, hand still stimulating herself. She briefly checks her apple watch. '4:30 AM'.
|
||||
|
||||
/*
|
||||
she says this to convince herself it's ok to
|
||||
|
||||
edit 2021-01-19: she doesn't work. she's basically an independent contractor for the government. she really only has meetings. not sure how to rectify this.
|
||||
*/
|
||||
KAY
|
||||
(mumbled)
|
||||
No work in the morning.
|
||||
|
||||
She wanders down a hallway to their shared OFFICE.
|
||||
|
||||
INT. DARK OFFICE - NIGHT
|
||||
|
||||
The regular computer-emitted fan noises and light aren't present. Her tired eyes note only this.
|
||||
|
||||
KAY
|
||||
(mumbled)
|
||||
Slut's done streaming.
|
||||
|
||||
She immediately heads to their bedroom.
|
||||
|
||||
INT. DARK BEDROOM - NIGHT
|
||||
|
||||
She pokes her head in the open doorway. She sees NATHAN, blindfolded, covered completely by blankets. He's nowhere near as catatonic as her while sleeping. She grins deviously and rubs harder.
|
||||
|
||||
CUT TO:
|
||||
INT. CLOSET SHELF
|
||||
|
||||
We see a closet shelf housing several of the couple's favorite tools: a leather choker-like leash and collar, a ball gag, varying lengths of soft black nylon rope. Kay takes them.
|
||||
|
||||
[[initially intended as a tie to the wall, makes a bit more sense for the leash to be present if she ties his wrists instead]]
|
||||
When the bed is finally approached, she lies the tools down on it, puts her hand in front of Nathan's face for a couple seconds, then pulls the covers off him. Nothing but boxers shroud his feminine ass, which distracts Kay. She caresses him, shifting up and down from his thighs to above his hips. She snaps back to focus, equipping his gag, /*tying him to the clearly intentional mounted metal loop above their also clearly intentional less extravagant headboard.*/ binding his wrists and ankles. His boxers are slipped off, the leash is secured. Kay's Grinch PJs and accompanying plain boxers come off and she gets right into pleasuring herself with him. She thrusts into him, upright, with him bent over the edge of the bed. A *moan* of satisfaction and release escapes her. She chuckles erotically through her nose as she proceeds to pound him. It's clear she needed this.
|
||||
|
||||
Nathan wakes, *moaning alongside her.* Noting this, Kay leans down, nibbling his ear.
|
||||
|
||||
KAY
|
||||
Merry Christmas, slut.
|
||||
|
||||
For some reason, this sets Nathan off. He struggles against his binds, attempting to shout through his gag, but Kay's steady hands keep his hips in place.
|
||||
|
||||
KAY
|
||||
(laughing)
|
||||
Calm down, subby.
|
||||
|
||||
We see a view of her from the bed, facing the door. Her gray T-shirt emblazened with the word 'PROVO' is the only thing that shields us from her large, bouncing breasts. Her expression is as lustful as can be expected. Nathan continues to moan and struggle in protest.
|
||||
|
||||
KAY
|
||||
This is quite the performance, I'm impressed.
|
||||
|
||||
A moment passes, then a SHADOW approaches from the door. It speaks.
|
||||
|
||||
SHADOW
|
||||
Nathan, are you being horny without me ag- WHAT THE FUCK?
|
||||
|
||||
[[sara's eyes are dark hazel. not brown. not sure how i mandela affected myself]]
|
||||
Kay's eyes widen immensely as the light *clicks* on, but immediately turn to squinting at the brightness. The figure at the door is strikingly similar to her. Furry, big fuzzy tail, somewhat canid face, thick thighs and arms, cute PJs grudgingly concealing her bulge. But she has brown hair, hazel eyes, far more toned muscles, a Studio Ghibli mashup shirt. She's a red panda. And she's glaring at Kay with fury, who stumbles back, awkwardly pulling out to stare incredulously at the unfamiliar woman across from her.
|
||||
|
||||
KAY
|
||||
Wha-
|
||||
|
||||
SARA
|
||||
WHO THE FUCK ARE YOU, BITCH?
|
||||
|
||||
[[i think the right, right, left should be a queen reference :youlooksogood:]]
|
||||
SARA lunges at Kay, tackling her into the headboard, which makes a terrible crunching sound. Sara punches Kay three times in the face. Right, right, left. Stunned, Kay grabs Sara's right as it attempts another blow. She pushes against her full mass, launching Sara into the far wall, destroying the drywall. Nathan lets out a gagged yell in protest.
|
||||
|
||||
Kay follows up, lunging at Sara, who dodges and punches Kay in her exposed groin in one motion. She stumbles back, but not before Sara grabs her by the neck and lands another blow to her face.
|
||||
|
||||
The next few moments are quick. Kay attempts a right hook, which is deflected by Sara, who attempts an uppercut, which is caught by Kay's free hand. Once over the surprise, they're perfectly in sync in hand to hand combat. They push each other away and simultaneously unsheath their weapons.
|
||||
|
||||
The Acriamative flashes, and Sara's double shortswords rise to meet it. A deafening CLANG emits. Both women and the captive Nathan stare in shock and awe at the reveal.
|
||||
|
||||
(beat)
|
||||
|
||||
Both women yell and attempt to hit each other. It's clear neither of them are practiced swordswomen, though Sara quickly unmounts her weapons from their armbands to unlock a better range of motion. Neither can deflect the other's hits, and deep gashes open in both of them. Kay's blood is a dark pink, while Sara's is a dark aquamarine. The walls are heavily damaged by this exchange and the fight stumbles back into the TV room. Nathan hastily attempts to crawl and then awkwardly hop to follow, terrified.
|
||||
|
||||
.FIGHT TO TV ROOM
|
||||
|
||||
The room is only illuminated by the light streaming through destroyed bedroom wall. Kay shoves Sara to the ground and raises the Acriamative, but Sara shakily raises her weapons to attempt to deflect it.
|
||||
|
||||
Nathan tackles Kay, his recently loosed ball gag bumping on his chest. Her wounds have weakened her, so she topples into the couch where we started. He hits her with his still-tied hands. His useless hits are in sync with his words.
|
||||
|
||||
NATHAN
|
||||
You can't kill her! She'll just come back.
|
||||
|
||||
He gets up and away from her quickly, shaking. He attempts to help Sara up, an awkward process with his limbs still tied. He falls over.
|
||||
|
||||
NATHAN
|
||||
Fuckinhellshit.
|
||||
|
||||
He unties his ankles as quick as he can, watching Kay, who gets to her feet in a daze.
|
||||
|
||||
NATHAN
|
||||
Stay back!
|
||||
|
||||
He succeeds in helping Sara up. She's just as weakened as Kay, who stops, swaying, attempting to keep the Acriamative aloft. She breathes heavily.
|
||||
|
||||
KAY
|
||||
Nathan... Who the hell is this bitch?
|
||||
|
||||
Nathan just stares, putting both his hands on Sara's shoulders. Sara shakes her shoulders and elbows him as the two women begin to circle each other.
|
||||
|
||||
SARA
|
||||
Get out of our house or you're going to die. Nathan, fuck off.
|
||||
|
||||
NATHAN
|
||||
No, that wasn't-
|
||||
|
||||
KAY
|
||||
*Your* hou- I bought this house!
|
||||
|
||||
SARA
|
||||
What? I bought it. We *live* here.
|
||||
|
||||
Kay shakes her head and snarls.
|
||||
|
||||
KAY
|
||||
No, this is *my* house, that's *my* boyfriend, and I'm gonna fucking kill you.
|
||||
|
||||
SARA
|
||||
Holy shit, she's your girlfriend?
|
||||
|
||||
Sara pushes Nathan into the corner as the two continue to circle each other.
|
||||
|
||||
NATHAN
|
||||
NO, NO, NO!
|
||||
|
||||
The circling causes Nathan to be behind Kay instead of Sara.
|
||||
|
||||
KAY
|
||||
Oh, no doubt the wife is secret too. I'm gonna pound your brains out once I take care of this bitch. Clearly you need to be taught how to be loyal again.
|
||||
|
||||
She points at Nathan. Sara yells in frustration and slashes. It's weakly deflected, and the lunge causes them to switch sides again.
|
||||
|
||||
NATHAN
|
||||
Sara, stop, I don't know who this is.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Oh, I wouldn't remember my high school crush either. All the dates, all the hintdropping I totally forgot. The romantic stalking and kidnapping, moving in together, the training and fighting and life risking just totally slipped my mind.
|
||||
|
||||
SARA
|
||||
Nathan, call Delta Jay.
|
||||
|
||||
|
||||
[[replace IMC with whatever fictional or otherwise realistic faction I want Delta Jay to be a part of]]
|
||||
KAY
|
||||
Why would you call him, he's *my* IMC liason.
|
||||
|
||||
SARA
|
||||
Yeah, well he works for *me.*
|
||||
|
||||
KAY
|
||||
Oh, that's a weird coincidence because he actually works for *me*, and I'm sure he'll send you hell once he finds out how much you've wounded me.
|
||||
|
||||
SARA
|
||||
The IMC can't stop me.
|
||||
|
||||
KAY
|
||||
And you can't stop me. I can't die.
|
||||
|
||||
SARA
|
||||
Neither can I, bitch.
|
||||
|
||||
NATHAN
|
||||
Holy shit. You're Kalani, aren't you?
|
||||
|
||||
Sara and Kay stop to look at the naked femboy.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Took you long enough, hi, it's your *girlfriend of two years.*
|
||||
|
||||
NATHAN
|
||||
Fuck you, we got married two years ago!
|
||||
|
||||
He points to Sara, whose eyes flit between her lover and Kay. Kay allows the Acriamative to fall as she gestures dejectedly.
|
||||
|
||||
KAY
|
||||
Damn it, and I was just about to propose, too. I can't fucking believe this, I fucking knew I should have dated girls instead.
|
||||
|
||||
Sara shakes her head in disbelief.
|
||||
|
||||
SARA
|
||||
What?
|
||||
|
||||
Sara combines her two sword whips into one warily.
|
||||
|
||||
KAY
|
||||
My question is, how the fuck did you hide an entire marriage from me *and* manage to convince *her* she owns our house. I thought you were a genius, but apparently you're stupid enough to think I wouldn't find out about this shit.
|
||||
|
||||
SARA
|
||||
Bitch, this is OUR HOUSE!
|
||||
|
||||
The women glare at each other.
|
||||
|
||||
NATHAN
|
||||
Stop, stop stop stop stop stop. Whoever you are, you're insane, Sara I would never cheat on you. I thought you decided to surprise me by- byf- byf- bfuckin tying me up, but is was her. She was raping me in my sleep.
|
||||
|
||||
He points at Kay, opens his still tied hands towards Sara, stimming with his fingers and shaking his head. He very much speaks with his hands.
|
||||
|
||||
Kay and Sara both lower their weapons slightly, hiding their eyes behind their hands in shock in a mini-facepalm. Nathan notices the similar response and looks confusedly at both of them.
|
||||
|
||||
[[This line may damage the worldbuilding. She should be shocked that someone like her exists and that should probably be on the forefront of her mind. This line almost implies that her condition is normal, which it is not by any stretch of the imagination.]]
|
||||
KAY
|
||||
You're really going to lie to leave me for a fuckin panda. You just *love* telling the truth until you can find another fuck buddy.
|
||||
|
||||
NATHAN
|
||||
I've never seen you in my life!
|
||||
|
||||
KAY
|
||||
I've fucked you in the ass every night since twenty twenty two, you dumb whore!
|
||||
|
||||
SARA
|
||||
You said her name though.
|
||||
|
||||
NATHAN
|
||||
Yeah, you sound like Kalani, but I haven't talked to her for years.
|
||||
|
||||
SARA
|
||||
Oh, Kalani the lesbian you- wait...
|
||||
|
||||
KAY
|
||||
I'm sure as hell a lesbian now!
|
||||
|
||||
SARA
|
||||
Put your dick away then, so my cheating husband can stop staring at it.
|
||||
|
||||
Nathan blushes profusely.
|
||||
|
||||
NATHAN
|
||||
Rape, rape, rape, she *raped* me.
|
||||
|
||||
KAY
|
||||
Nathan, you *love* getting raped.
|
||||
|
||||
NATHAN
|
||||
Oh my fff...
|
||||
|
||||
He's lost for words. Sara and Kay watch him for a moment, but snap back to each other, their stares are no longer as hostile.
|
||||
|
||||
SARA
|
||||
(confusedly)
|
||||
So clearly we've both had a lot of sex with Nathan without either of us finding out he was a cheater.
|
||||
|
||||
NATHAN
|
||||
But that's not true! I can count on one hand the amount of times Kalani and I hung out, we never so much as flirted after sophomore year!
|
||||
|
||||
SARA
|
||||
Oh, oh, but you *said* you fantasized about her constantly until we started hooking up. Turns out they weren't fantasies.
|
||||
|
||||
KAY
|
||||
Damn right they weren't.
|
||||
|
||||
SARA
|
||||
Fuck this.
|
||||
|
||||
She gets up to leave, staggering as she clutches her bloodstained shirt. Nathan grabs her.
|
||||
|
||||
NATHAN
|
||||
Slow down slow down, stop. Please please please just sit down and rest. Untie me, I'll get my clothes, we can grab some soda and stop you from bleeding out. Sara look at me. You have to believe me. We're going to get an explanation from her.
|
||||
|
||||
KAY
|
||||
Wait, Sara?
|
||||
|
||||
Nathan and Sara look at Kay, who slumps down on the couch, her weapon clanging to the ground as she grips her side.
|
||||
|
||||
KAY
|
||||
Nathan and I know a Sara, and she doesn't look like you. Something's gone horribly wrong.
|
||||
|
||||
NATHAN
|
||||
Sara, sara, see? Untie me, untie me.
|
||||
|
||||
She obliges, still staring at Kay. Nathan rushes back into the destroyed bedroom. Kay pulls what's left of her shirt down to cover up her still slightly erect cock. Sara looks away and pretends like she doesn't see it.
|
||||
|
||||
SARA
|
||||
Sara's a very common name. I only know one Kalani.
|
||||
|
||||
KAY
|
||||
You sound exactly like her though. We both went to Jordan, but didn't properly meet until Nathan invited us both over for a movie night. I thought you were pretty hot but I thought you two were dating otherwise...
|
||||
|
||||
NATHAN (O.S.)
|
||||
Oh, no way.
|
||||
|
||||
SARA
|
||||
Thanks? Wait. Was there anyone else there? What movie did you watch?
|
||||
|
||||
KAY
|
||||
I brought my best friend Ana over. Nathan had some of his friends.
|
||||
|
||||
SARA
|
||||
We watched Alien and Aliens.
|
||||
|
||||
KAY
|
||||
You watched Aliens?
|
||||
|
||||
SARA
|
||||
Yeah, but you two left as we went to get ice cream.
|
||||
|
||||
Nathan reappears fully clothed. He tosses Kay's PJs and boxers back to her.
|
||||
|
||||
NATHAN
|
||||
I thought I recognized those pants. Cumberbatch grinch, not Carrey.
|
||||
|
||||
Kay gets up to put her clothes back on. Her cock is still massive when flaccid. Sara turns away, but Nathan only pretends not to look.
|
||||
|
||||
KAY
|
||||
It's ok to stare.
|
||||
|
||||
SARA
|
||||
(growling)
|
||||
Not when it's you, it's not.
|
||||
|
||||
Sara grabs Nathan by the arm and pushes him to turn away.
|
||||
|
||||
NATHAN
|
||||
I'm the victim here, she raped me.
|
||||
|
||||
SARA
|
||||
We all know you fuckin enjoyed it.
|
||||
|
||||
NATHAN
|
||||
Yeah, when I thought it was you!
|
||||
|
||||
KAY
|
||||
Guys, stop. We're all the victims of a misunderstanding, not rape. Nathan talks about this shit all the time.
|
||||
|
||||
Cut to the three sitting down, fully clothed, besides the torn shirts and blood. Nathan's ballgag is replaced by a choker. Kay is on the corner of the sectional, Sara on one of the ends, Nathan on the ottoman inbetween them. The three of them sip sodas from the mini-fridge.
|
||||
|
||||
/*
|
||||
alternate confrontation/realization
|
||||
|
||||
NATHAN
|
||||
How come you two are the only two superhuman, humanoid lifeforms with conjurable custom weapons on this earth?
|
||||
|
||||
(beat)
|
||||
|
||||
KAY
|
||||
I got my powers because of you.
|
||||
|
||||
SARA
|
||||
*/
|
||||
|
||||
KAY
|
||||
What we're going to do is we're going to describe our relationship with the other two how we see it, I'll go first. I'm Kalani Lindsay Whitmore. I met Nathan at Jordan in freshman year, had a crush on him sophomore year. We texted and hung out a couple times during college, and I...
|
||||
|
||||
She pauses.
|
||||
|
||||
[[perhaps it's out of character to be as upfront as she is about this so this can be trimmed]]
|
||||
KAY
|
||||
I was very self-conscious about my weight. It was kind of... destroying my life. I pushed away my roommates and family and lived on my own, I was too depressed and anxious to go to school, I wasn't paying bills, all I was doing was exercising and eating. But I couldn't lose weight. It was like I was cursed. So I stopped eating. I starved myself, but my damn scale wouldn't move an ounce. I thought I was going crazy. One day I collapsed on the treadmill and blacked out. When I woke up, I was in another world. I was transformed, I wasn't human anymore. I had to fight monsters and survive, and all the while I knew he did it.
|
||||
|
||||
She points at Nathan. Sara puts a hand to her mouth in realization.
|
||||
|
||||
KAY
|
||||
I had powers. Super strength. My hyperhydrosis turned into something different. I still sweat a ton, but it wasn't gross anymore. I had healing powers. I can control things with my pheromones, I could knock things out.
|
||||
|
||||
Sara and Nathan exchange glances several times. Nathan snaps incessantly.
|
||||
|
||||
SARA
|
||||
I don't sweat very much at all, but I can do all those things too, it's just a lot harder.
|
||||
|
||||
Kay nods.
|
||||
|
||||
KAY
|
||||
Hang on. So when I finally found out how to return to this world, I started stalking him. Found his streams, twitter, everything. My entire life was all about figuring out how to live with my new form and figuring out everything about him. That and... anyway, I was obsessed, I wanted to own him. /*I began to sneak into his house in the dead of night and...*/ Well eventually it drove me insane and I wanted to be with him in person, so I devised a way to use my pheromones to trick people into thinking I looked completely human. Doesn't work on video obviously but anyone who was within a couple feet of me saw me as how I used to be. I went to his work with a mask and sunglasses to hide most of my appearance, walked right up to him and...
|
||||
|
||||
She sighs. Nathan stims by bobbing his leg and swilling his soda around in the can. Sara similarly bobs her leg.
|
||||
|
||||
KAY
|
||||
Eventually I snuck into his house, we had a consensual kidnapping, it was really romantic and hot, he loved it, he always loved being put in his place by me. We dated ever since. We moved in together, he told me how he thought my powers worked, we trained together, took up vigilantism, got picked up by the IMC, eventually we worked out a deal where they supported my efforts and sent me on missions while Nathan stayed at home being a boywife. I was going to surprise him with another kidnapping and proposing to him... somewhere special, I don't know. Now I'm not even sure if that was real or anything because you don't remember at all, and...
|
||||
|
||||
Her voice breaks, she looks away. A pause.
|
||||
|
||||
NATHAN
|
||||
So I did think you were crazy, then I thought you were a figment of my old fantasies that manifested itself physically to destroy my life and marriage, and now I think you're from an alternate universe where what happened to Sara happened to you somehow.
|
||||
|
||||
KAY
|
||||
*There's* the shit Nathan always talks about.
|
||||
|
||||
Sara fidgets with her ring.
|
||||
|
||||
SARA
|
||||
I thought I was special.
|
||||
|
||||
NATHAN
|
||||
You are, of course you are. Even in an infinite multiverse.
|
||||
|
||||
KAY
|
||||
Ok, Sara next. I met you at a movie night he invited us to years ago, I knew Nathan always really liked you, you were friends for ages, made animations together, you're working on a TV show. He always insisted you were just friends but I knew he would fuck you in a heartbeat given the chance. Can't blame him, you're hot.
|
||||
|
||||
Nathan groans and stims harder, shaking his head.
|
||||
|
||||
NATHAN
|
||||
Oh, this is weird, Kalani is telling me my wife is hot and I haven't fucked her.
|
||||
|
||||
KAY
|
||||
Well, where I come, you haven't. *Yet.*
|
||||
|
||||
She growls the last word. Sara scowls.
|
||||
|
||||
SARA
|
||||
How am I supposed to take this? How do I know you're not making all of this up?
|
||||
|
||||
NATHAN
|
||||
Hang on here, let's just assume this theory is correct. Occam's razor may not whittle away the multiverse explanation, I don't have any better way of seeing this. We basically have to find out which one of us doesn't belong here.
|
||||
|
||||
KAY
|
||||
Sara, you next. How do you know Nathan? Pretend you know neither of us and describe it as though we're new people entirely.
|
||||
|
||||
Sara looks at the others, scowls at both and sighs.
|
||||
|
||||
SARA
|
||||
We met at CTEC. Became really good friends. I knew him for several years. He always knew how to rile me up, but he had a way with words. Helped me through a breakup after a four-year relationship. I needed a lot of time to get over it, but all the while I was fighting feelings for him. Needed him really bad. Vented it out by going to the gym. One day I came home and...
|
||||
|
||||
She shakes her head and sighs.
|
||||
|
||||
SARA
|
||||
Same thing as you. Collapsed, was in another world, fought my demons, came back, fucked his subby brains out, proposed, married, became a superhero, yada yada.
|
||||
|
||||
Nathan gets up and puts his arm around her. She tenses up, but doesn't stop him.
|
||||
|
||||
NATHAN
|
||||
And how do you know Kalani?
|
||||
|
||||
SARA
|
||||
(reluctantly)
|
||||
Same as you, she's the lesbian who you were obsessed with in high school and college.
|
||||
|
||||
NATHAN
|
||||
I- no, she just-
|
||||
|
||||
KAY
|
||||
It's true, you were obsessed. You told me your fantasies about dicks caused me to manifest one.
|
||||
|
||||
Sara grins, slapping his thigh.
|
||||
|
||||
NATHAN
|
||||
Oookay, glad we're on the same page here, anyway, I knew Kalani in high school, she was terrible at keeping contact and I was always second-guessing how much she wanted to talk to me, even after hanging out a couple times. She... ended up showing some red flags. And she liked girls more anyway so we drifted apart.
|
||||
|
||||
KAY
|
||||
Okay, I think the difference is that I went to the Sanctum first and became obsessed with you, while your Kalani was never sent to the Sanctum in the first place.
|
||||
|
||||
NATHAN
|
||||
She's not *my* Kalani.
|
||||
|
||||
SARA
|
||||
Our *universe's* Kalani.
|
||||
|
||||
NATHAN
|
||||
Your personality is entirely different from our universe's Kalani though.
|
||||
|
||||
KAY
|
||||
Yeah, I've been through a lot. You stopped talking to me when I was like, twenty.
|
||||
|
||||
NATHAN
|
||||
No, *you* stopped talking to me.
|
||||
|
||||
KAY
|
||||
You should really hit me up sometime, like right now actually. Am I still working, did I get the hospital job, or am I in social work? Am I still single? Did I finally have gay sex or did I never find someone in Utah gay or desperate enough to be willing to scissor me?
|
||||
|
||||
NATHAN
|
||||
Now *that* sounded a lot like you except for the gay sex part.
|
||||
|
||||
KAY
|
||||
Oh, you'd be surprised, I miss the idea of pussy so much.
|
||||
|
||||
NATHAN
|
||||
Getting warmer.
|
||||
|
||||
SARA
|
||||
Okay, you can fantasize about selfcest on your own time. What I want to know is what your dick was doing in my husband.
|
||||
|
||||
[[i feel like "was a pussy" is too aggressive and would warrant a reaction/interruption. i would probably trail off for a second and explain it less aggressively to be diplomatic]]
|
||||
NATHAN
|
||||
Well, I mean, it makes sense. Kalani was a... well she couldn't propose to me as early as you did, but we still were just as together as you and I. We've got similar sexual tastes and a similar relationship... uh, dynamic, it's no wonder that I would wake up getting railed, tied up, and gagged...
|
||||
|
||||
This distracts the ADHD trio. Then they remember one of them is from a different universe. Sara hits Nathan.
|
||||
|
||||
SARA
|
||||
Anyway...
|
||||
|
||||
NATHAN
|
||||
Anyway, your cock was amazing.
|
||||
|
||||
Sara glares at him and hits him again.
|
||||
|
||||
NATHAN
|
||||
I mean just as good as Sara's if not- I mean I thought it was her until I recognized your voice. Well not recognized. Just knew it wasn't hers.
|
||||
|
||||
KAY
|
||||
You really are the exact same, you sub. I just wish I could uh... I mean you're not my Nathan so whatever. I'm just happy you're happy I guess. Though if I were in a universe where you were still me and not someone else I'd totally be down for a three-way.
|
||||
|
||||
[[i don't think they're at the hitting level, more likely she would jolt forward to try and hit her seriously]]
|
||||
Kay points at Sara, who bristles at her statement and jolts forward, causing Kay to flinch. Nathan hides his face in Sara's big furry tail.
|
||||
|
||||
KAY
|
||||
Sorry, I can't help myself around him! Surely you feel the need to dirty talk too!
|
||||
|
||||
SARA
|
||||
Not when his alternate dimension crush just fucked my sloppy seconds and tried to kill me.
|
||||
|
||||
NATHAN
|
||||
Sloppy seconds?! We're married!
|
||||
|
||||
KAY
|
||||
And I don't want to get inbetween you obviously, I thought I was fucking my boyfriend for like the seven thousandth orgasmic time.
|
||||
|
||||
SARA
|
||||
And I thought some bitch was stealing him from me.
|
||||
|
||||
NATHAN
|
||||
And I thought I was getting pulverized by my wife's 10-inch monster cock, we get it. None of us did anything to purposely hurt the others except you two. Clearly we were all thinking with the wrong head. Or no that was just you two and your cock measuring contest for who has the coolest weapon, by the way, it's Sara, sorry Kay, no chance, but if we're going to have a cock measuring contest I prefer one that doesn't involve two of the most powerful humans in existence bleeding out fighting over me. Actually, how big is your cock?
|
||||
|
||||
SARA
|
||||
Nathan!
|
||||
|
||||
Another love tap ensues. Probably a little harder. Kay grins, shifting her weight a little nervously.
|
||||
|
||||
KAY
|
||||
Eight flaccid, ten erect, twelve on viagra or a good day.
|
||||
|
||||
NATHAN
|
||||
(overcome)
|
||||
Oh, fuck me.
|
||||
|
||||
SARA
|
||||
(gritting teeth)
|
||||
That's *my job.*
|
||||
|
||||
Nathan jumps up.
|
||||
|
||||
NATHAN
|
||||
And who am I to leave my wife unemployed? Anyhow, I say we go get some McDick's. Both of you must be starving and you've got cells to regenerate. I'll get the keys, babe.
|
||||
|
||||
[[really needed to be said]]
|
||||
SARA
|
||||
We're not going anywhere until we find out where she's from, why she's here, and how to get rid of her. She could still be lying about all of this.
|
||||
|
||||
KAY
|
||||
I can't lie with him in the room, he's not mine, but he's still Nathan.
|
||||
|
||||
NATHAN
|
||||
That's- okay. Oddly familiar.
|
||||
|
||||
He sits back down.
|
||||
|
||||
SARA
|
||||
Stop doing that. This has to be some sort of hit operation. The IMC augmented someone to come in as an actor to either kill me or sabotage our marriage.
|
||||
|
||||
KAY
|
||||
How would the IMC know about our trust pact thing?
|
||||
|
||||
SARA
|
||||
He's always going off about honesty. Delta Jay must have known and snitched.
|
||||
|
||||
KAY
|
||||
Oh! They don't know he has a rape fetish.
|
||||
|
||||
NATHAN
|
||||
Don't put it that way.
|
||||
|
||||
SARA
|
||||
Even if you *are* from another universe, why come here to fuck someone else's husband?
|
||||
|
||||
KAY
|
||||
I *didn't,* I wouldn't. I like my boyfriend all to myself and I wouldn't steal someone else's, it'd kill him. I woke up here, right on the couch. Thought it was my house.
|
||||
(beat)
|
||||
|
||||
SARA
|
||||
But how did you get there.
|
||||
|
||||
KAY
|
||||
Maybe I dreamed too hard. Maybe this is a dream borne out of my insecurities knowing he'd be with you given the choice. All I know is I woke up horny and all three of us can't blame each other for that.
|
||||
|
||||
Nathan makes a confused noise.
|
||||
|
||||
SARA
|
||||
Ok, fine. If you got here by sleeping, you can leave by sleeping. Can I kill you?
|
||||
|
||||
NATHAN
|
||||
Consent is key.
|
||||
|
||||
KAY
|
||||
Bitch, you can try. I was winning anyway.
|
||||
|
||||
SARA
|
||||
As if. I'll send you back right now.
|
||||
|
||||
She resheathes only a small section of her resting weapon; a single stealth knife.
|
||||
|
||||
NATHAN
|
||||
Let's... not be too stab-happy. Even if you can kill her and she doesn't come back, how do you know that she's returned and you haven't just killed her?
|
||||
|
||||
KAY
|
||||
Yeah I don't wanna die, not without cumming first.
|
||||
|
||||
SARA
|
||||
Find someone else to help you with that.
|
||||
|
||||
NATHAN
|
||||
Help! Of course, we'll take her to the IMC ASAP after mcdeez. They'll be fascinated with her, remember the Lab, Sara?
|
||||
|
||||
Sara squints with frustration upon remembering. Nathan gets up again.
|
||||
|
||||
SARA
|
||||
I try not to.
|
||||
|
||||
NATHAN
|
||||
Ok, that's a deal! This is going to be the best magdondal trip yet. I can ask you all about your universe and how it's different and how it's the same, just amazing!
|
||||
|
||||
He prances out of the room, sipping his soda.
|
||||
|
||||
NATHAN
|
||||
(laughing)
|
||||
Oh, merry fuckin' Christmas!
|
||||
|
||||
Both women follow his ass with their eyes, and then they quickly snap to each other.
|
||||
|
||||
SARA
|
||||
I'm a master of stealth. Try to fuck him again and I'll kill you. What's more is that he'll probably let you and then I'll divorce him and he'll die alone.
|
||||
|
||||
Kay gets up, examines her bloody shirt, and sheathes the Acriamative as she talks, taking several steps away from Sara.
|
||||
|
||||
[[Something in this conversation needs to address how she got there in the first place and therefore how to get her back. Perhaps after MCD they go to delta jay or perhaps nafan and sara already figured out something though that's less likely]]
|
||||
|
||||
KAY
|
||||
And then when I figure out how to return to my universe you'll get lonely and ressurrect him, I get it. He's all yours. Though the offer's still on the table, he always said you were secretly bi and I'd fuck the shit out of both of you in a heartbeat.
|
||||
|
||||
Sara's weapons disappear from the floor as she unsheaths them into her hands. Kay knows the sound well.
|
||||
|
||||
[[her attitude is a bluff. she's secretly extremely wary of someone with her abilities being an enemy, but that's not on the forefront of her mind because she knows that them fighting again won't happen if Nathan is there.]]
|
||||
KAY
|
||||
I know I drive a hard bargain but suit yourself. I know my Nathan wouldn't mind.
|
||||
|
||||
SARA
|
||||
(grumbling)
|
||||
That's what I'm afraid of.
|
||||
|
||||
Kay starts to head upstairs. Sara quickly unsheaths her weapons and pushes past her.
|
||||
|
||||
SARA
|
||||
This is my house. Don't act like you own it.
|
||||
|
||||
KAY
|
||||
Force of habit, not sorry.
|
||||
|
||||
NATHAN
|
||||
Enough of this toxic femininity, let's get in the car.
|
||||
|
||||
Hard upwards pan to Nathan swinging Sara's lanyard above the stairs from his position at the handrail. He heads off in the direction of the garage.
|
||||
|
||||
SARA
|
||||
Oh no you don't. I'm not letting you drive for at least half a year after tonight.
|
||||
|
||||
NATHAN
|
||||
You can't just do that to me, this wasn't my fault!
|
||||
|
||||
Sara approaches him into the great room and takes the keys from him.
|
||||
|
||||
SARA
|
||||
(under breath)
|
||||
Well clearly you're enjoying it. Punishing you with no sex punishes me, so I'm taking away your freedoms until you get a better attitude.
|
||||
|
||||
He ignores her lowered tone. They walk to the garage.
|
||||
|
||||
NATHAN
|
||||
My attitude is great, I'm just a little horny.
|
||||
|
||||
SARA
|
||||
Little horny bitch.
|
||||
|
||||
KAY
|
||||
Can't blame anyone for being horny. We've all been there. 24/7.
|
||||
|
||||
NATHAN
|
||||
Your honor, my client would like to plead horny on all charges.
|
||||
|
||||
SARA
|
||||
Guilty. Sentenced to 6 months no driving privileges.
|
||||
|
||||
She opens the garage door and they step out.
|
||||
|
||||
NATHAN
|
||||
No fair. I move for a mistrial!
|
||||
|
||||
KAY
|
||||
Can I be on the jury?
|
||||
|
||||
[[SARA
|
||||
You can be on the next train to your own dimension.
|
||||
|
||||
Kay notices their car. 2020 Toyota Highlander.
|
||||
|
||||
KAY
|
||||
Shit, my Nathan and I have a White 2022 Toyota Camry. I guess I would have had a lot of questions if I had come in here before...
|
||||
|
||||
NATHAN
|
||||
I expect there will be a billion and a half differences to point out between here and your home universe!
|
||||
|
||||
He answers passionately but is visibly displeased at having to ride shotgun. They sit down, Kay in pursuit. As Kay walks towards the back, Sara notes Nathan's expression but keeps her eyes on Kay.
|
||||
|
||||
SARA
|
||||
(quietly)
|
||||
Don't be so mad about it, you ride shotgun most the time anyway.
|
||||
|
||||
He once again ignores her quieted tone.
|
||||
|
||||
NATHAN
|
||||
Well now I'm thinking about the fact it *could* have been a possibility and I'm being punished for something I didn't do.
|
||||
|
||||
Kay gets in the back and scoots into the middle. She's looking relatively pleased with herself, watching the couple.
|
||||
|
||||
KAY
|
||||
Come to think of it there's probably tons of details within the house I didn't notice due to my grogginess. Y'all probably have tons of things we don't.
|
||||
|
||||
NATHAN
|
||||
Do y'all have McDonald's?
|
||||
|
||||
KAY
|
||||
Of course, why would that be any different?
|
||||
|
||||
NATHAN
|
||||
What part of infinite don't you understand? Just because you happen to know two people in this entire alternate world doesn't mean everything else would be the exact same.
|
||||
|
||||
KAY
|
||||
Alright, what is different then?
|
||||
|
||||
Sara starts the car grumpily.
|
||||
|
||||
NATHAN
|
||||
Well, we've already been over how different our lives are, which has a cascading effect on a lot of things, but literally anything else could be different. The existence of business, of notable historical figures or events, all sorts of things could be different. Did y'all have 9/11? The Holocaust? Covid? Antifa?
|
||||
|
||||
KAY
|
||||
Sounds familiar. There's gotta be *something* else that's hugely different, right?
|
||||
|
||||
NATHAN
|
||||
We can only find out through exploration. I would think that the differences we've already experienced imply there could be other quite notable discrepancies. Stuff well beyond the atomic level. Oh! We could have shown her your suit! I'm sure there are many differences-
|
||||
|
||||
SARA
|
||||
(growled)
|
||||
There is no way in hell that's happening.
|
||||
|
||||
KAY
|
||||
I do have a suit tailored to my needs and powers. Custom built and designed by the IMC.
|
||||
|
||||
NATHAN
|
||||
I was gonna say, I was assuming you also had one.
|
||||
|
||||
KAY
|
||||
Of course, can't live without it. I wear it at home all the time just for the AC.
|
||||
|
||||
SARA
|
||||
Yours has AC?
|
||||
|
||||
KAY
|
||||
Yours doesn't? How do you deal with hyperhydrosis?
|
||||
|
||||
SARA
|
||||
What?
|
||||
|
||||
NATHAN
|
||||
Sara doesn't *have* hyperhydrosis.
|
||||
|
||||
KAY
|
||||
Doesn't that make your healing powers less effective? Me sweating so much is how I can get enough fluid to revive someone. I literally have a tank on my suit for it.
|
||||
|
||||
Nathan and Sara exchange glances.
|
||||
|
||||
NATHAN
|
||||
A tank?
|
||||
|
||||
KAY
|
||||
Yeah, it collects my sweat, I'm exercising so it's a lot, it fills into the tank and I can mist it onto people. Are you not a combat medic like me?
|
||||
|
||||
SARA
|
||||
My powers don't work like that.
|
||||
|
||||
NATHAN
|
||||
Yeah, they're more just pheromones. The IMC gave her these little syringes for some healing but they really just introduce the fluid into the person's system if we *really* need them alive.
|
||||
|
||||
KAY
|
||||
*Need* them alive? You don't try to save as many people as possible?
|
||||
|
||||
SARA
|
||||
The IMC doesn't care about saving everybody. That doesn't mean I don't try, but they tie my hands. Sometimes literally.
|
||||
|
||||
KAY
|
||||
This is so interesting. You're telling me you can't just juice them and they'll wake up in a couple hours?
|
||||
|
||||
SARA
|
||||
No, it does work that way, but I don't have enough juice. *You* try collecting your own saliva samples to fill a single syringe. It takes ages. Anyway we shouldn't be talking about it, they'd have a fit if they knew I was *exposing* their secrets.
|
||||
|
||||
She finishes the sentence mockingly, obviously frustrated with the organization.
|
||||
|
||||
KAY
|
||||
Wow, for once in my life I'm glad I have hyperhydrosis. It's really the reason why I can help people. I only wish I could help more, but even all the sweat I produce isn't enough to help everyone. It's a blessing and a curse, to know that I could cure anyone of anything, including death itself, but that I will never be able to do so with everyone.
|
||||
|
||||
Small silence.
|
||||
|
||||
NATHAN
|
||||
You can revive corpses?
|
||||
|
||||
KAY
|
||||
Not like that! But yes. The IMC determined submerging remains, no matter how damaged, into the Juice, caused them to regenerate as long as there were enough nutrients. This was insane, they created a vat of the Juice mixed with nutrients, mainly protein, and tossed, well. They tossed all sorts of things into it but we straight up brought back someone's cremated remains. Like there was someone in the lab who had seen us revive animals, secretly sprinkled the urn in there, in just a couple hours his mom was back. Naked of course, but in her prime. She was hot by the way. She remembered everything.
|
||||
|
||||
NATHAN
|
||||
Holy shit.
|
||||
|
||||
KAY
|
||||
Yeah so you can imagine how insane that was. After the fluid in her lungs ran out enough and she could speak, she had a lot to say. Her son... well you can imagine. Hysterical. I'm not sure what he even expected, but it must have been... really something to see your mother back, younger than you. I haven't even spoken to mine since...
|
||||
|
||||
Silence again.
|
||||
|
||||
SARA
|
||||
I never knew that was possible. The only thing that's stopping me from saving people like that is enough Juice?
|
||||
|
||||
NATHAN
|
||||
We don't know that. We don't know the extent to your powers.
|
||||
|
||||
SARA
|
||||
Well I want to find out. We're bringing you to the IMC and you're going to help them help me save people.
|
||||
|
||||
KAY
|
||||
You can't demand that of me, I can't stay here forever. I want to go *home*, to *my* Nathan.
|
||||
|
||||
NATHAN
|
||||
(to Sara)
|
||||
For all we know, that's not even how it works. She might have a limited amount of time here.
|
||||
|
||||
SARA
|
||||
All the more reason to get here over there right now. Seriously, let's start now.
|
||||
|
||||
NATHAN
|
||||
The IMC is not going to be excited to learn about freaking quantum anomalies causing accidental interdimensional travel. And if they were, it'd be because they want to weaponize it.
|
||||
|
||||
KAY
|
||||
I'd hate to see them with that.
|
||||
|
||||
NATHAN
|
||||
You and me both.
|
||||
|
||||
They stop at a red light. Sara glares at Kay through the rear view. Kay purses her lips in response.
|
||||
|
||||
SARA
|
||||
I don't think they're even capable of that but that's not the point. Who cares if you can't be at home with *your* NATHAN.
|
||||
|
||||
She makes this remark with utter disdain. It is not subtle.
|
||||
|
||||
SARA (CONT'D)
|
||||
If you could save a single life and all it cost was being away from him, how long would it take for you to cave?
|
||||
|
||||
KAY
|
||||
I don't think you understand. I really love him. I can't live without him.
|
||||
|
||||
SARA
|
||||
(growled)
|
||||
Maybe that means you *need* to spend time away from him.
|
||||
|
||||
NATHAN
|
||||
I can't help but feel like-
|
||||
|
||||
SARA
|
||||
It's not your turn to speak.
|
||||
|
||||
==
|
||||
|
||||
EMPLOYEE
|
||||
Uh, are you guys alright?
|
||||
|
||||
She notes the strange colored blood all over the two humanoids. Nathan has also been stained on his hands.
|
||||
|
||||
KAY
|
||||
Normal Tuesday night.
|
||||
|
||||
NATHAN
|
||||
It's not even Tuesday.
|
||||
|
||||
He had to check his phone to make sure. It's actually an early morning on a Wednesday; Christmas 2024.
|
||||
|
||||
==
|
||||
|
||||
[[her return to her original universe is indicative of how much the experience changed her. rather than returning to do honry things to nafan in his sleep, she wakes him up, something he normally hates and thus she would never do, to ensure he knows who she is and that they're actually together. He's confused but gives her the information she needed, she sleepily says she'll tell him in the morning.]]
|
||||
917
kay/alternateseggychristmas_006.fountain
Normal file
917
kay/alternateseggychristmas_006.fountain
Normal file
@@ -0,0 +1,917 @@
|
||||
Title: _alternateseggychristmas_
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes: i have ~~paraphilias~~ issues
|
||||
|
||||
/*
|
||||
inspired by between sleep daydream right before having to go to work 11/29/2022 ~7:30am. Wasn't entirely conscious; my brain is so used to the fake scenarios method that it attempts to re-enter sleep stages by utilizing the method even when not conscious. It's a bit spooky that my fantasies have been so far engrained into both the conscious and subconscious that this happens. I've conditioned myself through habitual fantasizing that my brain itself has rewired to have wacky habits. The honry is too strong. Anyway my fav scenario as of late has been that of getting double dicked by Sara and Kay, and Sara mommy domming the both of us. The semiconscious dream derived from the scenario was that of me being in a relationship with Sara (seemed to be in old house bedroom which really solidifies it as a dream but it having been somewhat lucidly triggered by semiconscious thought... this pseudoscience is strange...) and Kay being on the outside trying to barge her way into it and finally succeeding in creating a sort of polycule between the three of us. I don't think I could do it in real life. That's why it's just a fantasy. Bit of a guilty pleasure I think. But it goes like Kay is domming me, trying to own me, Sara then doms and reclaims me by sitting on my lap and forcing my face into her chest, then making out with Kay. She says something sarcastic/bratty back to her, Sara slaps her and forces to call her mom or something. It was a subconscious thought man don't judge me.
|
||||
|
||||
Anyway the following is derived from me thinking about it throughout work day; what if this spiderverse scenario was accidentally and unknowingly triggered on Kay, specifically a version of Kay who had claimed me after her transformation and we lived together, but the universe she is transported, seemingly abducted to, is identical to her native universe except the only variable changed was that Sara was sent to her own Inner Sanctum rather than Kay; Sara has similar abilities, underwent a similar transformation. Perhaps the reasoning for her transformation could be different and more fitting than Kay's; Kay was sent because she was trying to lose weight while being forced not to, breaking physics and causing her to be reverted to a spiritual state, where her soul had to fight within her consciousness (represented in 3 dimensions by an Inner Sanctum) with her problems, conquering them and once that internal conflict was resolved, the Sanctum was exited and her body transformed at a time dilated pace. I think that justification makes sense but could be expanded upon in the main storyline. However, I'm having trouble trying to make it fit how this could work for Sara. I like the idea that she becomes muscle mommy rather than chubby mommy with unequivalent physical power to her appearance, but I'm thinking in order for the requirements for a Sanctum transformation to be met, there would have to be something changed about myself as well. I was the one who caused some of the requirements for the Sanctum to be met by having such a crush on Kay, but also a big thing for chubby girls, that I didn't want her to lose weight but fantasized about a world where she could be that weight but healthy and also happy with herself, forcing her to remain that weight, causing the Sanctum entrance and eventually creating that world. Perhaps Sara's would be in reverse. She wants to work out, alt-me encourages her to work out because alt-me has a muscle mommy thing > chubby mommy thing, my fantasies change to be more suited to make Sara the one who gets Sanctum'd. I would rather that be the case than the requriements for Sanctuming be changed, though in an infinite multiverse that is admittedly also a variable that could be changed.
|
||||
|
||||
I find the fantasies thing interesting; a big part of my fantasies are literally just that my fantasy lover's powers just fix the stimuli to my OCD. I hate things being unsanitary and uncomfortable, especially in relation to sex. Her powers remove those issues. I think this explains why Sara's powers would be similar even if the reason her transformation occurred was quite different. My idealized version of any lover could consistently have the same healing and superhuman powers. I kinda love the idea of being immortal with one parter; both Kay's and Sara's powers would be able to bring someone back from even death and even restore them to a point as if nothing happened, with some exceptions. I think some scars could remain or perhaps become more defined because both Kay and I subconsciously control what the healing does and would be very thematically interesting; I like some scars, perhaps she can find them hot as well, thus they remain, almost divinely.
|
||||
|
||||
I'm thinking Sara would have far more restraint when it comes to killing someone or inflicting pain, even though she'd have a similar or perhaps identically potent healing power. A line from Kay to her recognizing "If I discovered someone in my home fucking my husband I wouldn't be able to stop myself from killing them."
|
||||
|
||||
This entire thing is why it's so tough just to write multiverse shit and slap in a million different versions of the same individuals into one story and call it good. There's so much depth to be explored with even just two differing universes with only a couple slightly tweaked variables. Not only is the exploration of that depth often far more interesting, but it's far more feasible because exploring that depth can clear up a lot of confusion on how the different versions are different and how they realistically ended up that way. With some multiverse content you just have to go "hm, guess that's just x character from the dimension where y variable is different" and that's just so incredibly boring... Not even to get into how F'd multiversal travel and god forbid multiversal threats can be to your previously well-grounded, well-written story. Perhaps the way it works in my multiverse is that eventually, everyone spends at least one day pulled into an alternate universe and has to figure out how to reverse it or something. Could be interesting. So at least once, either someone from the origin-verse or whatever is pulled out, like in this story, or someone from another universe visits the origin-verse. Could be interesting.
|
||||
|
||||
Anyhow, I was struggling to figure out how spacial continuity would work between these dimensions; a home being lived in by me and Kay would likely be completely different from a home being lived in by me and Sara, even if it were the same building and everything. I don't exactly know why, but this lead me to think that this event occurs on Christmas; Kay and I have had a long, eventful day with much food eaten, and she takes a nap on the couch while I head in to game/stream. She unknowingly is transported during this nap.
|
||||
*/
|
||||
|
||||
INT. DARK TV ROOM - NIGHT
|
||||
|
||||
Kay lies asleep, catatonic. She lies on her right side on the couch. Her boner is distincly visible via the bulge in her Illumination-Grinch pajamas. It flops down to the side with gravity and twitches with her. It rests on her meaty thighs, and there she lies; the embodiment of a closet furry bisexual chubby chaser's wet dream.
|
||||
|
||||
[[I want her to have a seggy pet name for me. i guess I'll go with subby for now? I could probably think of something better but idk.]]
|
||||
Her *moans* get too loud for her to remain asleep and she wakes. The moan that wakes her forms a word:
|
||||
|
||||
KAY
|
||||
(softly)
|
||||
Subby-
|
||||
|
||||
She sits up. We follow her, our view as disorienting as her mood. She sits up, shaking her head and massaging her penis. She bites her lip and blearily wanders through the dark house, hand still stimulating herself. She briefly checks her apple watch. '4:30 AM'.
|
||||
|
||||
/*
|
||||
she says this to convince herself it's ok to
|
||||
|
||||
edit 2021-01-19: she doesn't work. she's basically an independent contractor for the government. she really only has meetings. not sure how to rectify this.
|
||||
*/
|
||||
KAY
|
||||
(mumbled)
|
||||
No work in the morning.
|
||||
|
||||
She wanders down a hallway to their shared OFFICE.
|
||||
|
||||
INT. DARK OFFICE - NIGHT
|
||||
|
||||
The regular computer-emitted fan noises and light aren't present. Her tired eyes note only this.
|
||||
|
||||
KAY
|
||||
(mumbled)
|
||||
Slut's done streaming.
|
||||
|
||||
She immediately heads to their bedroom.
|
||||
|
||||
INT. DARK BEDROOM - NIGHT
|
||||
|
||||
She pokes her head in the open doorway. She sees NATHAN, blindfolded, covered completely by blankets. He's nowhere near as catatonic as her while sleeping. She grins deviously and rubs harder.
|
||||
|
||||
CUT TO:
|
||||
INT. CLOSET SHELF
|
||||
|
||||
We see a closet shelf housing several of the couple's favorite tools: a leather choker-like leash and collar, a ball gag, varying lengths of soft black nylon rope. Kay takes them.
|
||||
|
||||
[[initially intended as a tie to the wall, makes a bit more sense for the leash to be present if she ties his wrists instead]]
|
||||
When the bed is finally approached, she lies the tools down on it, puts her hand in front of Nathan's face for a couple seconds, then pulls the covers off him. Nothing but boxers shroud his feminine ass, which distracts Kay. She caresses him, shifting up and down from his thighs to above his hips. She snaps back to focus, equipping his gag, /*tying him to the clearly intentional mounted metal loop above their also clearly intentional less extravagant headboard.*/ binding his wrists and ankles. His boxers are slipped off, the leash is secured. Kay's Grinch PJs and accompanying plain boxers come off and she gets right into pleasuring herself with him. She thrusts into him, upright, with him bent over the edge of the bed. A *moan* of satisfaction and release escapes her. She chuckles erotically through her nose as she proceeds to pound him. It's clear she needed this.
|
||||
|
||||
Nathan wakes, *moaning alongside her.* Noting this, Kay leans down, nibbling his ear.
|
||||
|
||||
KAY
|
||||
Merry Christmas, slut.
|
||||
|
||||
For some reason, this sets Nathan off. He struggles against his binds, attempting to shout through his gag, but Kay's steady hands keep his hips in place.
|
||||
|
||||
KAY
|
||||
(laughing)
|
||||
Calm down, subby.
|
||||
|
||||
We see a view of her from the bed, facing the door. Her gray T-shirt emblazened with the word 'PROVO' is the only thing that shields us from her large, bouncing breasts. Her expression is as lustful as can be expected. Nathan continues to moan and struggle in protest.
|
||||
|
||||
KAY
|
||||
This is quite the performance, I'm impressed.
|
||||
|
||||
A moment passes, then a SHADOW approaches from the door. It speaks.
|
||||
|
||||
SHADOW
|
||||
Nathan, are you being horny without me ag- WHAT THE FUCK?
|
||||
|
||||
[[sara's eyes are dark hazel. not brown. not sure how i mandela affected myself]]
|
||||
Kay's eyes widen immensely as the light *clicks* on, but immediately turn to squinting at the brightness. The figure at the door is strikingly similar to her. Furry, big fuzzy tail, somewhat canid face, thick thighs and arms, cute PJs grudgingly concealing her bulge. But she has brown hair, hazel eyes, far more toned muscles, a Studio Ghibli mashup shirt. She's a red panda. And she's glaring at Kay with fury, who stumbles back, awkwardly pulling out to stare incredulously at the unfamiliar woman across from her.
|
||||
|
||||
KAY
|
||||
Wha-
|
||||
|
||||
SARA
|
||||
WHO THE FUCK ARE YOU, BITCH?
|
||||
|
||||
[[i think the right, right, left should be a queen reference :youlooksogood:]]
|
||||
SARA lunges at Kay, tackling her into the headboard, which makes a terrible crunching sound. Sara punches Kay three times in the face. Right, right, left. Stunned, Kay grabs Sara's right as it attempts another blow. She pushes against her full mass, launching Sara into the far wall, destroying the drywall. Nathan lets out a gagged yell in protest.
|
||||
|
||||
Kay follows up, lunging at Sara, who dodges and punches Kay in her exposed groin in one motion. She stumbles back, but not before Sara grabs her by the neck and lands another blow to her face.
|
||||
|
||||
The next few moments are quick. Kay attempts a right hook, which is deflected by Sara, who attempts an uppercut, which is caught by Kay's free hand. Once over the surprise, they're perfectly in sync in hand to hand combat. They push each other away and simultaneously unsheath their weapons.
|
||||
|
||||
The Acriamative flashes, and Sara's double shortswords rise to meet it. A deafening CLANG emits. Both women and the captive Nathan stare in shock and awe at the reveal.
|
||||
|
||||
(beat)
|
||||
|
||||
Both women yell and attempt to hit each other. It's clear neither of them are practiced swordswomen, though Sara quickly unmounts her weapons from their armbands to unlock a better range of motion. Neither can deflect the other's hits, and deep gashes open in both of them. Kay's blood is a dark pink, while Sara's is a dark aquamarine. The walls are heavily damaged by this exchange and the fight stumbles back into the TV room. Nathan hastily attempts to crawl and then awkwardly hop to follow, terrified.
|
||||
|
||||
.FIGHT TO TV ROOM
|
||||
|
||||
The room is only illuminated by the light streaming through destroyed bedroom wall. Kay shoves Sara to the ground and raises the Acriamative, but Sara shakily raises her weapons to attempt to deflect it.
|
||||
|
||||
Nathan tackles Kay, his recently loosed ball gag bumping on his chest. Her wounds have weakened her, so she topples into the couch where we started. He hits her with his still-tied hands. His useless hits are in sync with his words.
|
||||
|
||||
NATHAN
|
||||
You can't kill her! She'll just come back.
|
||||
|
||||
He gets up and away from her quickly, shaking. He attempts to help Sara up, an awkward process with his limbs still tied. He falls over.
|
||||
|
||||
NATHAN
|
||||
Fuckinhellshit.
|
||||
|
||||
He unties his ankles as quick as he can, watching Kay, who gets to her feet in a daze.
|
||||
|
||||
NATHAN
|
||||
Stay back!
|
||||
|
||||
He succeeds in helping Sara up. She's just as weakened as Kay, who stops, swaying, attempting to keep the Acriamative aloft. She breathes heavily.
|
||||
|
||||
KAY
|
||||
Nathan... Who the hell is this bitch?
|
||||
|
||||
Nathan just stares, putting both his hands on Sara's shoulders. Sara shakes her shoulders and elbows him as the two women begin to circle each other.
|
||||
|
||||
SARA
|
||||
Get out of our house or you're going to die. Nathan, fuck off.
|
||||
|
||||
NATHAN
|
||||
No, that wasn't-
|
||||
|
||||
KAY
|
||||
*Your* hou- I bought this house!
|
||||
|
||||
SARA
|
||||
What? I bought it. We *live* here.
|
||||
|
||||
Kay shakes her head and snarls.
|
||||
|
||||
KAY
|
||||
No, this is *my* house, that's *my* boyfriend, and I'm gonna fucking kill you.
|
||||
|
||||
SARA
|
||||
Holy shit, she's your girlfriend?
|
||||
|
||||
Sara pushes Nathan into the corner as the two continue to circle each other.
|
||||
|
||||
NATHAN
|
||||
NO, NO, NO!
|
||||
|
||||
The circling causes Nathan to be behind Kay instead of Sara.
|
||||
|
||||
KAY
|
||||
Oh, no doubt the wife is secret too. I'm gonna pound your brains out once I take care of this bitch. Clearly you need to be taught how to be loyal again.
|
||||
|
||||
She points at Nathan. Sara yells in frustration and slashes. It's weakly deflected, and the lunge causes them to switch sides again.
|
||||
|
||||
NATHAN
|
||||
Sara, stop, I don't know who this is.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Oh, I wouldn't remember my high school crush either. All the dates, all the hintdropping I totally forgot. The romantic stalking and kidnapping, moving in together, the training and fighting and life risking just totally slipped my mind.
|
||||
|
||||
SARA
|
||||
Nathan, call Delta Jay.
|
||||
|
||||
|
||||
[[replace IMC with whatever fictional or otherwise realistic faction I want Delta Jay to be a part of]]
|
||||
KAY
|
||||
Why would you call him, he's *my* IMC liason.
|
||||
|
||||
SARA
|
||||
Yeah, well he works for *me.*
|
||||
|
||||
KAY
|
||||
Oh, that's a weird coincidence because he actually works for *me*, and I'm sure he'll send you hell once he finds out how much you've wounded me.
|
||||
|
||||
SARA
|
||||
The IMC can't stop me.
|
||||
|
||||
KAY
|
||||
And you can't stop me. I can't die.
|
||||
|
||||
SARA
|
||||
Neither can I, bitch.
|
||||
|
||||
NATHAN
|
||||
Holy shit. You're Kalani, aren't you?
|
||||
|
||||
Sara and Kay stop to look at the naked femboy.
|
||||
|
||||
KAY
|
||||
(sarcastically)
|
||||
Took you long enough, hi, it's your *girlfriend of two years.*
|
||||
|
||||
NATHAN
|
||||
Fuck you, we got married two years ago!
|
||||
|
||||
He points to Sara, whose eyes flit between her lover and Kay. Kay allows the Acriamative to fall as she gestures dejectedly.
|
||||
|
||||
KAY
|
||||
Damn it, and I was just about to propose, too. I can't fucking believe this, I fucking knew I should have dated girls instead.
|
||||
|
||||
Sara shakes her head in disbelief.
|
||||
|
||||
SARA
|
||||
What?
|
||||
|
||||
Sara combines her two sword whips into one warily.
|
||||
|
||||
KAY
|
||||
My question is, how the fuck did you hide an entire marriage from me *and* manage to convince *her* she owns our house. I thought you were a genius, but apparently you're stupid enough to think I wouldn't find out about this shit.
|
||||
|
||||
SARA
|
||||
Bitch, this is OUR HOUSE!
|
||||
|
||||
The women glare at each other.
|
||||
|
||||
NATHAN
|
||||
Stop, stop stop stop stop stop. Whoever you are, you're insane, Sara I would never cheat on you. I thought you decided to surprise me by- byf- byf- bfuckin tying me up, but is was her. She was raping me in my sleep.
|
||||
|
||||
He points at Kay, opens his still tied hands towards Sara, stimming with his fingers and shaking his head. He very much speaks with his hands.
|
||||
|
||||
Kay and Sara both lower their weapons slightly, hiding their eyes behind their hands in shock in a mini-facepalm. Nathan notices the similar response and looks confusedly at both of them.
|
||||
|
||||
[[This line may damage the worldbuilding. She should be shocked that someone like her exists and that should probably be on the forefront of her mind. This line almost implies that her condition is normal, which it is not by any stretch of the imagination.]]
|
||||
KAY
|
||||
You're really going to lie to leave me for a fuckin panda. You just *love* telling the truth until you can find another fuck buddy.
|
||||
|
||||
NATHAN
|
||||
I've never seen you in my life!
|
||||
|
||||
KAY
|
||||
I've fucked you in the ass every night since twenty twenty two, you dumb whore!
|
||||
|
||||
SARA
|
||||
You said her name though.
|
||||
|
||||
NATHAN
|
||||
Yeah, you sound like Kalani, but I haven't talked to her for years.
|
||||
|
||||
SARA
|
||||
Oh, Kalani the lesbian you- wait...
|
||||
|
||||
KAY
|
||||
I'm sure as hell a lesbian now!
|
||||
|
||||
SARA
|
||||
Put your dick away then, so my cheating husband can stop staring at it.
|
||||
|
||||
Nathan blushes profusely.
|
||||
|
||||
NATHAN
|
||||
Rape, rape, rape, she *raped* me.
|
||||
|
||||
KAY
|
||||
Nathan, you *love* getting raped.
|
||||
|
||||
NATHAN
|
||||
Oh my fff...
|
||||
|
||||
He's lost for words. Sara and Kay watch him for a moment, but snap back to each other, their stares are no longer as hostile.
|
||||
|
||||
SARA
|
||||
(confusedly)
|
||||
So clearly we've both had a lot of sex with Nathan without either of us finding out he was a cheater.
|
||||
|
||||
NATHAN
|
||||
But that's not true! I can count on one hand the amount of times Kalani and I hung out, we never so much as flirted after sophomore year!
|
||||
|
||||
SARA
|
||||
Oh, oh, but you *said* you fantasized about her constantly until we started hooking up. Turns out they weren't fantasies.
|
||||
|
||||
KAY
|
||||
Damn right they weren't.
|
||||
|
||||
SARA
|
||||
Fuck this.
|
||||
|
||||
She gets up to leave, staggering as she clutches her bloodstained shirt. Nathan grabs her.
|
||||
|
||||
NATHAN
|
||||
Slow down slow down, stop. Please please please just sit down and rest. Untie me, I'll get my clothes, we can grab some soda and stop you from bleeding out. Sara look at me. You have to believe me. We're going to get an explanation from her.
|
||||
|
||||
KAY
|
||||
Wait, Sara?
|
||||
|
||||
Nathan and Sara look at Kay, who slumps down on the couch, her weapon clanging to the ground as she grips her side.
|
||||
|
||||
KAY
|
||||
Nathan and I know a Sara, and she doesn't look like you. Something's gone horribly wrong.
|
||||
|
||||
NATHAN
|
||||
Sara, sara, see? Untie me, untie me.
|
||||
|
||||
She obliges, still staring at Kay. Nathan rushes back into the destroyed bedroom. Kay pulls what's left of her shirt down to cover up her still slightly erect cock. Sara looks away and pretends like she doesn't see it.
|
||||
|
||||
SARA
|
||||
Sara's a very common name. I only know one Kalani.
|
||||
|
||||
KAY
|
||||
You sound exactly like her though. We both went to Jordan, but didn't properly meet until Nathan invited us both over for a movie night. I thought you were pretty hot but I thought you two were dating, otherwise...
|
||||
|
||||
[[i really like the idea of it intercutting with nafan getting ready and finding the pants and whatnot. could be a good comedic beat inbetween their dialogue if edited properly.]]
|
||||
|
||||
NATHAN (O.S.)
|
||||
Oh, no way.
|
||||
|
||||
SARA
|
||||
Thanks? Wait. Was there anyone else there? What movie did you watch?
|
||||
|
||||
KAY
|
||||
I brought my best friend Ana over. Nathan had some of his friends.
|
||||
|
||||
SARA
|
||||
We watched Alien and Aliens.
|
||||
|
||||
KAY
|
||||
You watched Aliens?
|
||||
|
||||
SARA
|
||||
Yeah, but you two left as we went to get ice cream.
|
||||
|
||||
Nathan reappears fully clothed. He tosses Kay's PJs and boxers back to her.
|
||||
|
||||
NATHAN
|
||||
I thought I recognized those pants. Cumberbatch grinch, not Carrey.
|
||||
|
||||
Kay gets up to put her clothes back on. Her cock is still massive when flaccid. Sara turns away, but Nathan only pretends not to look.
|
||||
|
||||
KAY
|
||||
It's ok to stare.
|
||||
|
||||
SARA
|
||||
(growling)
|
||||
Not when it's you, it's not.
|
||||
|
||||
Sara grabs Nathan by the arm and pushes him to turn away.
|
||||
|
||||
NATHAN
|
||||
I'm the victim here, she raped me.
|
||||
|
||||
SARA
|
||||
We all know you fuckin enjoyed it.
|
||||
|
||||
NATHAN
|
||||
Yeah, when I thought it was you!
|
||||
|
||||
KAY
|
||||
Guys, stop. We're all the victims of a misunderstanding, not rape. Nathan talks about this shit all the time.
|
||||
|
||||
Cut to the three sitting down, fully clothed, besides the torn shirts and blood. Nathan's ballgag is replaced by a choker. Kay is on the corner of the sectional, Sara on one of the ends, Nathan on the ottoman inbetween them. The three of them sip sodas from the mini-fridge.
|
||||
|
||||
/*
|
||||
alternate confrontation/realization
|
||||
|
||||
NATHAN
|
||||
How come you two are the only two superhuman, humanoid lifeforms with conjurable custom weapons on this earth?
|
||||
|
||||
(beat)
|
||||
|
||||
KAY
|
||||
I got my powers because of you.
|
||||
|
||||
SARA
|
||||
*/
|
||||
|
||||
KAY
|
||||
What we're going to do is we're going to describe our relationship with the other two how we see it, I'll go first. I'm Kalani Lindsay Whitmore. I met Nathan at Jordan in freshman year, had a crush on him sophomore year. We texted and hung out a couple times during college, and I...
|
||||
|
||||
She pauses.
|
||||
|
||||
[[perhaps it's out of character to be as upfront as she is about this so this can be trimmed]]
|
||||
KAY
|
||||
I was very self-conscious about my weight. It was kind of... destroying my life. I pushed away my roommates and family and lived on my own, I was too depressed and anxious to go to school, I wasn't paying bills, all I was doing was exercising and eating. But I couldn't lose weight. It was like I was cursed. So I stopped eating. I starved myself, but my damn scale wouldn't move an ounce. I thought I was going crazy. One day I collapsed on the treadmill and blacked out. When I woke up, I was in another world. I was transformed, I wasn't human anymore. I had to fight monsters and survive, and all the while I knew he did it.
|
||||
|
||||
She points at Nathan. Sara puts a hand to her mouth in realization.
|
||||
|
||||
KAY
|
||||
I had powers. Super strength. My hyperhydrosis turned into something different. I still sweat a ton, but it wasn't gross anymore. I had healing powers. I can control things with my pheromones, I could knock things out.
|
||||
|
||||
Sara and Nathan exchange glances several times. Nathan snaps incessantly.
|
||||
|
||||
SARA
|
||||
I don't sweat very much at all, but I can do all those things too, it's just a lot harder.
|
||||
|
||||
Kay nods.
|
||||
|
||||
KAY
|
||||
Hang on. So when I finally found out how to return to this world, I started stalking him. Found his streams, twitter, everything. My entire life was all about figuring out how to live with my new form and figuring out everything about him. That and... anyway, I was obsessed, I wanted to own him. /*I began to sneak into his house in the dead of night and...*/ Well eventually it drove me insane and I wanted to be with him in person, so I devised a way to use my pheromones to trick people into thinking I looked completely human. Doesn't work on video obviously but anyone who was within a couple feet of me saw me as how I used to be. I went to his work with a mask and sunglasses to hide most of my appearance, walked right up to him and...
|
||||
|
||||
She sighs. Nathan stims by bobbing his leg and swilling his soda around in the can. Sara similarly bobs her leg.
|
||||
|
||||
KAY
|
||||
Eventually I snuck into his house, we had a consensual kidnapping, it was really romantic and hot, he loved it, he always loved being put in his place by me. We dated ever since. We moved in together, he told me how he thought my powers worked, we trained together, took up vigilantism, got picked up by the IMC, eventually we worked out a deal where they supported my efforts and sent me on missions while Nathan stayed at home being a boywife. I was going to surprise him with another kidnapping and proposing to him... somewhere special, I don't know. Now I'm not even sure if that was real or anything because you don't remember at all, and...
|
||||
|
||||
Her voice breaks, she looks away. A pause.
|
||||
|
||||
NATHAN
|
||||
So I did think you were crazy, then I thought you were a figment of my old fantasies that manifested itself physically to destroy my life and marriage, and now I think you're from an alternate universe where what happened to Sara happened to you somehow.
|
||||
|
||||
KAY
|
||||
*There's* the shit Nathan always talks about.
|
||||
|
||||
Sara fidgets with her ring.
|
||||
|
||||
SARA
|
||||
I thought I was special.
|
||||
|
||||
NATHAN
|
||||
You are, of course you are. Even in an infinite multiverse.
|
||||
|
||||
KAY
|
||||
Ok, Sara next. I met you at a movie night he invited us to years ago, I knew Nathan always really liked you, you were friends for ages, made animations together, you're working on a TV show. He always insisted you were just friends but I knew he would fuck you in a heartbeat given the chance. Can't blame him, you're hot.
|
||||
|
||||
Nathan groans and stims harder, shaking his head.
|
||||
|
||||
NATHAN
|
||||
Oh, this is weird, Kalani is telling me my wife is hot and I haven't fucked her.
|
||||
|
||||
KAY
|
||||
Well, where I come, you haven't. *Yet.*
|
||||
|
||||
She growls the last word. Sara scowls.
|
||||
|
||||
SARA
|
||||
How am I supposed to take this? How do I know you're not making all of this up?
|
||||
|
||||
NATHAN
|
||||
Hang on here, let's just assume this theory is correct. Occam's razor may not whittle away the multiverse explanation, I don't have any better way of seeing this. We basically have to find out which one of us doesn't belong here.
|
||||
|
||||
KAY
|
||||
Sara, you next. How do you know Nathan? Pretend you know neither of us and describe it as though we're new people entirely.
|
||||
|
||||
Sara looks at the others, scowls at both and sighs.
|
||||
|
||||
SARA
|
||||
We met at CTEC. Became really good friends. I knew him for several years. He always knew how to rile me up, but he had a way with words. Helped me through a breakup after a four-year relationship. I needed a lot of time to get over it, but all the while I was fighting feelings for him. Needed him really bad. Vented it out by going to the gym. One day I came home and...
|
||||
|
||||
She shakes her head and sighs.
|
||||
|
||||
SARA
|
||||
Same thing as you. Collapsed, was in another world, fought my demons, came back, fucked his subby brains out, proposed, married, became a superhero, yada yada.
|
||||
|
||||
Nathan gets up and puts his arm around her. She tenses up, but doesn't stop him.
|
||||
|
||||
NATHAN
|
||||
And how do you know Kalani?
|
||||
|
||||
SARA
|
||||
(reluctantly)
|
||||
Same as you, she's the lesbian who you were obsessed with in high school and college.
|
||||
|
||||
NATHAN
|
||||
I- no, she just-
|
||||
|
||||
KAY
|
||||
It's true, you were obsessed. You told me your fantasies about dicks caused me to manifest one.
|
||||
|
||||
Sara grins, slapping his thigh.
|
||||
|
||||
NATHAN
|
||||
Oookay, glad we're on the same page here, anyway, I knew Kalani in high school, she was terrible at keeping contact and I was always second-guessing how much she wanted to talk to me, even after hanging out a couple times. She... ended up showing some red flags. And she liked girls more anyway so we drifted apart.
|
||||
|
||||
KAY
|
||||
Okay, I think the difference is that I went to the Sanctum first and became obsessed with you, while your Kalani was never sent to the Sanctum in the first place.
|
||||
|
||||
NATHAN
|
||||
She's not *my* Kalani.
|
||||
|
||||
SARA
|
||||
Our *universe's* Kalani.
|
||||
|
||||
NATHAN
|
||||
Your personality is entirely different from our universe's Kalani though.
|
||||
|
||||
KAY
|
||||
Yeah, I've been through a lot. You stopped talking to me when I was like, twenty.
|
||||
|
||||
NATHAN
|
||||
No, *you* stopped talking to me.
|
||||
|
||||
KAY
|
||||
You should really hit me up sometime, like right now actually. Am I still working, did I get the hospital job, or am I in social work? Am I still single? Did I finally have gay sex or did I never find someone in Utah gay or desperate enough to be willing to scissor me?
|
||||
|
||||
NATHAN
|
||||
Now *that* sounded a lot like you except for the gay sex part.
|
||||
|
||||
KAY
|
||||
Oh, you'd be surprised, I miss the idea of pussy so much.
|
||||
|
||||
NATHAN
|
||||
Getting warmer.
|
||||
|
||||
SARA
|
||||
Okay, you can fantasize about selfcest on your own time. What I want to know is what your dick was doing in my husband.
|
||||
|
||||
[[i feel like "was a pussy" is too aggressive and would warrant a reaction/interruption. i would probably trail off for a second and explain it less aggressively to be diplomatic]]
|
||||
NATHAN
|
||||
Well, I mean, it makes sense. Kalani was a... well she couldn't propose to me as early as you did, but we still were just as together as you and I. We've got similar sexual tastes and a similar relationship... uh, dynamic, it's no wonder that I would wake up getting railed, tied up, and gagged...
|
||||
|
||||
This distracts the ADHD trio. Then they remember one of them is from a different universe. Sara hits Nathan.
|
||||
|
||||
SARA
|
||||
Anyway...
|
||||
|
||||
NATHAN
|
||||
Anyway, your cock was amazing.
|
||||
|
||||
Sara glares at him and hits him again.
|
||||
|
||||
NATHAN
|
||||
I mean just as good as Sara's if not- I mean I thought it was her until I recognized your voice. Well not recognized. Just knew it wasn't hers.
|
||||
|
||||
KAY
|
||||
You really are the exact same, you sub. I just wish I could uh... I mean you're not my Nathan so whatever. I'm just happy you're happy I guess. Though if I were in a universe where you were still me and not someone else I'd totally be down for a three-way.
|
||||
|
||||
[[i don't think they're at the hitting level, more likely she would jolt forward to try and hit her seriously]]
|
||||
Kay points at Sara, who bristles at her statement and jolts forward, causing Kay to flinch. Nathan hides his face in Sara's big furry tail.
|
||||
|
||||
KAY
|
||||
Sorry, I can't help myself around him! Surely you feel the need to dirty talk too!
|
||||
|
||||
SARA
|
||||
Not when his alternate dimension crush just fucked my sloppy seconds and tried to kill me.
|
||||
|
||||
NATHAN
|
||||
Sloppy seconds?! We're married!
|
||||
|
||||
KAY
|
||||
And I don't want to get inbetween you obviously, I thought I was fucking my boyfriend for like the seven thousandth orgasmic time.
|
||||
|
||||
SARA
|
||||
And I thought some bitch was stealing him from me.
|
||||
|
||||
NATHAN
|
||||
And I thought I was getting pulverized by my wife's 10-inch monster cock, we get it. None of us did anything to purposely hurt the others except you two. Clearly we were all thinking with the wrong head. Or no that was just you two and your cock measuring contest for who has the coolest weapon, by the way, it's Sara, sorry Kay, no chance, but if we're going to have a cock measuring contest I prefer one that doesn't involve two of the most powerful humans in existence bleeding out fighting over me. Actually, how big is your cock?
|
||||
|
||||
SARA
|
||||
Nathan!
|
||||
|
||||
Another love tap ensues. Probably a little harder. Kay grins, shifting her weight a little nervously.
|
||||
|
||||
KAY
|
||||
Eight flaccid, ten erect, twelve on viagra or a good day.
|
||||
|
||||
NATHAN
|
||||
(overcome)
|
||||
Oh, fuck me.
|
||||
|
||||
SARA
|
||||
(gritting teeth)
|
||||
That's *my job.*
|
||||
|
||||
Nathan jumps up.
|
||||
|
||||
NATHAN
|
||||
And who am I to leave my wife unemployed? Anyhow, I say we go get some McDick's. Both of you must be starving and you've got cells to regenerate. I'll get the keys, babe.
|
||||
|
||||
[[really needed to be said]]
|
||||
SARA
|
||||
We're not going anywhere until we find out where she's from, why she's here, and how to get rid of her. She could still be lying about all of this.
|
||||
|
||||
KAY
|
||||
I can't lie with him in the room, he's not mine, but he's still Nathan.
|
||||
|
||||
NATHAN
|
||||
That's- okay. Oddly familiar.
|
||||
|
||||
He sits back down.
|
||||
|
||||
SARA
|
||||
Stop doing that. This has to be some sort of hit operation. The IMC augmented someone to come in as an actor to either kill me or sabotage our marriage.
|
||||
|
||||
KAY
|
||||
How would the IMC know about our trust pact thing?
|
||||
|
||||
SARA
|
||||
He's always going off about honesty. Delta Jay must have known and snitched.
|
||||
|
||||
KAY
|
||||
Oh! They don't know he has a rape fetish.
|
||||
|
||||
NATHAN
|
||||
Don't put it that way.
|
||||
|
||||
SARA
|
||||
Even if you *are* from another universe, why come here to fuck someone else's husband?
|
||||
|
||||
KAY
|
||||
I *didn't,* I wouldn't. I like my boyfriend all to myself and I wouldn't steal someone else's, it'd kill him. I woke up here, right on the couch. Thought it was my house.
|
||||
(beat)
|
||||
|
||||
SARA
|
||||
But how did you get there.
|
||||
|
||||
KAY
|
||||
Maybe I dreamed too hard. Maybe this is a dream borne out of my insecurities knowing he'd be with you given the choice. All I know is I woke up horny and all three of us can't blame each other for that.
|
||||
|
||||
Nathan makes a confused noise.
|
||||
|
||||
SARA
|
||||
Ok, fine. If you got here by sleeping, you can leave by sleeping. Can I kill you?
|
||||
|
||||
NATHAN
|
||||
Consent is key.
|
||||
|
||||
KAY
|
||||
Bitch, you can try. I was winning anyway.
|
||||
|
||||
SARA
|
||||
As if. I'll send you back right now.
|
||||
|
||||
She resheathes only a small section of her resting weapon; a single stealth knife.
|
||||
|
||||
NATHAN
|
||||
Let's... not be too stab-happy. Even if you can kill her and she doesn't come back, how do you know that she's returned and you haven't just killed her?
|
||||
|
||||
KAY
|
||||
Yeah I don't wanna die, not without cumming first.
|
||||
|
||||
SARA
|
||||
Find someone else to help you with that.
|
||||
|
||||
NATHAN
|
||||
Help! Of course, we'll take her to the IMC ASAP after mcdeez. They'll be fascinated with her, remember the Lab, Sara?
|
||||
|
||||
Sara squints with frustration upon remembering. Nathan gets up again.
|
||||
|
||||
SARA
|
||||
I try not to.
|
||||
|
||||
NATHAN
|
||||
Ok, that's a deal! This is going to be the best magdondal trip yet. I can ask you all about your universe and how it's different and how it's the same, just amazing!
|
||||
|
||||
He prances out of the room, sipping his soda.
|
||||
|
||||
NATHAN
|
||||
(laughing)
|
||||
Oh, merry fuckin' Christmas!
|
||||
|
||||
Both women follow his ass with their eyes, and then they quickly snap to each other.
|
||||
|
||||
SARA
|
||||
I'm a master of stealth. Try to fuck him again and I'll kill you. What's more is that he'll probably let you and then I'll divorce him and he'll die alone.
|
||||
|
||||
Kay gets up, examines her bloody shirt, and sheathes the Acriamative as she talks, taking several steps away from Sara.
|
||||
|
||||
[[Something in this conversation needs to address how she got there in the first place and therefore how to get her back. Perhaps after MCD they go to delta jay or perhaps nafan and sara already figured out something though that's less likely]]
|
||||
|
||||
KAY
|
||||
And then when I figure out how to return to my universe you'll get lonely and ressurrect him, I get it. He's all yours. Though the offer's still on the table, he always said you were secretly bi and I'd fuck the shit out of both of you in a heartbeat.
|
||||
|
||||
Sara's weapons disappear from the floor as she unsheaths them into her hands. Kay knows the sound well.
|
||||
|
||||
[[her attitude is a bluff. she's secretly extremely wary of someone with her abilities being an enemy, but that's not on the forefront of her mind because she knows that them fighting again won't happen if Nathan is there.]]
|
||||
KAY
|
||||
I know I drive a hard bargain but suit yourself. I know my Nathan wouldn't mind.
|
||||
|
||||
SARA
|
||||
(grumbling)
|
||||
That's what I'm afraid of.
|
||||
|
||||
Kay starts to head upstairs. Sara quickly unsheaths her weapons and pushes past her.
|
||||
|
||||
SARA
|
||||
This is my house. Don't act like you own it.
|
||||
|
||||
KAY
|
||||
Force of habit, not sorry.
|
||||
|
||||
NATHAN
|
||||
Enough of this toxic femininity, let's get in the car.
|
||||
|
||||
Hard upwards pan to Nathan swinging Sara's lanyard above the stairs from his position at the handrail. He heads off in the direction of the garage.
|
||||
|
||||
SARA
|
||||
Oh no you don't. I'm not letting you drive for at least half a year after tonight.
|
||||
|
||||
NATHAN
|
||||
You can't just do that to me, this wasn't my fault!
|
||||
|
||||
Sara approaches him into the great room and takes the keys from him.
|
||||
|
||||
SARA
|
||||
(under breath)
|
||||
Well clearly you're enjoying it. Punishing you with no sex punishes me, so I'm taking away your freedoms until you get a better attitude.
|
||||
|
||||
He ignores her lowered tone. They walk to the garage.
|
||||
|
||||
NATHAN
|
||||
My attitude is great, I'm just a little horny.
|
||||
|
||||
SARA
|
||||
Little horny bitch.
|
||||
|
||||
KAY
|
||||
Can't blame anyone for being horny. We've all been there. 24/7.
|
||||
|
||||
NATHAN
|
||||
Your honor, my client would like to plead horny on all charges.
|
||||
|
||||
SARA
|
||||
Guilty. Sentenced to 6 months no driving privileges.
|
||||
|
||||
She opens the garage door and they step out.
|
||||
|
||||
NATHAN
|
||||
No fair. I move for a mistrial!
|
||||
|
||||
KAY
|
||||
Can I be on the jury?
|
||||
|
||||
[[SARA
|
||||
You can be on the next train to your own dimension.
|
||||
|
||||
Kay notices their car. 2020 Toyota Highlander.
|
||||
|
||||
KAY
|
||||
Shit, my Nathan and I have a White 2022 Toyota Camry. I guess I would have had a lot of questions if I had come in here before...
|
||||
|
||||
NATHAN
|
||||
I expect there will be a billion and a half differences to point out between here and your home universe!
|
||||
|
||||
He answers passionately but is visibly displeased at having to ride shotgun. They sit down, Kay in pursuit. As Kay walks towards the back, Sara notes Nathan's expression but keeps her eyes on Kay.
|
||||
|
||||
SARA
|
||||
(quietly)
|
||||
Don't be so mad about it, you ride shotgun most the time anyway.
|
||||
|
||||
He once again ignores her quieted tone.
|
||||
|
||||
NATHAN
|
||||
Well now I'm thinking about the fact it *could* have been a possibility and I'm being punished for something I didn't do.
|
||||
|
||||
Kay gets in the back and scoots into the middle. She's looking relatively pleased with herself, watching the couple.
|
||||
|
||||
KAY
|
||||
Come to think of it there's probably tons of details within the house I didn't notice due to my grogginess. Y'all probably have tons of things we don't.
|
||||
|
||||
NATHAN
|
||||
Do y'all have McDonald's?
|
||||
|
||||
KAY
|
||||
Of course, why would that be any different?
|
||||
|
||||
NATHAN
|
||||
What part of infinite don't you understand? Just because you happen to know two people in this entire alternate world doesn't mean everything else would be the exact same.
|
||||
|
||||
KAY
|
||||
Alright, what is different then?
|
||||
|
||||
Sara starts the car grumpily.
|
||||
|
||||
NATHAN
|
||||
Well, we've already been over how different our lives are, which has a cascading effect on a lot of things, but literally anything else could be different. The existence of business, of notable historical figures or events, all sorts of things could be different. Did y'all have 9/11? The Holocaust? Covid? Antifa?
|
||||
|
||||
KAY
|
||||
Sounds familiar. There's gotta be *something* else that's hugely different, right?
|
||||
|
||||
NATHAN
|
||||
We can only find out through exploration. I would think that the differences we've already experienced imply there could be other quite notable discrepancies. Stuff well beyond the atomic level. Oh! We could have shown her your suit! I'm sure there are many differences-
|
||||
|
||||
SARA
|
||||
(growled)
|
||||
There is no way in hell that's happening.
|
||||
|
||||
KAY
|
||||
I do have a suit tailored to my needs and powers. Custom built and designed by the IMC.
|
||||
|
||||
NATHAN
|
||||
I was gonna say, I was assuming you also had one.
|
||||
|
||||
KAY
|
||||
Of course, can't live without it. I wear it at home all the time just for the AC.
|
||||
|
||||
SARA
|
||||
Yours has AC?
|
||||
|
||||
KAY
|
||||
Yours doesn't? How do you deal with hyperhydrosis?
|
||||
|
||||
SARA
|
||||
What?
|
||||
|
||||
NATHAN
|
||||
Sara doesn't *have* hyperhydrosis.
|
||||
|
||||
KAY
|
||||
Doesn't that make your healing powers less effective? Me sweating so much is how I can get enough fluid to revive someone. I literally have a tank on my suit for it.
|
||||
|
||||
Nathan and Sara exchange glances.
|
||||
|
||||
NATHAN
|
||||
A tank?
|
||||
|
||||
KAY
|
||||
Yeah, it collects my sweat, I'm exercising so it's a lot, it fills into the tank and I can mist it onto people. Are you not a combat medic like me?
|
||||
|
||||
SARA
|
||||
My powers don't work like that.
|
||||
|
||||
NATHAN
|
||||
Yeah, they're more just pheromones. The IMC gave her these little syringes for some healing but they really just introduce the fluid into the person's system if we *really* need them alive.
|
||||
|
||||
KAY
|
||||
*Need* them alive? You don't try to save as many people as possible?
|
||||
|
||||
SARA
|
||||
The IMC doesn't care about saving everybody. That doesn't mean I don't try, but they tie my hands. Sometimes literally.
|
||||
|
||||
KAY
|
||||
This is so interesting. You're telling me you can't just juice them and they'll wake up in a couple hours?
|
||||
|
||||
SARA
|
||||
No, it does work that way, but I don't have enough juice. *You* try collecting your own saliva samples to fill a single syringe. It takes ages. Anyway we shouldn't be talking about it, they'd have a fit if they knew I was *exposing* their secrets.
|
||||
|
||||
She finishes the sentence mockingly, obviously frustrated with the organization.
|
||||
|
||||
KAY
|
||||
Wow, for once in my life I'm glad I have hyperhydrosis. It's really the reason why I can help people. I only wish I could help more, but even all the sweat I produce isn't enough to help everyone. It's a blessing and a curse, to know that I could cure anyone of anything, including death itself, but that I will never be able to do so with everyone.
|
||||
|
||||
Small silence.
|
||||
|
||||
NATHAN
|
||||
You can revive corpses?
|
||||
|
||||
KAY
|
||||
Not like that! But yes. The IMC determined submerging remains, no matter how damaged, into the Juice, caused them to regenerate as long as there were enough nutrients. This was insane, they created a vat of the Juice mixed with nutrients, mainly protein, and tossed, well. They tossed all sorts of things into it but we straight up brought back someone's cremated remains. Like there was someone in the lab who had seen us revive animals, secretly sprinkled the urn in there, in just a couple hours his mom was back. Naked of course, but in her prime. She was hot by the way. She remembered everything.
|
||||
|
||||
NATHAN
|
||||
Holy shit.
|
||||
|
||||
KAY
|
||||
Yeah so you can imagine how insane that was. After the fluid in her lungs ran out enough and she could speak, she had a lot to say. Her son... well you can imagine. Hysterical. I'm not sure what he even expected, but it must have been... really something to see your mother back, younger than you. I haven't even spoken to mine since...
|
||||
|
||||
Silence again.
|
||||
|
||||
SARA
|
||||
I never knew that was possible. The only thing that's stopping me from saving people like that is enough Juice?
|
||||
|
||||
NATHAN
|
||||
We don't know that. We don't know the extent to your powers.
|
||||
|
||||
SARA
|
||||
Well I want to find out. We're bringing you to the IMC and you're going to help them help me save people.
|
||||
|
||||
KAY
|
||||
You can't demand that of me, I can't stay here forever. I want to go *home*, to *my* Nathan.
|
||||
|
||||
NATHAN
|
||||
(to Sara)
|
||||
For all we know, that's not even how it works. She might have a limited amount of time here.
|
||||
|
||||
SARA
|
||||
All the more reason to get here over there right now. Seriously, let's start now.
|
||||
|
||||
NATHAN
|
||||
The IMC is not going to be excited to learn about freaking quantum anomalies causing accidental interdimensional travel. And if they were, it'd be because they want to weaponize it.
|
||||
|
||||
KAY
|
||||
I'd hate to see them with that.
|
||||
|
||||
NATHAN
|
||||
You and me both.
|
||||
|
||||
They stop at a red light. Sara glares at Kay through the rear view. Kay purses her lips in response.
|
||||
|
||||
SARA
|
||||
I don't think they're even capable of that but that's not the point. Who cares if you can't be at home with *your* NATHAN.
|
||||
|
||||
She makes this remark with utter disdain. It is not subtle.
|
||||
|
||||
SARA (CONT'D)
|
||||
If you could save a single life and all it cost was being away from him, how long would it take for you to cave?
|
||||
|
||||
KAY
|
||||
I don't think you understand. I really love him. I can't live without him.
|
||||
|
||||
SARA
|
||||
(growled)
|
||||
Maybe that means you *need* to spend time away from him.
|
||||
|
||||
NATHAN
|
||||
I can't help but feel like-
|
||||
|
||||
SARA
|
||||
It's not your turn to speak.
|
||||
|
||||
==
|
||||
|
||||
EMPLOYEE
|
||||
Uh, are you guys alright?
|
||||
|
||||
She notes the strange colored blood all over the two humanoids. Nathan has also been stained on his hands.
|
||||
|
||||
KAY
|
||||
Normal Tuesday night.
|
||||
|
||||
NATHAN
|
||||
It's not even Tuesday.
|
||||
|
||||
He had to check his phone to make sure. It's actually an early morning on a Wednesday; Christmas 2024.
|
||||
|
||||
==
|
||||
|
||||
[[her return to her original universe is indicative of how much the experience changed her. rather than returning to do honry things to nafan in his sleep, she wakes him up, something he normally hates and thus she would never do, to ensure he knows who she is and that they're actually together. He's confused but gives her the information she needed, she sleepily says she'll tell him in the morning.]]
|
||||
1
kay/idea.txt
Normal file
1
kay/idea.txt
Normal file
@@ -0,0 +1 @@
|
||||
Perhaps the yet unnamed government administration was created to combat domestic terrorism federally. Perhaps it was enacted by a previous Republican administration, Reagan, Nixon, or Bush, but later weaponized by a more radical Democrat president, to intentionally fund domestic terror as a Democrat-empowering effort, which is EXACTLY what Democrats love to do, until Jan 6th...
|
||||
155
kay/kayidea.fountain
Normal file
155
kay/kayidea.fountain
Normal file
@@ -0,0 +1,155 @@
|
||||
Title: kayidea
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes:
|
||||
|
||||
/*2022-06-26 idea from https://youtu.be/FN3aYDowPEk where she says "you're a man you can't touch me" to an officer arresting her after abusing her boyfriend...*/
|
||||
|
||||
EXT. SEATTLE ROOFTOP
|
||||
/*not sure if seattle. just seems about right.*/
|
||||
|
||||
Kay stands atop a roof, clad in her newly-upgraded armor. The violent demonstrations will be a ripe testing ground for the prototype system. She activates the seal on her helmet.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
You enjoying the on-board A/C?
|
||||
|
||||
KAY
|
||||
I have never felt more comfortable in my life. Including before I had fur, and I thought it was good during the trial runs!
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
Glad you like it. Took us a hot second to work out. Attempting to relay communications with your HUD system.
|
||||
|
||||
KAY
|
||||
You know, I kind of feel like not switching it on...
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
Deactivating cooling system.
|
||||
|
||||
KAY
|
||||
Hey, hyperhydrosis is no joke, you can't just do that!
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
(laughing)
|
||||
I'm just happy we finally found a way to control you.
|
||||
|
||||
.KAY IN-HELMET POV
|
||||
|
||||
The HUD system boots up. We see indicators for her new arm canisters being 15% full each, and her main tank being empty. As they speak, Kay interacts with an augmented reality prompt with a flair, tapping it with her middle finger. Intel is downloaded and processed, and a beacon with a distance indicator appears in sync with Jay's briefing.
|
||||
|
||||
KAY
|
||||
Don't push your luck. You better just be grateful I support the cause.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
On that note, it appears our reconnaissance data has been successfully relayed. We've placed a tracker on a van we believe to be carrying weapons and ammunition, operated by antifa militants planning to carry out an attack on businesses and churches in this area. Do you have visual on the beacon?
|
||||
/*antifa is a placeholder for this group. i haven't gotten enough flesh on them and their motivations yet, so I'm not sure of a name quite yet.*/
|
||||
|
||||
KAY
|
||||
You're going to make me go *all that way*? Very kind of you to drop me off at a building 2 miles away.
|
||||
|
||||
Her dismay is punctuated by her gesturing with her hand.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
If you could look at the indicator, it's only around seven hundred meters. Not even half a mile. Besides, you've got sweating to do.
|
||||
|
||||
/*could make him say something like "not even half a mile to you americans" but I'm not sure if I want to make him european after jay exci or what. idk i only invented him today*/
|
||||
|
||||
EXT. SEATTLE ROOFTOP
|
||||
|
||||
Kay plops herself down on the edge of the building and leans back, lounging.
|
||||
|
||||
KAY
|
||||
I feel really exploited. Maybe antifa's right. I think I'm actually going to be switching sides, nothing personal!
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
Cut the sarcasm and get to the mission.
|
||||
|
||||
**SSSH-KLANG!** Kay summons the Acriamative without hardly moving from her lounging position. Its blade and skull gleam in the starlight.
|
||||
|
||||
KAY
|
||||
No, I'm serious, I really feel like causing massive amounts of property damage.
|
||||
|
||||
Jay sighs as Kay laughs, tossing her weapon in the air, flipping backwards and landing to catch it.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
Just keep it contained in the van...
|
||||
|
||||
Kay detatches her shoulder plates from the Acriamative and tethers the plates to the sword itself with an eight foot carbon fiber cable.
|
||||
|
||||
KAY
|
||||
Hah! No promises.
|
||||
|
||||
She winds up, squatting low to the ground, and launches herself into the sky. She laughs in exclamation.
|
||||
|
||||
.KAY IN-HELMET POV
|
||||
|
||||
We see her rapidly approaching the augmented beacon, the distance indicator, in meters, counting down rapidly.
|
||||
|
||||
EXT. SEATTLE NIGHT SKY
|
||||
|
||||
As she reaches the top of her arc, she winds back once again, this time with the Acriamative, which she hurls with precision like a Javelin at the ground. In a flash, she grabs the cable, which becomes taut and jerks her towards the ground at a lethal velocity. Evidently, she's had practice.
|
||||
|
||||
She lands painfully on a rooftop. Painful for the rooftop, really. Large cracks form on the concrete surface. The acriamative had impaled itself into the ground, Kay rolling, seemingly bouncing, and spinning upward into the air again, pulling the Acriamative with the cable and catching it in a graceful landing.
|
||||
|
||||
.KAY IN-HELMET POV
|
||||
|
||||
Kay turns around to observe the damage. A small amount of dust settles.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
I said to keep it contained.
|
||||
|
||||
KAY
|
||||
Excuse me if Acriamative travel is as hard as my dick right now. At least I didn't cave it in this time.
|
||||
|
||||
EXT. NEW ROOFTOP
|
||||
|
||||
Kay leans over the edge of the roof. The van is parked on the curbside of a deserted side road. Two dissidents, a male and a female, are having a smoke on the curb in rear of the van.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
The van could be in movement any second. Luckily, they're not likely to have picked up their fellow terrorists yet. Secure the vehicle and the dissidents. Don't be afraid to use your sidearm if need be. Once your canisters are full, you can administer medical aid.
|
||||
|
||||
KAY
|
||||
Assuming they work.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
They were operational during trials, no reason they shouldn't be now.
|
||||
|
||||
KAY
|
||||
You don't know that. I really don't want to kill anyone today. Or ever.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
I'm sure the 2 ton sword will do nicely then.
|
||||
|
||||
Kay sighs, shaking her head. She detatches her cable and it automatically coils into a compartment on her hip.
|
||||
|
||||
KAY
|
||||
Not even at twenty percent. Whatever, it's fine.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
Actually, I'd prefer you aim on testing it today. We could use the data.
|
||||
|
||||
KAY
|
||||
Yes! *Or,* I could shoot *you* and wait through an hour or two of your suffering before testing.
|
||||
|
||||
DELTA JAY (OVER COMLINK)
|
||||
Kidding. I'm not as bad as some of my peers.
|
||||
|
||||
KAY
|
||||
I'll let them know.
|
||||
|
||||
She stands and walks off the building, landing behind the dissidents, who jolt onto their feet.
|
||||
|
||||
FEMALE DISSIDENT
|
||||
/*She's supposed to shout some nickname her ilk has coined for Kay. Not sure what it should be. The ____ or something.*/
|
||||
|
||||
The MALE DISSIDENT rushes to the front of the van, keys in hand. Kay kicks his feet out from under him and he crashes to the ground, keys sliding away. The Female Dissident takes the opportunity to fling the van doors open. Kay leaps atop the van and moves to attack, but a shotgun blast to the chest blindsights her. Her armor is relatively unscathed, but with a visual pellet spread of dents.
|
||||
|
||||
Kay tackles the dissident, elbowing her shotgun down and pinning her to the ground. She struggles, pounding her fists against Kay's armor uselessly.
|
||||
|
||||
FEMALE DISSIDENT
|
||||
(shouted)
|
||||
FASCIST! YOU'RE A MAN, YOU CAN'T TOUCH ME!
|
||||
|
||||
Kay silently gets up, bringing the dissident with her and then shoving her to the ground with her left hand. Her right, still carrying the Acriamative, impales it into the ground on the dissident's right. She walks up to the terrorist, moving her fingers in a way that triggers the transparent bit of her helmet to roll up. Her foxlike face smiles pleasantly down.
|
||||
|
||||
KAY
|
||||
Actually, I use she/her pronouns. So what are you and your boy planning to do with all this *juice*? I heard you didn't pack any clay pidgeons.
|
||||
361
kay/sex.fountain
Normal file
361
kay/sex.fountain
Normal file
@@ -0,0 +1,361 @@
|
||||
Title: _sex_
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes: various dates notes app
|
||||
|
||||
/*note created 6-19-21 10:41pm, fountained 7-6-21*/
|
||||
The two of them collapse into bed, overcome for their lust for each other.
|
||||
|
||||
INT. BEDROOM - MORNING
|
||||
|
||||
Kay is licking Nathan, waking him up.
|
||||
|
||||
NATHAN
|
||||
Again, Kay?
|
||||
|
||||
Kay laughs and settles back to her regular cuddling position of crushing Nathan under her weight.
|
||||
|
||||
beat.
|
||||
|
||||
NATHAN
|
||||
Who topped last night?
|
||||
|
||||
KAY
|
||||
Who do you think?
|
||||
|
||||
NATHAN
|
||||
I can hope?
|
||||
|
||||
He doesn’t sound convinced, himself.
|
||||
|
||||
KAY
|
||||
As usual, you were begging for it.
|
||||
|
||||
NATHAN
|
||||
Oh, stop, my masculinity can only take so much.
|
||||
|
||||
KAY
|
||||
(mock-moaning)
|
||||
Oh yes Kalani, crush my prostate with that fat co-
|
||||
|
||||
Nathan forcefully stops her mockery with a hand to the mouth.
|
||||
|
||||
NATHAN
|
||||
I swear, next time I’ll top with my hands around your neck.
|
||||
|
||||
KAY
|
||||
I’m down! Always have been. I’ll give you all the time you need, I know it can be tough coming out as straight.
|
||||
|
||||
NATHAN
|
||||
Nah nah, not with that again this has always been a strictly straight relationship.
|
||||
|
||||
KAY
|
||||
Oh, you’re so cute when you cope. Not only is this the gayest relationship since /*something that works in this context idek. not like this took much effort or is going anywhere anyway...*/ and not only am I the top, I’m also the boyfriend.
|
||||
|
||||
NATHAN
|
||||
Cry about it. Not my fault you have a perfectly fat cock.
|
||||
|
||||
===
|
||||
|
||||
/*noted 10-9-21 8:15am, fountained 10-13*/
|
||||
KAY
|
||||
Oh, just keep the hoodie off for once. You know I love it...
|
||||
|
||||
NATHAN
|
||||
Yeah, well, tough titties.
|
||||
|
||||
KAY
|
||||
Yes?
|
||||
|
||||
NATHAN
|
||||
What?
|
||||
|
||||
KAY
|
||||
Well you did just say my full name.
|
||||
|
||||
INT. BEDROOM - LATER
|
||||
|
||||
KAY
|
||||
Oh no, now he has pants on, what a disaster! You know this really isn’t how I expected this evening to go.
|
||||
|
||||
===
|
||||
|
||||
/*noted 10-21-21 4:15pm, fountained 11-4*/
|
||||
|
||||
NATHAN
|
||||
You’re more than I can wish for.
|
||||
|
||||
KAY
|
||||
Keep wishing. Never stop.
|
||||
|
||||
/*I think the implication here is that if I wish enough and hard enough then she will manifest. Also it’s like a different feeling because you normally say you’re more than I could have wished for, or all I ever hoped, but when you don’t have someone, the person that doesn’t exist that you say that to frames the conversation a bit differently.*/
|
||||
|
||||
===
|
||||
|
||||
/*
|
||||
noted 11-26-21 @3:38am, fountained 11-23
|
||||
|
||||
context is nafan requested kay’s hormones to sleep, she gets excited because this means she gets bussy all night
|
||||
*/
|
||||
|
||||
NATHAN
|
||||
what are you, some kind of necro?
|
||||
|
||||
KAY
|
||||
no, *somno*, get it right!
|
||||
|
||||
===
|
||||
|
||||
/*noted early morning 2-14-2022, fountained later that evening*/
|
||||
|
||||
NATHAN
|
||||
Kay, breaking and entering because you’re obsessed with me is neither legal nor romantic, I mean, what if I’m not into that?
|
||||
|
||||
KAY
|
||||
It wouldn’t matter that you’re not into it, because I am, and of course my feelings *actually* matter in this situation...
|
||||
|
||||
Her tone is confusingly half-sarcastic, her classic tone. Kay takes a step closer, beginning to blush.
|
||||
|
||||
KAY
|
||||
(embarrasedly)
|
||||
And what if you *are* into that?
|
||||
|
||||
NATHAN
|
||||
That’s besides the point, it’s totally weird and utterly disturbing for you to just sneak or break into my house and stand in my room watching me sleep. And illegal! Don’t forget illegal.
|
||||
/*i think i was meaning to stress the lawlessness part a bit more to make kay's response make more sense*/
|
||||
|
||||
KAY
|
||||
Nathan, you pirate digital media constantly because you “can’t afford” it.
|
||||
|
||||
NATHAN
|
||||
Well, you can disobey the law if there are enough moral strings attached. Sometimes there’s no good alternative for paying thousands of dollars for the sims other than piracy. Though you don’t have any proof I do pirate.
|
||||
|
||||
KAY
|
||||
You literally tweeted out advocating the piracy of everything published under EA one hour ago. I thought you knew I constantly stalk your socials.
|
||||
|
||||
Her face goes red with excitement at her last sentence, clutching at her iPhone 11 with obsessive glee.
|
||||
|
||||
NATHAN
|
||||
I should probably delete that.
|
||||
|
||||
As Nathan reaches for his phone on his side table, Kay quickly edges her hip in to block his hand’s path. Nathan flinches.
|
||||
|
||||
Kay pounces on Nathan’s bed, staring seductively into his eyes. He stares back, terrified. The imagery of a fox having cornered its prey is evident.
|
||||
|
||||
KAY
|
||||
Are there enough “moral strings” attached here for you to forgive my crimes this evening? I really meant no harm!
|
||||
|
||||
===
|
||||
|
||||
/*daydreaming at work on like 2hr50min sleep due to far cry 2022-03-28*/
|
||||
|
||||
**Megapleggs**
|
||||
|
||||
INT. MEGAPLEX JORDAN COMMONS SOUTH CONCESSIONS
|
||||
|
||||
Nathan is working on the southest of south concessions, folding Pizza Hut boxes methodically. Swish, crunch, stack. Swish, crunch, stack. He's 5'9, somewhat skinny, in all black, purple shirt, black apron, in classic Megaplex Food Team fashion. A black baseball cap bent out to look like a flatbrim covers his recent buzz cut. He sometimes speaks with a stutter and a sputter, suffering from situational anxiety (is that a real thing?). He whispers to himself like a schizo and doesn't notice...
|
||||
|
||||
Kalani walks briskly from one end of South to the other, eyeing her prey with a strange smirk quivering on her lips, like she's holding in a laugh. She's very pale, and very human, for now; about 5'8, chubby, a brownish redhead with a big forehead. She's a little sensitive about those last two. She leans over the counter to Nathan's left and watches him for a moment, fidgeting.
|
||||
|
||||
A red and black **aura** emits from her as we see Nathan continuing his work with her out of focus in the background. Outside the depth of field we see her turn to an orange blob with her eyes red and glowing. The swish, crunch, stack of the boxes *descends in to an extreme reverb* as blob-Kay's **aura** goes faster and her fidgeting intensifies.
|
||||
|
||||
He eventually checks the empty Monday Morning lobby and catches the (definitely human) vixen eyeing him from across the counter. A surprised smile breaks across his face, and he subtly tenses up. Kalani throws up a peace sign, still with her own struggling smile.
|
||||
|
||||
NATHAN
|
||||
Oh, hey!
|
||||
|
||||
KALANI
|
||||
Was wondering when you'd see me.
|
||||
|
||||
NATHAN
|
||||
Listen, the box thing is very rhythmic. Morning shifts are a ghost town anyway.
|
||||
|
||||
KALANI
|
||||
Rhythmic.
|
||||
|
||||
NATHAN
|
||||
(exasperated)
|
||||
Yeah, okay. What are you here for, anyway? Really great to see you!
|
||||
|
||||
KALANI
|
||||
Oh, you know, just hanging out.
|
||||
|
||||
NATHAN
|
||||
So, loitering?
|
||||
|
||||
KALANI
|
||||
(sarcastic)
|
||||
Yeah? It's a valid career choice, what about you?
|
||||
|
||||
NATHAN
|
||||
Well I work here, too, my job's the same as yours, just getting paid to stand around pretty much. Started a couple weeks ago. Though I got sick for thirteen days straight so I guess I've not really been here too long.
|
||||
|
||||
He works on the boxes as he talks, slower this time due to the new activity to focus on.
|
||||
|
||||
KALANI
|
||||
(sarcastic)
|
||||
Yeah, just gonna pretend that's not new information to me. Did you have Covid?
|
||||
|
||||
NATHAN
|
||||
Nah, doctor gave me antibiotics, so it must have been bacterial. Longest time I've ever been sick though, sucks I couldn't make more money but that's why I'm taking every shift I can.
|
||||
|
||||
KALANI
|
||||
Oh, that's good. Being the shift-taker definitely requires a girlboss.
|
||||
|
||||
NATHAN
|
||||
A girlboss who forgets about her shift and doesn't go to sleep till 5?
|
||||
|
||||
KALANI
|
||||
Turns out you're a guy after all.
|
||||
|
||||
Nathan chuckles shyly, shivering slightly.
|
||||
|
||||
NATHAN
|
||||
I knew I shouldn't have done it, but I only had so long for the free weekend for a freaking video game. I was sleeping through my alarm for fifteen minutes, probably going to go straight to bed when I get home.
|
||||
|
||||
KALANI
|
||||
Yeah naps! We should take a nap together!
|
||||
|
||||
NATHAN
|
||||
Huh?
|
||||
|
||||
KALANI
|
||||
Oh you know, just two friends napping together at the same time in the same bed, don't make this weird.
|
||||
|
||||
NATHAN
|
||||
(sputtering)
|
||||
Okay... What are you here for again?
|
||||
|
||||
KALANI
|
||||
I wasn't kidding, I'm hanging out, loitering. You get off at 6:30 and then we can go to your house?
|
||||
|
||||
He's a bit overwhelmed at this point. Holding back tremors.
|
||||
|
||||
NATHAN
|
||||
4:15. I don't know about *that*.
|
||||
|
||||
KALANI
|
||||
Why not?
|
||||
|
||||
NATHAN
|
||||
I don't want anybody else in my room. It's dirty and kinda loud. I wear earplugs to sleep.
|
||||
|
||||
KALANI
|
||||
Even at night?
|
||||
|
||||
NATHAN
|
||||
Well yeah I got computers in there. Oh, yeah, it's also really hot, so you're definitely never going in there.
|
||||
|
||||
Kalani makes a duck face for half a second, puckering her lips happily in response to Nathan's remembering her dislike for heat.
|
||||
|
||||
KALANI
|
||||
Oh, you don't turn them off when you sleep?
|
||||
|
||||
NATHAN
|
||||
No, they're always doing tasks.
|
||||
|
||||
He hits his hand on the counter jokingly, pressing an invisible button with his palm, mimicking an alarm sound. *WAH!* He continues talking as though nothing happened.
|
||||
|
||||
NATHAN
|
||||
Emergency meeting! Yeah they're crypto mining 24/7, sometimes downloading or uploading or hosting server or something. Our internet's ... not great.
|
||||
|
||||
KALANI
|
||||
(interested)
|
||||
Oh, crypto? How's that work? I hear it's not... particularly environmentally friendly, can you even afford it?
|
||||
|
||||
NATHAN
|
||||
Yeah so basically I have several systems, the GPUs in them can run games but they can also be used to run procedural programs executing tasks like crypto, it takes a pretty big power bill but it slowly makes money. Bit of extra pocket change for hardware I already own, it was my entire income when I was only doing school, but it's really not much. 'Course I don't pay the power bill, but my parents don't mind. That or they don't understand it, I dunno they've never asked.
|
||||
|
||||
He pauses and makes a wide eyed grimace, as if to say *'may be a problem...'*
|
||||
|
||||
NATHAN
|
||||
Anyway I already had the hardware because I did a lot of gaming, schoolwork, other projects on those systems or I scrounged them from the DI or facebook so it's not obscenely expensive. Anyway Twitter hates crypto and NFTs for a lot of reasons but the entire "bad for the environment" thing is pretty exagerrated. All it takes is electricity, that electricity could be used to power houses, vehicles, other computers or game consoles, its environmental impact depends on where it comes from. It could come from wind, solar, nuclear, or literally just burning coal. Or any combination of those, probably a combination. It's funny 'cause the same people won't bat an eye at the entire power grid using power from a coal plant, so the electricity used anywhere has the same likelihood of getting its power from literally creating carbon emissions. The same people will say, 'stop whining about gas prices and get an electric car' and not even realize that the manufacturing process to make those cars has a carbon footprint that's probably more- er- or at least in the same ballpark as just using a normal person car or a hybrid. I mean you use both gas and electricity, right?
|
||||
|
||||
KALANI
|
||||
(sarcastic)
|
||||
No, I live in a hut and I grow wings to get to work.
|
||||
|
||||
NATHAN
|
||||
Okay, shutchamouth. Hot pocket isn't a frig'n prius tesla funny car. Anyway here's how I see it: we all have a carbon footprint, none of it will ever amount to that of India and China, no matter what, unless we can all start moving to nuclear, which would be great, but our government is gay and cringe. Let's say I had a button that would release 5 kilograms of carbon dioxide into the air, but it would give me $50 grand every time I pressed it. Heck, even if it was a dollar per gram of CO2, I would be spamming that button. I dunno. It'd be really nice to get a car, move out, I want to start a share house with some friends maybe, definitely buy more computer parts... Everyone has their price, and I'm broke, so mine's pretty low.
|
||||
|
||||
KALANI
|
||||
What's your price for me to take you home to my bed?
|
||||
|
||||
NATHAN
|
||||
Uh... c- come again?
|
||||
|
||||
KALANI
|
||||
(laughs)
|
||||
I'll do that later. So how much do you cost?
|
||||
|
||||
Nathan hesitates, blinking and shaking his head in disbelief.
|
||||
|
||||
NATHAN
|
||||
Uh... A meal?
|
||||
|
||||
KALANI
|
||||
That's weird, I didn't get you the last time I bought you food.
|
||||
|
||||
Nathan is definitely visibly trembling now.
|
||||
|
||||
NATHAN
|
||||
Maybe you didn't order the correct uh, menu item. I don't think I accept vouchers...
|
||||
|
||||
KALANI
|
||||
I'll keep that in mind. Where are we eating then?
|
||||
|
||||
NATHAN
|
||||
Well, I'll be grabbing a corn dog when I go on break, so maybe we can just grab some shakes and then I'll be... you can steal me when i get off.
|
||||
|
||||
KALANI
|
||||
You can grab my corn dog.
|
||||
|
||||
NATHAN
|
||||
What?
|
||||
|
||||
Kalani stretches, smiling to herself.
|
||||
|
||||
KALANI
|
||||
I think I'll try a corn dog when you do.
|
||||
|
||||
Nathan sighs, still spooked.
|
||||
|
||||
NATHAN
|
||||
I love them so much, they're to die for. Just fry it in oil and I'll love it forever.
|
||||
|
||||
KALANI
|
||||
Noted. I'll be over there staring at you your entire shift, give me a wink or something when it's time for your break and I'll give you some company.
|
||||
|
||||
NATHAN
|
||||
(flustered)
|
||||
Sounds like normal human activity.
|
||||
|
||||
/*i think this bit is meant to be in break room scene? idk if 100% keep idk*/
|
||||
|
||||
KALANI
|
||||
WHAT? Did you cut your hair?
|
||||
|
||||
NATHAN
|
||||
Yeah, it was inconvenient and messy and kinda ugly.
|
||||
|
||||
KALANI
|
||||
Aw, it really had potential though!
|
||||
|
||||
Kalani runs her finger along Nathan's now-bare forehead, trailing it around his temple, brushing away an imaginary long trailing hair out of his eyes. Keen viewers will notice a pimple on his temple disappearing after her finger finishes its journey.
|
||||
|
||||
/*some sort of transition to bedroom ig*/
|
||||
|
||||
KALANI
|
||||
Okay, here’s the deal. I know you want to lie on top of me and bury your face in my boobs and I’ll let you do all of that as long as I get free reign over the rest of your body.
|
||||
|
||||
NATHAN
|
||||
I didn’t say anything...
|
||||
|
||||
KALANI
|
||||
It’s on your face, you want me to touch your butt, very badly. It’s a good deal, get over here.
|
||||
|
||||
NATHAN
|
||||
What? It’s kind of one sided, what do you get out of it?
|
||||
|
||||
KALANI
|
||||
I’m bisexual. I’m okay with touching butts.
|
||||
373
kay/sex_002.fountain
Normal file
373
kay/sex_002.fountain
Normal file
@@ -0,0 +1,373 @@
|
||||
Title: _sex_
|
||||
Credit: Written by
|
||||
Author: Nathan Lindsay
|
||||
Notes: various dates notes app
|
||||
|
||||
/*note created 6-19-21 10:41pm, fountained 7-6-21*/
|
||||
The two of them collapse into bed, overcome for their lust for each other.
|
||||
|
||||
INT. BEDROOM - MORNING
|
||||
|
||||
Kay is licking Nathan, waking him up.
|
||||
|
||||
NATHAN
|
||||
Again, Kay?
|
||||
|
||||
Kay laughs and settles back to her regular cuddling position of crushing Nathan under her weight.
|
||||
|
||||
beat.
|
||||
|
||||
NATHAN
|
||||
Who topped last night?
|
||||
|
||||
KAY
|
||||
Who do you think?
|
||||
|
||||
NATHAN
|
||||
I can hope?
|
||||
|
||||
He doesn’t sound convinced, himself.
|
||||
|
||||
KAY
|
||||
As usual, you were begging for it.
|
||||
|
||||
NATHAN
|
||||
Oh, stop, my masculinity can only take so much.
|
||||
|
||||
KAY
|
||||
(mock-moaning)
|
||||
Oh yes Kalani, crush my prostate with that fat co-
|
||||
|
||||
Nathan forcefully stops her mockery with a hand to the mouth.
|
||||
|
||||
NATHAN
|
||||
I swear, next time I’ll top with my hands around your neck.
|
||||
|
||||
KAY
|
||||
I’m down! Always have been. I’ll give you all the time you need, I know it can be tough coming out as straight.
|
||||
|
||||
NATHAN
|
||||
Nah nah, not with that again this has always been a strictly straight relationship.
|
||||
|
||||
KAY
|
||||
Oh, you’re so cute when you cope. Not only is this the gayest relationship since /*something that works in this context idek. not like this took much effort or is going anywhere anyway...*/ and not only am I the top, I’m also the boyfriend.
|
||||
|
||||
NATHAN
|
||||
Cry about it. Not my fault you have a perfectly fat cock.
|
||||
|
||||
===
|
||||
|
||||
/*noted 10-9-21 8:15am, fountained 10-13*/
|
||||
KAY
|
||||
Oh, just keep the hoodie off for once. You know I love it...
|
||||
|
||||
NATHAN
|
||||
Yeah, well, tough titties.
|
||||
|
||||
KAY
|
||||
Yes?
|
||||
|
||||
NATHAN
|
||||
What?
|
||||
|
||||
KAY
|
||||
Well you did just say my full name.
|
||||
|
||||
INT. BEDROOM - LATER
|
||||
|
||||
KAY
|
||||
Oh no, now he has pants on, what a disaster! You know this really isn’t how I expected this evening to go.
|
||||
|
||||
===
|
||||
|
||||
/*noted 10-21-21 4:15pm, fountained 11-4*/
|
||||
|
||||
NATHAN
|
||||
You’re more than I can wish for.
|
||||
|
||||
KAY
|
||||
Keep wishing. Never stop.
|
||||
|
||||
/*I think the implication here is that if I wish enough and hard enough then she will manifest. Also it’s like a different feeling because you normally say you’re more than I could have wished for, or all I ever hoped, but when you don’t have someone, the person that doesn’t exist that you say that to frames the conversation a bit differently.*/
|
||||
|
||||
===
|
||||
|
||||
/*
|
||||
noted 11-26-21 @3:38am, fountained 11-23
|
||||
|
||||
context is nafan requested kay’s hormones to sleep, she gets excited because this means she gets bussy all night
|
||||
*/
|
||||
|
||||
NATHAN
|
||||
what are you, some kind of necro?
|
||||
|
||||
KAY
|
||||
no, *somno*, get it right!
|
||||
|
||||
===
|
||||
|
||||
/*noted early morning 2-14-2022, fountained later that evening*/
|
||||
|
||||
NATHAN
|
||||
Kay, breaking and entering because you’re obsessed with me is neither legal nor romantic, I mean, what if I’m not into that?
|
||||
|
||||
KAY
|
||||
It wouldn’t matter that you’re not into it, because I am, and of course my feelings *actually* matter in this situation...
|
||||
|
||||
Her tone is confusingly half-sarcastic, her classic tone. Kay takes a step closer, beginning to blush.
|
||||
|
||||
KAY
|
||||
(embarrasedly)
|
||||
And what if you *are* into that?
|
||||
|
||||
NATHAN
|
||||
That’s besides the point, it’s totally weird and utterly disturbing for you to just sneak or break into my house and stand in my room watching me sleep. And illegal! Don’t forget illegal.
|
||||
/*i think i was meaning to stress the lawlessness part a bit more to make kay's response make more sense*/
|
||||
|
||||
KAY
|
||||
Nathan, you pirate digital media constantly because you “can’t afford” it.
|
||||
|
||||
NATHAN
|
||||
Well, you can disobey the law if there are enough moral strings attached. Sometimes there’s no good alternative for paying thousands of dollars for the sims other than piracy. Though you don’t have any proof I do pirate.
|
||||
|
||||
KAY
|
||||
You literally tweeted out advocating the piracy of everything published under EA one hour ago. I thought you knew I constantly stalk your socials.
|
||||
|
||||
Her face goes red with excitement at her last sentence, clutching at her iPhone 11 with obsessive glee.
|
||||
|
||||
NATHAN
|
||||
I should probably delete that.
|
||||
|
||||
As Nathan reaches for his phone on his side table, Kay quickly edges her hip in to block his hand’s path. Nathan flinches.
|
||||
|
||||
Kay pounces on Nathan’s bed, staring seductively into his eyes. He stares back, terrified. The imagery of a fox having cornered its prey is evident.
|
||||
|
||||
KAY
|
||||
Are there enough “moral strings” attached here for you to forgive my crimes this evening? I really meant no harm!
|
||||
|
||||
===
|
||||
|
||||
/*daydreaming at work on like 2hr50min sleep due to far cry 2022-03-28*/
|
||||
|
||||
**Megapleggs**
|
||||
|
||||
INT. MEGAPLEX JORDAN COMMONS SOUTH CONCESSIONS
|
||||
|
||||
Nathan is working on the southest of south concessions, folding Pizza Hut boxes methodically. Swish, crunch, stack. Swish, crunch, stack. He's 5'9, somewhat skinny, in all black, purple shirt, black apron, in classic Megaplex Food Team fashion. A black baseball cap bent out to look like a flatbrim covers his recent buzz cut. He sometimes speaks with a stutter and a sputter, suffering from situational anxiety (is that a real thing?). He whispers to himself like a schizo and doesn't notice...
|
||||
|
||||
Kalani walks briskly from one end of South to the other, eyeing her prey with a strange smirk quivering on her lips, like she's holding in a laugh. She's very pale, and very human, for now; about 5'8, chubby, a brownish redhead with a big forehead. She's a little sensitive about those last two. She leans over the counter to Nathan's left and watches him for a moment, fidgeting.
|
||||
|
||||
A red and black **aura** emits from her as we see Nathan continuing his work with her out of focus in the background. Outside the depth of field we see her turn to an orange blob with her eyes red and glowing. The swish, crunch, stack of the boxes *descends in to an extreme reverb* as blob-Kay's **aura** goes faster and her fidgeting intensifies.
|
||||
|
||||
He eventually checks the empty Monday Morning lobby and catches the (definitely human) vixen eyeing him from across the counter. A surprised smile breaks across his face, and he subtly tenses up. Kalani throws up a peace sign, still with her own struggling smile.
|
||||
|
||||
NATHAN
|
||||
Oh, hey!
|
||||
|
||||
KALANI
|
||||
Was wondering when you'd see me.
|
||||
|
||||
NATHAN
|
||||
Listen, the box thing is very rhythmic. Morning shifts are a ghost town anyway.
|
||||
|
||||
KALANI
|
||||
Rhythmic.
|
||||
|
||||
NATHAN
|
||||
(exasperated)
|
||||
Yeah, okay. What are you here for, anyway? Really great to see you!
|
||||
|
||||
KALANI
|
||||
Oh, you know, just hanging out.
|
||||
|
||||
NATHAN
|
||||
So, loitering?
|
||||
|
||||
KALANI
|
||||
(sarcastic)
|
||||
Yeah? It's a valid career choice, what about you?
|
||||
|
||||
NATHAN
|
||||
Well I work here, too, my job's the same as yours, just getting paid to stand around pretty much. Started a couple weeks ago. Though I got sick for thirteen days straight so I guess I've not really been here too long.
|
||||
|
||||
He works on the boxes as he talks, slower this time due to the new activity to focus on.
|
||||
|
||||
KALANI
|
||||
(sarcastic)
|
||||
Yeah, just gonna pretend that's not new information to me. Did you have Covid?
|
||||
|
||||
NATHAN
|
||||
Nah, doctor gave me antibiotics, so it must have been bacterial. Longest time I've ever been sick though, sucks I couldn't make more money but that's why I'm taking every shift I can.
|
||||
|
||||
KALANI
|
||||
Oh, that's good. Being the shift-taker definitely requires a girlboss.
|
||||
|
||||
NATHAN
|
||||
A girlboss who forgets about her shift and doesn't go to sleep till 5?
|
||||
|
||||
KALANI
|
||||
Turns out you're a guy after all.
|
||||
|
||||
Nathan chuckles shyly, shivering slightly.
|
||||
|
||||
NATHAN
|
||||
I knew I shouldn't have done it, but I only had so long for the free weekend for a freaking video game. I was sleeping through my alarm for fifteen minutes, probably going to go straight to bed when I get home.
|
||||
|
||||
KALANI
|
||||
Yeah naps! We should take a nap together!
|
||||
|
||||
NATHAN
|
||||
Huh?
|
||||
|
||||
KALANI
|
||||
Oh you know, just two friends napping together at the same time in the same bed, don't make this weird.
|
||||
|
||||
NATHAN
|
||||
(sputtering)
|
||||
Okay... What are you here for again?
|
||||
|
||||
KALANI
|
||||
I wasn't kidding, I'm hanging out, loitering. You get off at 6:30 and then we can go to your house?
|
||||
|
||||
He's a bit overwhelmed at this point. Holding back tremors.
|
||||
|
||||
NATHAN
|
||||
4:15. I don't know about *that*.
|
||||
|
||||
KALANI
|
||||
Why not?
|
||||
|
||||
NATHAN
|
||||
I don't want anybody else in my room. It's dirty and kinda loud. I wear earplugs to sleep.
|
||||
|
||||
KALANI
|
||||
Even at night?
|
||||
|
||||
NATHAN
|
||||
Well yeah I got computers in there. Oh, yeah, it's also really hot, so you're definitely never going in there.
|
||||
|
||||
Kalani makes a duck face for half a second, puckering her lips happily in response to Nathan's remembering her dislike for heat.
|
||||
|
||||
KALANI
|
||||
Oh, you don't turn them off when you sleep?
|
||||
|
||||
NATHAN
|
||||
No, they're always doing tasks.
|
||||
|
||||
He hits his hand on the counter jokingly, pressing an invisible button with his palm, mimicking an alarm sound. *WAH!* He continues talking as though nothing happened.
|
||||
|
||||
NATHAN
|
||||
Emergency meeting! Yeah they're crypto mining 24/7, sometimes downloading or uploading or hosting server or something. Our internet's ... not great.
|
||||
|
||||
KALANI
|
||||
(interested)
|
||||
Oh, crypto? How's that work? I hear it's not... particularly environmentally friendly, can you even afford it?
|
||||
|
||||
NATHAN
|
||||
Yeah so basically I have several systems, the GPUs in them can run games but they can also be used to run procedural programs executing tasks like crypto, it takes a pretty big power bill but it slowly makes money. Bit of extra pocket change for hardware I already own, it was my entire income when I was only doing school, but it's really not much. 'Course I don't pay the power bill, but my parents don't mind. That or they don't understand it, I dunno they've never asked.
|
||||
|
||||
He pauses and makes a wide eyed grimace, as if to say *'may be a problem...'*
|
||||
|
||||
NATHAN
|
||||
Anyway I already had the hardware because I did a lot of gaming, schoolwork, other projects on those systems or I scrounged them from the DI or facebook so it's not obscenely expensive. Anyway Twitter hates crypto and NFTs for a lot of reasons but the entire "bad for the environment" thing is pretty exagerrated. All it takes is electricity, that electricity could be used to power houses, vehicles, other computers or game consoles, its environmental impact depends on where it comes from. It could come from wind, solar, nuclear, or literally just burning coal. Or any combination of those, probably a combination. It's funny 'cause the same people won't bat an eye at the entire power grid using power from a coal plant, so the electricity used anywhere has the same likelihood of getting its power from literally creating carbon emissions. The same people will say, 'stop whining about gas prices and get an electric car' and not even realize that the manufacturing process to make those cars has a carbon footprint that's probably more- er- or at least in the same ballpark as just using a normal person car or a hybrid. I mean you use both gas and electricity, right?
|
||||
|
||||
KALANI
|
||||
(sarcastic)
|
||||
No, I live in a hut and I grow wings to get to work.
|
||||
|
||||
NATHAN
|
||||
Okay, shutchamouth. Hot pocket isn't a frig'n prius tesla funny car. Anyway here's how I see it: we all have a carbon footprint, none of it will ever amount to that of India and China, no matter what, unless we can all start moving to nuclear, which would be great, but our government is gay and cringe. Let's say I had a button that would release 5 kilograms of carbon dioxide into the air, but it would give me $50 grand every time I pressed it. Heck, even if it was a dollar per gram of CO2, I would be spamming that button. I dunno. It'd be really nice to get a car, move out, I want to start a share house with some friends maybe, definitely buy more computer parts... Everyone has their price, and I'm broke, so mine's pretty low.
|
||||
|
||||
KALANI
|
||||
What's your price for me to take you home to my bed?
|
||||
|
||||
NATHAN
|
||||
Uh... c- come again?
|
||||
|
||||
KALANI
|
||||
(laughs)
|
||||
I'll do that later. So how much do you cost?
|
||||
|
||||
Nathan hesitates, blinking and shaking his head in disbelief.
|
||||
|
||||
NATHAN
|
||||
Uh... A meal?
|
||||
|
||||
KALANI
|
||||
That's weird, I didn't get you the last time I bought you food.
|
||||
|
||||
Nathan is definitely visibly trembling now.
|
||||
|
||||
NATHAN
|
||||
Maybe you didn't order the correct uh, menu item. I don't think I accept vouchers...
|
||||
|
||||
KALANI
|
||||
I'll keep that in mind. Where are we eating then?
|
||||
|
||||
NATHAN
|
||||
Well, I'll be grabbing a corn dog when I go on break, so maybe we can just grab some shakes and then I'll be... you can steal me when i get off.
|
||||
|
||||
KALANI
|
||||
You can grab my corn dog.
|
||||
|
||||
NATHAN
|
||||
What?
|
||||
|
||||
Kalani stretches, smiling to herself.
|
||||
|
||||
KALANI
|
||||
I think I'll try a corn dog when you do.
|
||||
|
||||
Nathan sighs, still spooked.
|
||||
|
||||
NATHAN
|
||||
I love them so much, they're to die for. Just fry it in oil and I'll love it forever.
|
||||
|
||||
KALANI
|
||||
Noted. I'll be over there staring at you your entire shift, give me a wink or something when it's time for your break and I'll give you some company.
|
||||
|
||||
NATHAN
|
||||
(flustered)
|
||||
Sounds like normal human activity.
|
||||
|
||||
/*i think this bit is meant to be in break room scene? idk if 100% keep idk*/
|
||||
|
||||
KALANI
|
||||
WHAT? Did you cut your hair?
|
||||
|
||||
NATHAN
|
||||
Yeah, it was inconvenient and messy and kinda ugly.
|
||||
|
||||
KALANI
|
||||
Aw, it really had potential though!
|
||||
|
||||
Kalani runs her finger along Nathan's now-bare forehead, trailing it around his temple, brushing away an imaginary long trailing hair out of his eyes. Keen viewers will notice a pimple on his temple disappearing after her finger finishes its journey.
|
||||
|
||||
/*some sort of transition to bedroom ig*/
|
||||
|
||||
KALANI
|
||||
Okay, here’s the deal. I know you want to lie on top of me and bury your face in my boobs and I’ll let you do all of that as long as I get free reign over the rest of your body.
|
||||
|
||||
NATHAN
|
||||
I didn’t say anything...
|
||||
|
||||
KALANI
|
||||
It’s on your face, you want me to touch your butt, very badly. It’s a good deal, get over here.
|
||||
|
||||
NATHAN
|
||||
What? It’s kind of one sided, what do you get out of it?
|
||||
|
||||
KALANI
|
||||
I’m bisexual. I’m okay with touching butts.
|
||||
|
||||
/*
|
||||
inspired by between sleep daydream right before having to go to work 11/29/2022 ~7:30am. Wasn't entirely conscious; my brain is so used to the fake scenarios method that it attempts to re-enter sleep stages by utilizing the method even when not conscious. It's a bit spooky that my fantasies have been so far engrained into both the conscious and subconscious that this happens. I've conditioned myself through habitual fantasizing that my brain itself has rewired to have wacky habits. The honry is too strong. Anyway my fav scenario as of late has been that of getting double dicked by Sara and Kay, and Sara mommy domming the both of us. The semiconscious dream derived from the scenario was that of me being in a relationship with Sara (seemed to be in old house bedroom which really solidifies it as a dream but it having been somewhat lucidly triggered by semiconscious thought... this pseudoscience is strange...) and Kay being on the outside trying to barge her way into it and finally succeeding in creating a sort of polycule between the three of us. I don't think I could do it in real life. That's why it's just a fantasy. Bit of a guilty pleasure I think. But it goes like Kay is domming me, trying to own me, Sara then doms and reclaims me by sitting on my lap and forcing my face into her chest, then making out with Kay. She says something sarcastic/bratty back to her, Sara slaps her and forces to call her mom or something. It was a subconscious thought man don't judge me.
|
||||
|
||||
Anyway the following is derived from me thinking about it throughout work day; what if this spiderverse scenario was accidentally and unknowingly triggered on Kay, specifically a version of Kay who had claimed me after her transformation and we lived together, but the universe she is transported, seemingly abducted to, is identical to her native universe except the only variable changed was that Sara was sent to her own Inner Sanctum rather than Kay; Sara has similar abilities, underwent a similar transformation. Perhaps the reasoning for her transformation could be different and more fitting than Kay's; Kay was sent because she was trying to lose weight while being forced not to, breaking physics and causing her to be reverted to a spiritual state, where her soul had to fight within her consciousness (represented in 3 dimensions by an Inner Sanctum) with her problems, conquering them and once that internal conflict was resolved, the Sanctum was exited and her body transformed at a time dilated pace. I think that justification makes sense but could be expanded upon in the main storyline. However, I'm having trouble trying to make it fit how this could work for Sara. I like the idea that she becomes muscle mommy rather than chubby mommy with unequivalent physical power to her appearance, but I'm thinking in order for the requirements for a Sanctum transformation to be met, there would have to be something changed about myself as well. I was the one who caused some of the requirements for the Sanctum to be met by having such a crush on Kay, but also a big thing for chubby girls, that I didn't want her to lose weight but fantasized about a world where she could be that weight but healthy and also happy with herself, forcing her to remain that weight, causing the Sanctum entrance and eventually creating that world. Perhaps Sara's would be in reverse. She wants to work out, alt-me encourages her to work out because alt-me has a muscle mommy thing > chubby mommy thing, my fantasies change to be more suited to make Sara the one who gets Sanctum'd. I would rather that be the case than the requriements for Sanctuming be changed, though in an infinite multiverse that is admittedly also a variable that could be changed.
|
||||
|
||||
I find the fantasies thing interesting; a big part of my fantasies are literally just that my fantasy lover's powers just fix the stimuli to my OCD. I hate things being unsanitary and uncomfortable, especially in relation to sex. Her powers remove those issues. I think this explains why Sara's powers would be similar even if the reason her transformation occurred was quite different. My idealized version of any lover could consistently have the same healing and superhuman powers. I kinda love the idea of being immortal with one parter; both Kay's and Sara's powers would be able to bring someone back from even death and even restore them to a point as if nothing happened, with some exceptions. I think some scars could remain or perhaps become more defined because both Kay and I subconsciously control what the healing does and would be very thematically interesting; I like some scars, perhaps she can find them hot as well, thus they remain, almost divinely.
|
||||
|
||||
I'm thinking Sara would have far more restraint when it comes to killing someone or inflicting pain, even though she'd have a similar or perhaps identically potent healing power. A line from Kay to her recognizing "If I discovered someone in my home fucking my husband I wouldn't be able to stop myself from killing them."
|
||||
|
||||
This entire thing is why it's so tough just to write multiverse shit and slap in a million different versions of the same individuals into one story and call it good. There's so much depth to be explored with even just two differing universes with only a couple slightly tweaked variables. Not only is the exploration of that depth often far more interesting, but it's far more feasible because exploring that depth can clear up a lot of confusion on how the different versions are different and how they realistically ended up that way. With some multiverse content you just have to go "hm, guess that's just x character from the dimension where y variable is different" and that's just so incredibly boring... Not even to get into how F'd multiversal travel and god forbid multiversal threats can be to your previously well-grounded, well-written story. Perhaps the way it works in my multiverse is that eventually, everyone spends at least one day pulled into an alternate universe and has to figure out how to reverse it or something. Could be interesting. So at least once, either someone from the origin-verse or whatever is pulled out, like in this story, or someone from another universe visits the origin-verse. Could be interesting.
|
||||
*/
|
||||
Reference in New Issue
Block a user